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This omnibus edition brings together for the first time four classics dealing with the emotive issue of India's Partition: Prelude to Partition: The Indian Muslims and the Imperial System of Control 1920 - 1932.The Origins of the Partition of India 1936 - 1947Divide and Quit: An Eyewitness Account of the Partition of India With Contribution from Marc Tully and Tapan RaychaudhuriStern Reckoning: A Survey of the Events Leading Up To and Following the Partition of India
The dark legacies of partition have cast a long shadow on the lives of people of India, Pakistan and Bangladesh. The borders that were drawn in 1947, and redrawn in 1971, divided not only nations and histories but also families and friends. The essays in this volume explore new ground in Partition research, looking into areas such as art, literature, migration, and notions of ‘foreignness’ and ‘belonging’. It brings focus to hitherto unaddressed areas of partition such as the northeast and Ladakh.
This book interrogates representations – fiction, literary motifs and narratives – of the Partition of India. Delving into the writings of Khushwant Singh, Balachandra Rajan, Attia Hosain, Abdullah Hussein, Rahi Masoom Raza and Anita Desai, among many others, it highlights the modes of ‘fictive’ testimony that sought to articulate the inarticulate – the experiences of trauma and violence, of loss and longing, and of diaspora and displacement. The author discusses representational techniques and formal innovations in writing across three generations of twentieth-century writers in India and Pakistan, invoking theoretical debates on history, memory, witnessing and trauma. With a new afterword, the second edition of this volume draws attention to recent developments in Partition studies and sheds new light as regards ongoing debates about an event that still casts a shadow on contemporary South Asian society and culture. A key text, this is essential reading for scholars, researchers and students of literary criticism, South Asian studies, cultural studies and modern history.
The fragmentation of Bengal and Assam in 1947 was a crucial moment in India's socio-political history as a nation state. Both the British Indian provinces were divided as much through the actions of the Muslim League as by those of Congress and the British colonial power. Attributing partition largely to Hindu communalists is, therefore, historically inaccurate and factually misleading. The Partition of Bengal and Assam provides a review of constitutional and party politics as well as of popular attitudes and perceptions. The primary aim of this book is to unravel the intricate socio-economic and political processes that led up to partition, as Hindus and Muslims competed ferociously for the new power and privileges to be conferred on them with independence. As shown in the book, well before they divorced at a political level, Hindus and Muslims had been cleaved apart by their socio-economic differences. Partition was probably inevitable.
This volume offers a collection of essays focused upon the representation of one of the most traumatic events in the history of India―the 1947 Partition―in literature and cinematographic adaptations. The focus here is placed on various strategies of representation and different types of memory at work in the process of remembering/re-membering Partition. All these avoid the traditional Hindu vs. Muslim perspective, and analyse other sides of the same story, seen from the perspective of marginal people belonging to other religious minorities, whose stories have generally been ignored and silenced by the official historical discourse. The book also demonstrates that the multiple “truths” engendered by this crucial event in India’s history lie along “improbable lines” randomly generated between history, amnesia and memory, between personal drama and collective trauma, loss and rupture, religion and nationalism, and longing and belonging.
Focusing on the culturally and historically rich Siraiki-speaking region, often tagged as ‘South Punjab’, this book discusses the ways in which Siraiki creative writers have transformed into political activists, resisting the self-imposed domination of the Punjabi–Mohajir ruling elite. Influenced by Sufi poets, their poetry takes the shape of both protest and dialogue. This book reflects upon the politics of identity and the political complications which are a result of colonisation and later, neo-colonisation of Pakistan. It challenges the philosophy of Pakistan — a state created for Muslims — which is now taking the shape of religious fanaticism, while disregarding ethnic and linguistic issues such as that of Siraiki.
This book explores narratives of nationalism in the Hindi novel (1940s–80s), engaging with mainstream, populist, political conceptualisation of a postcolonial nation and local, cultural, often marginalised fictional parallels and alternatives to it. Analysing processes of nation-formation and nationalism(s) via experiments with the novel form and versions of realism in Hindi, conversations between the political and the cultural, rural/borders and the urban/central spaces, individual subjectivity and social structures, and the challenges Hindi novels' internal linguistic diversity poses to formalised Hindi's hegemony, Imagining a Postcolonial Nation: Hindi Novels and Forms of India (1940s–80s) traces Hindi fiction's history of postcolonial India. The multiplicity of realisms indicates significant responses to postcolonial nationalism, idealistic, critical, regional, satirical and psychological. Looking at indigenous narrative methods employed by authors to critically evolve Western ideas of the nation and novel, the book explores the simultaneous convergences and divergences between literary and political understandings of ideological, religious and linguistic nationalisms. Surveying the broad sentiments of idealism, enchantment and disenchantment with freedom and postcoloniality, it studies the possibilities of fiction embodying national history without an outright commitment to mainstream nationalism or nationalist literary canon formation. It also briefly tries to understand the repercussions of nationalism as a masculinist project and its gendered nature affecting a section of writing, novels by women authors, to present counter-narratives to both national and literary canons. Choosing a fairly broad historical timeframe, the book reveals the radical potential of narratives that have over the years been critically categorised as canonical. It reopens discussions around nationalism within novels that have been often canonised as apparently uncritically nationalist.
This comprehensive history of modern South Asia explores the historical development of the Subcontinent from the beginning of the eighteenth century to the present day from local and regional, as opposed to European, perspectives. Michael Mann charts the role of emerging states within the Mughal Empire, the gradual British colonial expansion in the political setting of the Subcontinent and shows how the modern state formation usually associated with Western Europe can be seen in some regions of India, linking Europe and South Asia together as part of a shared world history. This book looks beyond the Subcontinent’s post-colonial history to consider the political, economic, social and cultural development of Pakistan and Bangladesh as well as Sri Lanka and Nepal, and to examine how these developments impacted the region’s citizens. South Asia’s Modern History begins with a general introduction which provides a geographical, environmental and historiographical overview. This is followed by thematic chapters which discuss Empire Building and State Formation, Agriculture and Agro-Economy, Silviculture and Scientific Forestry, Migration, Circulation and Diaspora, Industrialisation and Urbanisation and Knowledge, Science, Technology and Power, demonstrating common themes across the decades and centuries. This book will be perfect for all students of South Asian history.
'Caste' is today almost universally perceived as an ancient and unchanging Hindu institution preserved solely by a deep-seated religious ideology. Yet the word itself is an importation from sixteenth-century Europe. This book tracks the long history of the practices amalgamated under this label and shows their connection to changing patterns of social and political power down to the present. It frames caste as an involuted and complex form of ethnicity and explains why it persisted under non-Hindu rulers and in non-Hindu communities across South Asia.
The book is an anthology of creative and critical responses to the many partitions of India within and across borders. By widening and reframing the question of partition in the subcontinent from one event in 1947 to a larger series of partitions, the book presents a deeper perspective both on the concept of partition in understanding South Asia, and understanding the implications from survivors, victims and others. The imagery of the barbed wire in the title is used precisely to confront the jaggedness of experiencing and surviving partition that still haunts the national, literary, religious and political matrices of India. The volume is a compilation of short stories, poems, articles, news reports and memoirs, with each contributor bringing forth their perception of partition and its effects on their life and identity. The many narratives amplify the human cost of partitions, examining the complexities of a bruised nation at the social, psychological and religious levels of consciousness. The book will appeal to anyone interested in literary studies, history, politics, sociology, cultural studies, and comparative literature.