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Meet Cosmo the female African Grey Parrot who talks, responds, and tells jokes. By age six she had learned more than two hundred different phrases and become an adorable feathery person who awakens us to the potential intelligence of all other non-human residents of the earth.
The Parrot’s Perch opens in 2013, when Karen Keilt, age sixty, receives an invitation to testify at the Brazilian National Truth Commission at the UN in New York. The email sparks memories of her “previous life”—the one she has kept safely bottled up for more than thirty-seven years. Hopeful of helping to raise awareness about ongoing human rights violations in Brazil, she wants to testify, but she anguishes over reliving the horrific events of her youth. In the pages that follow, Keilt tells the story of her life in Brazil—from her exclusive, upper-class lifestyle and dreams of Olympic medals to her turmoil-filled youth. Full of hints of a dark oligarchy in Brazil, corruption, crime, and military interference, The Parrot’s Perch is a searing, sometimes shocking true tale of suffering, struggle—and survival. Karen Keilt lived through the darkest days of Brazil’s military dictatorship. In her courageous and compelling memoir, Keilt narrates an emotionally honest reckoning of her desire to find true happiness. Forbidden by her wealthy family to even mention her imprisonment, torture, and rape, Keilt is forced to make a change that will affect the rest of her life. Seen through her testimony to the Brazilian National Truth Commission at the UN, readers become witnesses to both her vulnerability and her quiet strength.
In the year 2000, two young editors, Nicholas Blincoe and Matt Thorne, published All Hail the New Puritans, an anthology of short stories which created an impact in the somewhat faded literary scene of Britain at the turn of the millennium. The stories themselves, written by 15 young English writers (Scarlett Thomas, Alex Garland, Ben Richards, Nicholas Blincoe, Candida Clark, Daren King, Geoff Dyer, Matt Thorne, Anna Davis, Bo Fowler, Matthew Branton, Simon Lewis, Tony White, Toby Litt and Rebbecca Ray), together with the editors' manifesto, offered a new and stimulating approach to fiction, although the whole project had an outrageous reception by the literary establishment. For the first time, a collection of essays addresses the importance of the New Puritan movement and provides guidelines to understand this generation of writers.