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In this collection of poems, among his very best, Chaucer showcases his lyrical skills to perfection. Verging from tragic to comic, the overriding theme of the poetry is love, in its many guises. Chaucer tells of his passion for reading, which allows him to eavesdrop on a "parliament of birds" on St Valentine's Day; he tells how he, as an inveterate reader, forsakes his books on the first of May to wander into the fields; he complains of being short of money; and he complains to his scribe for copying his verses badly. All in all, in the course of the poetry he reveals a lot about himself, and does so throughout in an engaging and civilized manner.
This book is a lucid introduction and intelligent examination of Chaucer's narrative poetry.
In this fresh edition of his tried-and-tested guide, Rob Pope continues to help students get to grips with Chaucer - all the way through from the first tentative encounters with the language to sophisticated critical and historical engagement with Chaucer's narrative art in context. All the commonly studied tales are featured, and each is approached through a series of clear and well-defined steps. In addition to guidance on 'translating' and interpreting Chaucer, there are new sections reviewing key terms and arguments in contemporary critical debates. This is a practical, authoritative and enjoyable handbook that brings the study of Chaucer right up-to-date.
A re-editing of F.N. Robinson's second edition of The works of Geoffrey Chaucer published in 1957 by the team of experts at the Riverside Institute who have greatly expanded the introductory material, explanatory notes, textual notes, bibliography and glossary. The result of many years' study. The Riverside Chaucer is the most authentic and exciting edition available of Chaucer's complete works.
This volume makes available in translation the texts that lie behind Chaucer's dream poems - The Book of the Duchess, The Parliament of Fowls, The House of Fame and Prologue to the Legend of Good Women. Chaucer's dream poems are now being increasingly studied and appreciated. With their attractively bookish dreamer figure and their graceful use of conventions and traditions, they have their distinctive place in Chaucer's work. But the nodern reader of these medieval poems particularly needs a sense of their literary context in the tradition of comparable narrative poems - largely in OId French - which Chaucer knew and drew upon. None of these French poems has ever been made available in English translation before, and many of the texts are difficult to access, being available only in dated French scholarly editions. The authors represented are Froissart, Machaut and Deschamps, as well as some minor and anonymous poems, and there are also relevant translations from Cicero and Boccaccio. The book gives an idea of what Chaucer's sources were in themselves, and in what ways the English poet was inspired to use and go beyond them, and this presents a picture of the poet at work. Some of the French poems are translated carefully by Chaucer, while with other poems he is selective, interested in certain sections of his sources only. In further cases, the original material can be seen to have provided a more general point of departure for Chaucer's own developments on his work.
Dream literature is regarded as one of the most important genres in medieval literature and is widely studied. This text provides a succinct and clear introduction to the five central poems that comprise Chaucer's Dream Poetry, and shows his role as a leading adapter of European Literary tradition into English Literature. The poems discussed are The Book of the Duchess, The Legend of Good Women, The Legend of Dido, The Parliament of Fowls and The House of Fame. Each have an introduction setting the poem within the context of Dream Poetry and Chaucer's own work. Appendices of proper names, pronunciation and criticism are also given. This volume is unique is presenting the poems together in an editorial and critical framework. The quality of annotation is unrivalled and will make this text a major addition to the literature suitable for those interested in the genre, literary, or more general history of the period.
The Book of the Duchess is a surreal poem that was presumably written as an elegy for Blanche, Duchess of Lancaster's (the wife of Geoffrey Chaucer's patron, the royal Duke of Lancaster, John of Gaunt) death in 1368 or 1369. The poem was written a few years after the event and is widely regarded as flattering to both the Duke and the Duchess. It has 1334 lines and is written in octosyllabic rhyming couplets.
First full-length study of birds and their metamorphoses as treated in a wide range of medieval poetry, from the Anglo-Saxons to Chaucer and Gower.
The most accessible edition of Wordsworth's poetry and prose, prepared to meet the needs of both students and scholars. This Norton Critical Edition presents a generous selection of William Wordworth's poetry (including the thirteen-book Prelude of 1805) and prose works along with supporting materials for in-depth study. Together, the Norton Critical Editions of Wordsworth's Poetry and Prose and The Prelude: 1799, 1805, 1850 are the essential texts for studying this author. Wordsworth's Poetry and Prose includes a large selection of texts chronologically arranged, thereby allowing readers to trace the author's evolving interests and ideas. An insightful general introduction and textual introduction precede the texts, each of which is fully annotated. Illustrative materials include maps, manuscript pages, and title pages. "Criticism" collects thirty responses to Wordsworth?s poetry and prose spanning three centuries by British and American authors. Contributors include Samuel Taylor Coleridge, Percy Bysshe Shelley, Felicia Hemans, Ralph Waldo Emerson, Lucy Newlyn, Stephen Gill, Neil Fraistat, Mary Jacobus, Nicholas Roe, M. H. Abrams, Anne K. Mellor, Michael O?Neill, and Geoffrey Hartman, among others. The volume also includes a Chronology, a Biographical Register, a Selected Bibliography, and an Index of Titles and First Lines of Poems.