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Bundel essays gewijd aan de betekenis van sadisme, pornografie, homoseksualiteit en parafilieën voor de letteren. Bevat een aantal bijdr. over Sade, een artikel van Gore Vidal over pornografie, een beschouwing over het werk van John Rechy, en een essay van Kate Millett over Henry Miller, Norman Mailer en Jean Genet.
Maguire uncovers a history of French thought that casts the imagination as a dominant faculty in our experience of the world. Original and thought-provoking, this book will interest a range of readers across intellectual history, political theory, literary and cultural studies, and the history of religious thought.
The essays collected in this book include two each on Dante and Chaucer that appear for the first time in print and three on Shakespeare that are based on Dr. Traversi's Approach to Shakespeare. Dante's Purgatorio, Chaucer's the Franklin's Tale, and Shakespeare's the Tempest are among the texts analyzed here.
The philosopher Giles Deleuze and the psychoanalyst and political activist Felix Guattari have been recognised as among the most important intellectual figures of their generation. This is the first book-length study of their works in English, one that provides an overview of their thought and of its bearing on the central issues of contemporary literary criticism and theory. From Deleuze's 'philosophy of difference' to Deleuze and Guattari's 'philosophy of schizoanalytic desire', this study traces the ideas of the two writers across a wide range of disciplines - from psychoanalysis and Marxist politics to semiotics, aesthetics and linguistics. Professor Bogue provides lucid readings, accessible to specialist and non-specialist alike, of several major works: Deleuze's Nietzsche and Philosophy (1962), Difference and Reception (1968), and Deleuze and Guattari's Anti-Oedipus (1972) and A Thousand Plateaus (1980). Besides elucidating the basic structure of Deleuze and Guattari's often difficult thought, with its complex and often puzzling array of terms, this study also shows how theory influences critical practice in their analyses of the fiction of Proust, Sacher-Masoch and Kafka.
To write this history of the imagination, Le Goff has recreated the mental structures of medieval men and women by analyzing the images of man as microcosm and the Church as mystical body; the symbols of power such as flags and oriflammes; and the contradictory world of dreams, marvels, devils, and wild forests. "Le Goff is one of the most distinguished of the French medieval historians of his generation . . . he has exercised immense influence."—Maurice Keen, New York Review of Books "The whole book turns on a fascinating blend of the brutally materialistic and the generously imaginative."—Tom Shippey, London Review of Books "The richness, imaginativeness and sheer learning of Le Goff's work . . . demand to be experienced."—M. T. Clanchy, Times Literary Supplement
Representations of masochism - both overt and oblique - permeate the work of James Joyce. While a number of critics have noted this, to date there has been no sustained and focused analysis of this trope in his writings. David Cotter argues that such an examination is key to understanding the meanings and messages of Joyce's work. Adding further dimensions to moral, political and aesthetic considerations in the novels and stories - particularly Ulysses - this book provides a comprehensive account of masochistic elements in James Joyce's work. Cotter draws upon psychoanalytic theory and social history to illustrate the subversive power of perversity in the literature of the modern period. This edition first Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
The Collective Imagination explores the social foundations of the human imagination. In a lucid and wide-ranging discussion, Peter Murphy looks at the collective expression of the imagination in our economies, universities, cities, and political systems, providing a tour-de-force account of the power of the imagination to unite opposites and find similarities among things that we ordinarily think of as different. It is not only individuals who possess the power to imagine; societies do as well. A compelling journey through various peak moments of creation, this book examines the cities and nations, institutions and individuals who ply the paraphernalia of paradoxes and dialogues, wry dramaturgy and witty expression that set the act of creation in motion. Whilst exploring the manner in which, through the media of pattern, figure, and shape, and the miracles of metaphor, things come into being, Murphy recognises that creative periods never last: creative forms invariably tire; inventive centres inevitably fade. The Collective Imagination explores the contemporary dilemmas and historic pathos caused by this-as cities and societies, periods and generations slip behind in the race for economic and social discovery. Left bewildered and bothered, and struggling to catch up, they substitute empty bombast, faded glory, chronic dullness or stolid glumness for initiative, irony, and inventiveness. A comprehensive audit of the creativity claims of the post-modern age - that finds them badly wanting and looks to the future - The Collective Imagination will appeal to sociologists and philosophers concerned with cultural theory, cultural and media studies and aesthetics.
With his remarkable range of vision, the author takes us on a voyage of discovery that leads from Eden to Fellini, from paradise to parody - plotting the various models of the imagination as: Hebraic, Greek, medieval, Romantic, existential and post-modern.
Originally published in 1996. In The Cryptographic Imagination, Shawn Rosenheim uses the writings of Edgar Allan Poe to pose a set of questions pertaining to literary genre, cultural modernity, and technology. Rosenheim argues that Poe's cryptographic writing—his essays on cryptography and the short stories that grew out of them—requires that we rethink the relation of poststructural criticism to Poe's texts and, more generally, reconsider the relation of literature to communication. Cryptography serves not only as a template for the language, character, and themes of much of Poe's late fiction (including his creation, the detective story) but also as a "secret history" of literary modernity itself. "Both postwar fiction and literary criticism," the author writes, "are deeply indebted to the rise of cryptography in World War II." Still more surprising, in Rosenheim's view, Poe is not merely a source for such literary instances of cryptography as the codes in Conan Doyle's "The Dancing-Men" or in Jules Verne, but, through his effect on real cryptographers, Poe's writing influenced the outcome of World War II and the development of the Cold War. However unlikely such ideas sound, The Cryptographic Imagination offers compelling evidence that Poe's cryptographic writing clarifies one important avenue by which the twentieth century called itself into being. "The strength of Rosenheim's work extends to a revisionistic understanding of the entirety of literary history (as a repression of cryptography) and then, in a breathtaking shift of register, interlinks Poe's exercises in cryptography with the hyperreality of the CIA, the Cold War, and the Internet. What enables this extensive range of applications is the stipulated tension Rosenheim discerns in the relationship between the forms of the literary imagination and the condition of its mode of production. Cryptography, in this account, names the technology of literary production—the diacritical relationship between decoding and encoding—that the literary imagination dissimulates as hieroglyphics—the hermeneutic relationship between a sign and its content."—Donald E. Pease, Dartmouth College
Charles Rycroft's lucid jargon-free approach to psychoanalysis inspired a whole generation. Taking inspiration from many fields outside psychoanalysis, including history, literature, linguistics and ethology, he established the important link between mental health and the imagination, creating a broader perspective and encouraging free thinking. This solitary and creative "rebel" rarely received the recognition he deserved, but this collection of articles and papers by people who felt the benefit of his ever-curious, expanding wealth of knowledge, goes some way to acknowledging the debt owed to him, and introducing a new generation to this innovative analyst.