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"Peep Show For Children Only" exposes real life behind the scenes dramas documenting the struggle to maintain the status quo. The author, Dave Warwak chronicles his trials and pursuits to teach humane education to his middle school art students against his principal's orders. Complete with actual documentation of State of Illinois courtroom proceedings, Warwak presents compelling arguments about the human condition as he draws open the curtain hiding society's ills. Just as Scopes changed the landscape of education with his "Monkey Trials" some 80 years ago, Warwak has come forward in present day with striking revelations about our current failing educational system and offers clear no-nonsense solutions that chill one to the bone. Foreword by Dr T Colin Campbell PhD & Dr Will Tuttle PhDhttp://peepshowforchildrenonly.com
In 1978, Siouxsie and the Banshees declared 'We don't see ourselves in the same context as other rock'n'roll bands.' A decade later, and in the stark aftermath of a devastating storm, the band retreated to a 17th-century mansion house in the deracinated Sussex countryside to write their ninth studio album, Peepshow. Here, the band absorbed the bygone, rural atmosphere and its inspirational mise en scène, thus framing the record cinematically, as Siouxsie Sioux recalled, 'It was as if we were doing the whole thing on the set of The Wicker Man'. Samantha Bennett looks at how Siouxsie and the Banshees' Peepshow is better understood in the context of film and film music (as opposed to popular music studies or, indeed, the works of other rock'n'roll bands). Drawing upon more than one hundred films and film scores, this book focuses on Peepshow's deeply embedded historical and aesthetic (para)cinematic influences: How is each track a reflection of genre film? Who are the various featured protagonists? And how does Peepshow's diverse orchestration, complex musical forms, atypical narratives and evocative soundscapes reveal an inherently cinematic record? Ultimately, Peepshow can be read as a soundtrack to all the films Siouxsie and the Banshees ever saw. Or perhaps it was the soundtrack to the greatest film they never made.
A sassy, sexy, and very funny novel introducing Simone Kirsch, stripper and PI, who is determined to find the real killer of a strip club owner Simone Kirsch aka Vivien Leigh is sexy, funny, and intelligent. And she needs it all as she goes undercover, stripping at the table dancing club, the Red Room, to find out who killed the sleazy owner, Francesco "Frank" Parisi. It's the only way to get her best friend Chloe back from Frank's underworld brother Sal, who is threatening to kill her unless Simone can come up with the real murderer. After graduating at the top of her private investigator course and working in a peepshow, Simone has a few tricks up her sleeve—and she's never been afraid of getting herself into sticky situations. But now she's tangling with the city's most corrupt cop, some crazy strippers, and a rockabilly band called Las Vegas Grind.
Includes its Report, 1896-19 .