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This revised edition of John Ziesler's broad yet detailed overview of St Paul's thought and distinctive kind of Christianity is intended for a general readership, and is therefore of wider value than individual and more technical commentaries. Dr Ziesler's starting point is St Paul's view of Jesus Christ as marking the end of an era and the beginning of a new world and a new humanity. The concentration is on theology, but matters of authorship and dating are discussed briefly where relevant. A number of key passages from the Pauline letters are given a more extended treatment.
The collegia centonariorum were often seen as the municipal fire-brigades or status groups of sorts in the Roman cities. Through a close investigation of the chronological development and geographical distribution of the collegia centonariorum, their legal privileges, and the prosopographical data of members and patrons, this volume reveals a much more complex picture of their origins, characters and compositions in various regions from the first century BC to the fourth century AD. Intricately connected with the textile economy, the collegia centonariorum illustrate how elements as diverse as material demand from the military and the city of Rome, legal infrastructure, urban development, and organizations of urban-based craftsmen and tradesmen may have interfaced with each other in the Roman world.
From the sixteenth century on, hundreds of Portuguese New Christians began to flow to Venice and Livorno in Italy, and to Amsterdam and Hamburg in northwest Europe. In those cities and later in London, Bordeaux, and Bayonne as well, Iberian conversos established their own Jewish communities, openly adhering to Judaism. Despite the features these communities shared with other confessional groups in exile, what set them apart was very significant. In contrast to other European confessional communities, whose religious affiliation was uninterrupted, the Western Sephardic Jews came to Judaism after a separation of generations from the religion of their ancestors. In this edited volume, several experts in the field detail the religious and cultural changes that occurred in the Early Modern Western Sephardic communities. "Highly recommended for all academic and Jewish libraries." - David B Levy, Touro College, NYC, in: Association of Jewish Libraries News and Reviews 1.2 (2019)
This is a trans-disciplinary collection dedicated to the work of Jacques Derrida and his work in the humanities.
A fun guidebook for adults looking to relearn the beautiful art of cursive handwriting. In this type, tap and swipe world, you have few opportunities to write in cursive. As a result, your skills diminish. Then, when the critical moment arises and you need to personally write something in your own hand, the results are not very impressive. In fact, they’re embarrassingly bad. Written and designed specifically for an adult audience, this book’s program for relearning cursive is guaranteed to take your penmanship to a new level. You will relearn the strokes and techniques. The instructions are easy to follow but designed for adults, so they present the information in a more compelling way. You’ll find no “A is for apple” here. The exercises are geared specifically for a more mature audience to help you relearn and practice cursive handwriting in a fun and friendly way.
In a 1984 lecture on poetry and political violence, Seamus Heaney remarked that "the idea of poetry was itself that higher ideal to which the poets had unconsciously turned in order to survive the demeaning conditions." Jonathan Hufstader examines the work of Heaney and his contemporaries to discover how poems, combining conscious technique with unconscious impulse, work as aesthetic forms and as strategies for emotional survival. In his powerful study, Hufstader shows how a number of contemporary Northern Irish poets, including Seamus Heaney, Derek Mahon, Michael Longley, Paul Muldoon, Tom Paulin, Ciarán Carson and Medbh McGuckian, explore the resources of language and poetic form in their various responses to cultural conflict and political violence. Focusing on both style and social contexts, Hufstader explores the tension between solidarity and art, between the poet's need to belong and to rebel. He believes that an understanding of the power of lyric points towards an understanding of the source of social violence, and of its cessation.