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This is the first-ever, full-length study of Badal Sircar's Third Theatre. Sircar was a very prominent playwright of modern Bengali Theatre. It challenges some of the well-established notions of the Third Theatre. It brings to the fore the lost voices of some members of the Third Theatre. It has some rare photographs of Shatabdi, Sircar's Theatre group.
Sumanta Banerjee analyses the development of the various forms of folk culture of the urban poor in the new metropolis of Calcutta, as a fallout of the process of urbanization in the wake of the establishment of the British colonial system in Bengal. Consisting primarily of traditional artisans and craftsmen who migrated from the neighbouring villages, the lower orders of Calcutta evolved a new urban folk culture from their own older rural inheritance. Profusely illustrated with examples of contemporary street songs and popular performing arts, the book traces the beginnings of tension between these urban folk cultural forms and the new culture of the Bengali elite which was increasingly seeking to model itself on a culture that was Western in inspiration. The author demonstrates how this new elite, shaped by the British colonial powers, not only disowned a common culture which it once shared with the populace, but also sought to muzzle it a move which at political and other levels was to have serious consequences which were, and are, even today, all too apparent in the Bengali intellectual scene. Sumanta Banerjee, born in 1936 and educated in Calcutta, was formerly with The Statesman newspaper. He is best known for his The Simmering Revolution: The Naxalite Uprising and The Thema Book of Naxalite Poetry, two seminal texts on the Naxalite Revolt. His milestone study, The Parlour and the Streets: Elite and Popular Culture in 19th Century Calcutta, was published by Seagull in 1989. He is at present based in New Delhi, doing research on the popular culture and religion of Bengal.
Sumanta Banerjee Analyses The Development Of The Various Forms Of Folk Culture Of The Urban Poor In The New Metropolis Of Calcutta, As A Fallout Of The Process Of Urbanization In The Wake Of The Establishment Of The British Colonial System In Bengal. Profusely Illustrated With Examples Of Contemporary Street Songs And Popular Performing Arts, The Book Traces The Beginings Of Tension Between These Urban Folk Cultural Forms And The New Culture Of The Bengali Elite That Was Western In Inspiration.
This is a guide for transportation planners in creating attractive environments for people using transportation facilities and for those in the surrounding communities. The book which is based on 45 case studies and is illustrated by several photographs, begins with a formal discussion on art and then proceeds to facility design, potential impacts and improved procedures. A comprehensive section on sites and opportunities discusses topics such as cityscape, gateways, passageways, streets, plazas, and the renovation of older works. A number of procedures for managing arts programs are discussed. The section on highways provides design policy advice for planners on route selection, sign control, roadside development, and historic presentation. Other sections of the book discuss buses and streetcars and rapid transit. Aesthetic impacts involved in integrating transportation facilities with their surrounding communities are discussed. References are provided to funding sources and 141 publications.
Reprint of the original, first published in 1873.
The most comprehensive collection of postcolonial writing theory and criticism, this third edition has been thoroughly revised and updated to include 125 extracts from key works in the field. Leading, as well as lesser-known figures in the fields of writing, theory and criticism contribute to this inspiring body of work that includes sections on nationalism, hybridity, diaspora and globalisation. As in the first two editions, this new edition of The Postcolonial Studies Reader ranges as widely as possible to reflect the remarkable diversity of work in the discipline and the vibrancy of anti-imperialist and decolonising writing both within and without the metropolitan centres. This volume includes new work in the field over the decade and a half since the second edition was published. Covering more debates, topics and critics than any comparable book in its field The Postcolonial Studies Reader provides the ideal starting point for students and issues a potent challenge to the ways in which we think and write about literature and culture.