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One of the most successful musicals of all time, Andrew Lloyd Webber's 'The Phantom Of The Opera' has now been adapted for the cinema. This book traces the 'Phantom' legend from Gaston Leroux's original story, covering both the history of the stage musical and the making of Joel Schumacher's film adaptation.
One of the most successful musicals of all time, Andrew Lloyd Webber's 'The Phantom of the Opera' has been running for nearly 20 years on Broadway and in the West End. It has delighted over 100 million people in 22 countries. 'The Phantom of the Opera Companion' is the definitive account of the award-winning masterpiece, tracing the phantom legend from its' origins in historical fact, through numerous artistic incarnations to the present-day theatre production and film. Divided into three parts, the first section introduces the reader to Gaston Leroux's classic story, based on the Paris Opera House during la belle époque; the second section provides a unique insight into the renowned theatre production, with backstage pictures and enlightening interviews with the director, designers and crew. The final section covers the making of Joel Schumacher's 2004 film production. As the authorised volume book to accompany the film, 'The Phantom of the Opera' is a lavish insight into this classic story and its' modern-day reincarnation.
An imaginative and sensitive story of the life of the Phantom of the Opera; winner of the Boots Romantic Novel Award.
A sequel to Gaston Leroux's The Phantom of the Opera in which the disfigured Phantom goes to America. He builds the world's greatest opera house, hoping to lure his love, the opera diva who rejected him in Paris. By the author of The Day of the Jackal.
Sometimes in life you have to risk everything. She left him a broken man teetering on the brink of madness. He had fully expected to remain in that condition for the rest of his life. But one night, in a dark and filthy alley, fate sent him another reason to hope. In the midst of his deepest despair, he found a purpose far greater than himself and in the process discovered the true meaning of happiness. And now, with his heart again dreaming, he had a plan; a plan that would give him a life beyond his wildest fantasies. But there were three things standing in his way; the police who hunted him, the Russians he would steal from, and the man he had sworn to kill.
An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.
Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, and mobility impairment often coupled with bodily deformity. Cultural Disability Studies has, from its inception, been oriented toward physical and sensory disabilities, and has generally been less effective in dealing with cognitive and intellectual impairments and with the sorts of emotions and behaviors that in our era are often medicalized as "mental illness." In that context, it is notable that so many of these essays are centrally concerned with madness, that broad and ever-shifting cultural category. There is also in impressive diversity of subject matter including YouTube videos, Ghanaian drumming, Cirque du Soleil, piano competitions, castrati, medieval smoking songs, and popular musicals. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments.0First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity.
"The Phantom Of The Opera, the iconic gothic romance, is retold with all the spectacle its legend demands in this devoted graphic novel adaptation that marries stunning artwork with Gaston Leroux's haunting prose. Everyone has heard the whispered tales of the phantom who lives beneath the opera house, the mysterious trickster behind all the little mishaps and lost things. But no one has ever seen the monster . . . until now. When the promise of blossoming love lures him out from his intricately constructed hideaways in the labyrinthine building's walls and cellars, a hideously disfigured artist trains the lovely Christine to be the opera's next star for a steep price. Does she choose her newfound success or her beloved Count Raoul? This doomed love triangle threatens to combust when a tragic death, a series of betrayals, and increasingly dangerous accidents cast the players of The Palais Garnier into a heart-wrenching horror story that will echo through the ages"--provided by publisher.
This classic collection features 25 tales shaped by gothic's mood of menace and the macabre. In addition to the world-famous title novel, the anthology includes Horace Walpole's The Castle of Otranto, which launched the gothic novel craze, as well as stories by H. P. Lovecraft, Edgar Allan Poe, Mary Shelley, Arthur Machen, Louisa May Alcott, E. T. A. Hoffmann, J. Sheridan Le Fanu, and Vernon Lee.