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Collection of interesting short stories from authors such as Joyce Carol Oates and Raymond Carver.
Translations from Hindi, Bengali, Urdu, Tamil and the South sit alongside writing in English, bringing to light the greatest and most engaging writers from India's recent history. With introductions to the writers and their work, this is an electic and enlightening anthology of Indian writing.
The Picador Book of African Stories contains forty short stories from across the wide African continent, hardly any of which have been collected before. These are by the post-1980 generation of writers or were written in the last two decades. Some are firm favourites, but most are appearing in print for the first time. Over half the contents have been freshly translated into English (from Arabic, French and Portuguese) in specially commissioned new versions. Each writer appears with biographical notes. In the introduction to the collection the claim that this huge, lively continent has indeed become the home of new and inventive ways of short-story writing is presented.
In recent years American readers have been thrilling to the work of such Indian writers as Salman Rushdie and Vikram Seth. Now this extravagant and wonderfully discerning anthology unfurls the full diversity of Indian literature from the 1850s to the present, presenting today’s brightest talents in the company of their distinguished forbearers and likely heirs. The thirty-eight authors collected by novelist Amit Chaudhuri write not only in English but also in Hindi, Bengali, and Urdu. They include Rabindranath Tagore, arguably the first international literary celebrity, chronicling the wistful relationship between a village postal inspector and a servant girl, and Bibhuti Bhushan Banerjee, represented by an excerpt from his classic novel about an impoverished Bengali childhood, Pather Panchali. Here, too, are selections from Nirad C. Chaudhuri’s Autobiography of an Unknown Indian, R. K. Narayan’s The English Teacher, and Salman Rushdie’s Midnight’s Children alongside a high-spirited nonsense tale, a drily funny account of a pre-Partition Muslim girlhood, and a Bombay policier as gripping as anything by Ed McBain. Never before has so much of the subcontinent’s writing been made available in a single volume.
Millard leads the interpretation of post-1970 fiction by addressing particular authors and themes.
Variously funny, frightening, poignant, and exhilarating, these collected stories displays the best American writers at the peak of their powers and the national narrative at its most eloquent, truthful, and inventive. The thirty-three stories in this volume prove that American short fiction maybe be our most distinctive national art form. As selected and introduced by Tobias Wolff, they also make up an alternate map of the United States that represents not just geography but narrative traditions, cultural heritage, and divergent approaches. Contributors and stories include: Mary Gaitskill, "A Romantic Weekend"; Andre Dubus, "The Fat Girl"; Tim O'Brien, "The Things They Carried"; Raymond Carver, "Cathedral"; Joyce Carol Oates, "Where Are You Going, Where Have You Been?"; Mona Simpson, "Lawns"; Ann Beattie, "A Vintage Thunderbird"; Jamaica Kincaid, "Girl"; Stuart Dybek, "Chopin in Water"; Ron Hansen, "Wickedness"; Denis Johnson, "Emergency"; Edward P. Jones, "The First Day"; John L'Heureux, "Departures"; Ralph Lombreglia, "Men Under Water"; Robert Olmstead, "Cody's Story"; Jayne Anne Phillips, "Home"; Susan Power, "Moonwalk"; Amy Tan, "Rules of the Game"; Stephanie Vaughn, "Dog Heaven"; Joy Williams, "Train"; Dorothy Allison, "River of Names"; Richard Bausch, "All The Way in Flagstaff, Arizona"; and more.
This volume offers a survey of American short fiction in 59 tales that combine classic works with 'different, unexpected gems', which invite readers to explore a wealth of important pieces by women and minority writers. Authors include: Amy Tan, Alice Adams, David Leavitt and Tim O'Brien.
A tribute to the finest writers on the game of cricket and an acknowledgement that the great days of cricket literature are behind us. There was a time when major English writers – P. G. Wodehouse, Arthur Conan Doyle, Alec Waugh – took time off to write about cricket, whereas the cricket book market today is dominated by ghosted autobiographies and statistical compendiums. The Picador Book of Cricket celebrates the best writing on the game and includes many pieces that have been out of print, or difficult to get hold of, for years. Including Neville Cardus, C. L. R. James, John Arlott, V. S. Naipaul, and C. B. Fry, this anthology is a must for any cricket follower or anyone interested in sports writing elevated to high art.
Two-volume set that presents an introduction to American short fiction from the 19th century to the present.
NATIONAL BESTSELLER • A NEW YORK TIMES BOOK OF THE YEAR • From the bestselling author of A Gate at the Stairs: A collection of twelve stories that’s “one of our funniest, most telling anatomies of human love and vulnerability" (The New York Times Book Review). A volume by one of the most exciting writers at work today, the acclaimed author of Who Will Run the Frog Hospital? and Self-Help. Stories remarkable in their range, emotional force, and dark laughter, and in the sheer beauty and power of their language. From the opening story, "Willing"—about a second-rate movie actress in her thirties who has moved back to Chicago, where she makes a seedy motel room her home and becomes involved with a mechanic who has not the least idea of who she is as a human being—Birds of America unfolds a startlingly brilliant series of portraits of the unhinged, the lost, the unsettled of our America. In the story "Which Is More Than I Can Say About Some People" ("There is nothing as complex in the world—no flower or stone—as a single hello from a human being"), a woman newly separated from her husband is on a long-planned trip through Ireland with her mother. When they set out on an expedition to kiss the Blarney Stone, the image of wisdom and success that her mother has always put forth slips away to reveal the panicky woman she really is. In "Charades," a family game at Christmas is transformed into a hilarious and insightful (and fundamentally upsetting) revelation of crumbling family ties. In "Community Life,"a shy, almost reclusive, librarian, Transylvania-born and Vermont-bred, moves in with her boyfriend, the local anarchist in a small university town, and all hell breaks loose. And in "Four Calling Birds, Three French Hens," a woman who goes through the stages of grief as she mourns the death of her cat (Anger, Denial, Bargaining, Häagen Dazs, Rage) is seen by her friends as really mourning other issues: the impending death of her parents, the son she never had, Bosnia.