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Deconstructing the myth of Britain's “swinging sixties,” this collection of essays examines the revolution of cultural permissiveness in postwar Britain and how societal debates over drug use, pornography, and women's rights of this era have influenced current thinking. Britain's period of nebulous social change is analyzed by defining permissiveness, locating the movement's origins, identifying its proponents and opponents, and assessing long-term consequences. Discussions of ludic liberalism, lesbian politics, beatnik ideology, and the rise of the moral crusader highlight the developing subcultures of Britain's society.
What did sex mean for ordinary people before the sexual revolution of the 1960s and 1970s, who were often pitied by later generations as repressed, unfulfilled and full of moral anxiety? This book provides the first rounded, first-hand account of sexuality in marriage in the early and mid-twentieth century. These award-winning authors look beyond conventions of silence among the respectable majority to challenge stereotypes of ignorance and inhibition. Based on vivid, compelling and frank testimonies from a socially and geographically diverse range of individuals, the book explores a spectrum of sexual experiences, from learning about sex and sexual practices in courtship, to attitudes to the body, marital ideals and birth control. It demonstrates that while the era's emphasis on silence and strict moral codes could for some be a source of inhibition and dissatisfaction, for many the culture of privacy and innocence was central to fulfilling and pleasurable intimate lives.
Ideological warfare against authority, especially in the world of higher education, broke out in the 1960s, and continues into the 1990s. No source or symbol of authority escaped untouched?neither parents nor teachers nor the cop on the beat. While the hippies have gone underground or disappeared entirely, the assault on legitimate authority continues unabated. As familiar institutions crumble before our eyes, befuddled liberals and conservatives alike throw up their hands in despair. In Authority and Its Enemies, Thomas Molnar asserts that the Western world is reeling from an overdose of freedom without order or authority.
This volume is a tribute to the value of one of the world's great private libraries. Thirteen historians have selected texts which together offer an illustration of the remarkable resources preserved by the Lambeth Palace Library for the period from the Reformation to the late twentieth century.
"A must-read for anyone interested in the history of drag performance."--​Publishers Weekly A rich and provocative history of drag's importance in modern British culture. Drag: A British History is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage.
In this rigorous study, Marcus Collins reconceives the Beatles' social, cultural and political impact on sixties Britain.
An engaging, inclusive history of the NHS, exploring its surprising survival--and the people who have kept it running In recent decades, a wave of appreciation for the NHS has swept across the UK. Britons have clapped for frontline workers and championed the service as a distinctive national achievement. All this has happened in the face of ideological opposition, marketization, and workforce crises. But how did the NHS become what it is today? In this wide-ranging history, Andrew Seaton examines the full story of the NHS. He traces how the service has changed and adapted, bringing together the experiences of patients, staff from Britain and abroad, and the service's wider supporters and opponents. He explains not only why it survived the neoliberalism of the late twentieth century but also how it became a key marker of national identity. Seaton emphasizes the resilience of the NHS--perpetually "in crisis" and yet perennially enduring--as well as the political values it embodies and the work of those who have tirelessly kept it afloat.
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations. The period between the 1960s and the 1990s has traditionally been associated with sexual liberation and a growing sense of permissiveness in Britain, during which cultural and social norms of young people's sexuality went through a dramatic shift. Using the Brook Advisory Centre (Brook) as a case study, Responsible Pleasure examines how and why this occurred, providing a socio-cultural history of youth sexuality in Britain over these three decades. It focuses on Brook as a pioneering sexual health charity operating on the cusp of voluntary and state-financed sectors. From the opening of its first centre in London, followed by other centres including Birmingham (1966), Cambridge (1966), Bristol (1968), and Edinburgh (1968), to the present day, Brook has been a major provider of contraceptive advice and sexual counselling to unmarried people and teenagers. It pioneered an initiative that would form the primary model for the provision of advice on contraception for teenagers in Britain and remains a key player in sexual health services today. Although Brook has provoked fierce opposition and triggered recurrent public debates on teenage sexuality, little is known of its history. As a non-governmental organisation with deep connections to the Family Planning Association (FPA) and the National Health Service (NHS), Brook offers a fascinating case study for exploring the relationship between changing sexual cultures, sexual politics, and young people's sexual experiences, intimacy, and subjectivities. Drawing on a wide range of archived and published materials, as well as oral history interviews conducted by the author, this book provides a substantial and original contribution to scholarship on the forging of the modern sexual subject.
This book explores the 'culture wars' of 1945-1970 and is the first major study of the origins and development of this leading annual arts extravaganza.
The new town of Milton Keynes was designated in 1967 with a bold, flexible social vision to impose "no fixed conception of how people ought to live." Despite this progressive social vision, and its low density, flexible, green urban design, the town has been consistently represented in British media, political rhetoric and popular culture negatively. as a fundamentally sterile, paternalistic, concrete imposition on the landscape, as a "joke", and even as "Los Angeles in Buckinghamshire". How did these meanings develop at such odds from residents' and planners' experiences? Why have these meanings proved so resilient? Milton Keynes in British Culture traces the representations of Milton Keynes in British national media, political rhetoric and popular culture in detail from 1967 to 1992, demonstrating how the town's founding principles came to be understood as symbolic of the worst excesses of a postwar state planning system which was falling from favour. Combining approaches from urban planning history, cultural history and cultural studies, political economy and heritage studies, the book maps the ways in which Milton Keynes' newness formed an existential challenge to ideals of English landscapes as receptacles of tradition and closed, fixed national identities. Far from being a marginal, "foreign" and atypical town, the book demonstrates how the changing political fortunes of state urban planned spaces were a key site of conflict around ideas of how the British state should function, how its landscapes should look, and who they should be for.