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A Russian couple wanted a child so much that they made one out of snow.
Blandings is now a major BBC One television series starring Jennifer Saunders and Timothy Spall. Unwelcome guests are descending on Blandings Castle - particularly the overbearing Duke of Dunstable, who settles in the Garden Suite with no intention of leaving, and Lady Constance, Lord Emsworth's sister and a lady of firm disposition, who arrives unexpectedly from New York. Skulduggery is also afoot involving the sale of a modern nude painting (mistaken by Lord Emsworth for a pig). It's enough to take the noble earl on the short journey to the end of his wits. Luckily Clarence's brother Galahad Threepwood, cheery survivor of the raffish Pelican Club, is on hand to set things right, restore sundered lovers and even solve all the mysteries.
Bahr returns to the tragic nobility of those attempting to overcome difficult situations through love, honor, and sacrifice with a story set in two different rail cars in the 1940s Deep South.
For fans of Harper Lee and Rita Mae Brown, Roy Hoffman's new novel is steeped in a sense of place--coastal Alabama--with its rich tapestry of characters caught in a web of justice not for all. Early Praise for The Promise of the Pelican: "Roy Hoffman has written a fast-paced, mesmerizing and incredibly moving contemporary novel about human and civil rights,"-- bestselling author Lee Smith "A thrilling novel, with characters as memorable as those of Shakespearean tragedy...I could not put it down." --Sena Jeter Naslund, author of Ahab's Wife At once a literary crime novel and an intergenerational family drama, The Promise of the Pelican is set in the multicultural South, where justice might depend on the color of your skin and your immigration status. Hank Weinberg is a modern day Atticus Finch, recently retired as a defense attorney in Mobile, Alabama, and a Holocaust survivor, who fled the Nazis as a young child. With his daughter in rehab, he's now taking care of his special needs grandson. Mourning his dead wife, spending mornings fishing on the pier with other octogenarians, he passes the rest of his days watching over his sweet grandson with the help of Lupita, a young Honduran babysitter. When her brother Julio, an undocumented immigrant, is accused of murder, Hank must return to the courtroom to defend him while also trying to save his daughter and grandson's life from spinning out of control. The Promise of the Pelican takes its title from the legend that a pelican will pierce its own breast for blood to feed its starving chicks, a metaphor for one old man who risks all to save the vulnerable. In a crisp prose style Harper Lee called "lean and clean," Hoffman writes from an enormous well of compassion. He fills his new novel with a cast of finely drawn characters of all ages and abilities facing life's harshest challenges and rising to meet them with dignity.
This major new complete edition of Shakespeare's works combines accessibility with the latest scholarship. Each play and collection of poems is preceded by a substantial introduction that looks at textual and literary-historical issues. The texts themselves have been scrupulously edited and are accompanied by same-page notes and glossaries. Particular attention has been paid to the design of the book to ensure that this first new edition of the twenty-first century is both attractive and approachable.
More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Revised and condensed from David Norton's acclaimed A History of the Bible as Literature, this book, first published in 2000, tells the story of English literary attitudes to the Bible. At first jeered at and mocked as English writing, then denigrated as having 'all the disadvantages of an old prose translation', the King James Bible somehow became 'unsurpassed in the entire range of literature'. How so startling a change happened and how it affected the making of modern translations such as the Revised Version and the New English Bible is at the heart of this exploration of a vast range of religious, literary and cultural ideas. Translators, writers such as Donne, Milton, Bunyan and the Romantics, reactionary Bishops and radical students all help to show the changes in religious ideas and in standards of language and literature that created our sense of the most important book in English.