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Since before the Declaration of Independence, poets have shaped a collective imagination of nationhood at critical points in American history. In The Patriot Poets Stephen Adams considers major odes and "progress poems" that address America's destiny in the face of slavery, the Civil War, imperialist expansion, immigration, repeated financial boom and bust, gross social inequality, racial and gendered oppression, and the rise of the present-day corporate oligarchy. Adams elucidates how poets in the nineteenth and twentieth centuries addressed political crises from a position of patriotic idealism and how military interventions overseas in Cuba and in the Philippines increasingly caused poets to question the actions of those in power. He traces competing loyalties through major works of writers at both extremes of the political spectrum, from the radical Republican versus Confederate voices of the Civil War, through New Deal liberalism versus the lost-cause propaganda of the defeated South and the conservative isolationism of the 1930s, and after the Second World War, the renewed hope of Black leaders and the existential alienation of Allen Ginsberg's counter-culture. Blazing a new path of critical discourse, Adams questions why America, of all nations, has appeared to rule out politics as a subject fit for poetry. His answer draws connections between familiar touchstones of American poetry and significant yet neglected writing by Philip Freneau, Sidney Lanier, Archibald MacLeish, William Vaughn Moody, Muriel Rukeyser, Genevieve Taggard, Allen Tate, Henry Timrod, Melvin B. Tolson, and others. An illuminating and pioneering work, The Patriot Poets provides a rich understanding of the ambivalent relationship American poets and poems have had with nation, genre, and the public.
Chronicles the life of the master writer, offering insight into his involvement in the politics and religion of his era, and covering such topics as his writings against King Charles, his troubled relationships, and the impact of the Restoration on his survival.
The Patriot is the chronicle of a deeply personal attempt to rebuild a sense of self and safety in an unstable environment. Christopher Davis's poems address destructive forces, including the murder of a younger brother and the impact of AIDS on modern gay culture. These elements blend with the dangers of a world in which love and death are cruelly inseparable, and in which the insinuations of consumer culture into the psyche destroy security, but in which dark humor and the beauty of imagery combat despair. In language electric with imagination, these poems utter a mangled, stuttering, contemporary echo of Walt Whitman's poetry, cheated out of its joyous confidence but constructing, in the words of the author, a "weak bridge away from suicide."
The poetry of the mid- and late-eighteenth century has long been regarded as primarily private and apolitical; in this wide-ranging study Dustin Griffin argues that in fact the poets of the period were addressing the great issues of national life--rebellion at home, imperial wars abroad, an expanding commercial empire, an emerging new British national identity. Taking up the topic of patriotic verse, Griffin shows that poets such as Thomas Gray, Christopher Smart, Oliver Goldsmith, and William Cowper were engaged in the century-long debate about the nature of true patriotism.
Presents a diverse sample of twentieth century Latin American poems from eighty-four authors in Spanish, Portuguese, Ladino, Spanglish, and several indigenous languages with English translations on facing pages.
José Agustín Quintero (1829-1885) was a Cuban American from New Orleans, Louisiana who skillfully and energetically represented the Confederacy in northeastern Mexico during the Civil War. This dynamic multilingual leader helped coordinate the defensive plans necessary to protect the Texas border and insure the procurement of war material and provisions vital to the Southern Army. He is a relatively unknown but fascinating figure in many ways: a native of Cuba who participated in his country’s struggle for independence against Spain, an outstanding writer of Cuban patriotic poetry, and an American who was highly respected and recognized for his legal and journalistic accomplishments, as well as his significant diplomatic contributions to the Southern Cause. This is the story of a man of extraordinary culture, an extremely intelligent, capable, and determined immigrant who believed passionately in a cause and dedicated much of his short life to it.
Cover: The only flag that counted in the life of my father Patrick John Dunleavy was the American flag with its forty eight stars. The flag with the harp is not the British one under which my father may have grown up. Rather it is a flag design used at different times to express Irish nationalism. It was created in the United States by a group of Irish volunteers who joined the Mexican side in the U.S.-Mexican war from 1846 to 1848 as the Los San Patricios or Saint Patrick's Battalion. The motto Erin Go Bragh underneath the harp means "Ireland Forever." The current Irish tricolor flag was flown in the Easter Rising in 1916 and officially adopted in 1919 by the Republic during its War of Independence. Photographed by Niall Mackey, the flags are a framed gift from Nora Geraghty, purchased during a Harris Auction sale in Delgany, County Wicklow, Ireland, in the 1960s. Nora thought it belonged in my home nearby, Carriglea, in Greystones, County Wicklow, Ireland.