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China's hottest literary genre brings together the traditional, the experimental, and the avant-garde.
China's hottest literary genre brings together the traditional, the experimental, and the avant-garde. Hugely popular in China, flash fiction is poised to be the most exciting new development in contemporary Chinese literature in a decade. Integrating both vernacular and contemporary styles while embracing new technologies such as text messaging (SMS) and blogging, contemporary Chinese flash fiction represents the voice of a civilization at the brink of a startling and unprecedented transformation. This collection features 120 short-short stories (from 100 to 300 words each), written by some of China's most dynamic and versatile authors. Dong Rui's The Pearl Jacket offers a glimpse of the real and surreal in human evolution, Chen Qiyou's Butterfly Forever brings an ancient Chinese literary motif into a startling modern context, while Liu Jianchao's Concerned Departments mocks the staggering complexity of life in the new urban China. Traditional, experimental, and avant-garde, The Pearl Jacket and Other Stories will reinvigorate the position of young Chinese writers as a major presence in contemporary literature. Their voices breathe new energy into modern Chinese literature, leaving the literary and societal stagnation of the Cultural Revolution behind as a distant memory.
This book presents Chinese short-short stories in English and Chinese, integrating language learning with cultural studies for intermediate to advanced learners of Mandarin Chinese and students of contemporary Chinese literature. Each chapter begins with a critical introduction, followed by two or more stories in parallel Chinese and English texts; each story is followed by a vocabulary list, discussion questions, and a biography of the author. The chapters are organized around central concepts in Chinese culture such as li (ritual), ren (benevolence), mianzi (face/prestige), being filial, and the dynamics of yin and yang, as well as the themes of governance, identity, love, marriage, and change. The stories selected are short-shorts by important contemporary writers ranging from the most literary to everyday voices. Specifically designed for use in upper-level Chinese language courses, Contemporary Chinese Short-Short Stories: A Parallel Text offers students a window onto China today and pathways to its traditions and past as they gain language competence and critical cultural skills.
For more than a century, the United States and China have been partners in an occasionally graceful but often awkward cultural-political tango. In this insightful narrative, Shouhua Qi, part of a new generation of scholars whose life experiences in China and the West serve as the basis for an acute analysis of cross-cultural perceptions, weaves literary and cultural criticism together with journeys across time, politics, and popular culture. Part memoir, Qi reveals the China complex as a manifestation of the search for meaning at many levels; personal, national, and global. With the future of the U.S. and China so intertwined now more than ever before, Qi's cogent assessment of the interpersonal foundations of the US-China relationship in the twenty-first century is a must-read.
A dazzling new anthology of the very best very short fiction from around the world. What is a flash fiction called in other countries? In Latin America it is a micro, in Denmark kortprosa, in Bulgaria mikro razkaz. These short shorts, usually no more than 750 words, range from linear narratives to the more unusual: stories based on mathematical forms, a paragraph-length novel, a scientific report on volcanic fireflies that proliferate in nightclubs. Flash has always—and everywhere—been a form of experiment, of possibility. A new entry in the lauded Flash and Sudden Fiction anthologies, this collection includes 86 of the most beautiful, provocative, and moving narratives by authors from six continents, including best-selling writer Etgar Keret, Zimbabwean writer Petina Gappah, Korean screenwriter Kim Young-ha, Nobel Prize winner Czeslaw Milosz, and Argentinian “Queen of the Microstory” Ana María Shua, among many others. These brilliantly chosen stories challenge readers to widen their vision and celebrate both the local and the universal.
"The 14 stories collected in this book are about people caught in the unsettling dramas of Chinese society accelerating at a blistering pace in the decades after the Cultural Revolution ... Witty, poignant, absurd, and shocking, Love Me, Love My Dog stories offer a telling depiction of the myriad world of jaded entrepreneurs, overzealous cops, karaoke fanatics, dog lovers (and haters), liberated coeds, and frustrated urbanites who move in and out of China's colorful neon-lit cities and dusty rural villages, transitioning from one world to the other."--Books in Print.
This book studies the reception history of Western literature in China from the 1840s to the present. Qi explores the socio-historical contexts and the contours of how Western literature was introduced, mostly through translation and assesses its transformative impact in the cultural, literary as well as sociopolitical life of modern China.
New information technologies have, to an unprecedented degree, come to reshape human relations, identities and communities both online and offline. As Internet narratives including online fiction, poetry and films reflect and represent ambivalent politics in China, the Chinese state wishes to enable the formidable soft power of this new medium whilst at the same time handling the ideological uncertainties it inevitably entails. This book investigates the ways in which class, gender, ethnicity and ethics are reconfigured, complicated and enriched by the closely intertwined online and offline realities in China. It combs through a wide range of theories on Internet culture, intellectual history, and literary, film, and cultural studies, and explores a variety of online cultural materials, including digitized spoofing, microblog fictions, micro-films, online fictions, web dramas, photographs, flash mobs, popular literature and films. These materials have played an important role in shaping the contemporary cultural scene, but have so far received little critical attention. Here, the authors demonstrate how Chinese Internet culture has provided a means to intervene in the otherwise monolithic narratives of identity and community. Offering an important contribution to the rapidly growing field of Internet studies, this book will also be of interest to students and scholars of Chinese culture, literary and film studies, media and communication studies, and Chinese society.
An unforgettable memoir of the horrors suffered by a Japanese family trapped in Changchun, China, at the end of WW2. Over 150,000 innocents died of starvation in Changchun, northeastern China, after the end of WW2 when Mao's army laid siege during the Chinese Civil War. Japanese girl Homare Endo, then age seven, was trapped in Changchun with her family. After nomadic flight from city to city, Homare eventually returned to Japan and a professional career. This is her eyewitness, at times haunting account of survival at all costs and of unspeakable scenes of barbarity that the Chinese government today will not acknowledge.
Nine short stories by the Japanese literary genius provide insights into the struggles and problems of his contemporary countrymen.