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McGinnis was elected to the Society of illustrators Hall of Fame in 1993.".
Headstrong heiress Sharisse Hammond wants no part of the New York society marriage that has been arranged for her. So she heads west across a vast and dangerous land -- with no intention of honoring her agreement to become the mail-order bride of a rugged Arizona rancher. But Lucas Holt needs a wife -- any wife -- if his plan to destroy his most hated enemy is to succeed. And this gullible Eastern lady would do quite nicely. However, their separate schemes to use one another are complicated by raw, aching passion. For Lucas's beautiful, unsuspecting pawn was not supposed to be so irresistible alluring. And freedom-loving Sharisse never dreamed she could ever desire one man so much!
Waler Lippit makes music all over town. He owns the juke boxes that play the tunes that keep the bars and the diners hopping. Jack St. Louis works for Lippit, smoothing the customers and keeping the nickels coming. But then along comes Benotti and the Chicago syndicate to louse up the operation. It's everything Jack can do to stay one step ahead. One step ahead of Benotti's gang, Lippit, and Lippit's willing wife Patty, who wants to be a singer and is convinced that Jack can make that happen too. And maybe he can. It's all in a week's work.
McGinnis's familiar illustrations and paintings for book covers and movie posters--such as "You Only Live Twice, Breakfast at Tiffany's", and "The Odd Couple"--are presented in this collection, with McGinnis providing his insights in the book's Foreword. Color illustrations.
Lovely and dauntless, abducted by invaders from across an icy sea, Lady Breena vowed vengeance wearing no Viking brute would be her master o barbarian would enslave her noble Celtic heart, but then came Garrick Haardrad, the proud and powerful son of a ruthless Viking chieftain.
When the daughter of a wealthy politician is found murdered in his bed, Mike Shayne, a tough private eye, must prove his innocence
When a Secret service agent arrives to investigate their harmless practical joke, two teen-age boys are put on the trail of a gang of counterfeiters.
Milo March, a tough private eye from Denver, is sent to Aragon City (which could be Hollywood) to help the City Betterment Committee wipe out the gangsters and hoodlums controlling brothels, bookies, gamblers, shady nightclubs, and the dope traffic. He just has to uncover “Mr. X,” the mystery man who’s been raking in a tidy little income by providing protection to the Syndicate. But can Milo accomplish that without stumbling over something even more dangerous—like who pays Mr. X, and why? Milo is well equipped for the job. He has plenty of gall, good looks, an unlimited expense account, a fishtail Cadillac, and ample experience with lawbreakers—and beautiful, willing women, of whom there are several, but only one who is the girl next door. As March starts his snooping, he is surprised to discover a sexy, naked blonde in his hotel room. And there are other, more painful things complicating his life—things like beatings and fistfights and gun battles, and a blow he never saw coming. “Sentence by sentence, this is a strongly readable book.” —New York Herald Tribune Book Review “The established pattern of California coast crime—political graft, dope, and prostitution—with a fall guy introduced to clean it up. Milo March, hired by the Civic Betterment Committee, fouls up with the brains and muscle men when he spies on his assignment before he is due, latches onto cultured hoods and tough racket boys—and pays off from syndicate roughing up to cards down.” —Kirkus Reviews “It was obvious that sooner or later there’d be a capable challenger of Mickey Spillane in the concoction of the muscular and seductive mixture that makes Spillane’s best-selling books. A challenger has appeared in M.E. Chaber.” ―Los Angeles Examiner
Swashbuckling sailors, dashing dukes, naughty nurses, and sexy steward-esses caught in webs of love, passion, betrayal, and intrigue: these are the raw materials of the romance novel--and the lusty covers that advertise them. In The Look of Love, Jennifer McKnight-Trontz provides a rollicking history of the covers and stories that have captivated millions of readers worldwide. More than 150 of the most sensational covers from this venerable if venal literary form are shown in glorious color, focusing on the period from 1940 to 1970, romance design's most fertile era. The Look of Love features artwork and excerpts from titles such as Passion Flower, Kept Woman, Rendezvous in Lisbon, and Jungle Nurse. Along the way, it brings attention to the pioneers of the romance novel: cover artists such as Barye Phillips and Robert Maguire, who helped define the look of paperbacks in general, and Harlequin, the grand dame of romance publishers, with more than 100 million novels sold each year. McKnight-Trontz reveals the themes that typify both the story lines and the covers--hospital romance, the rich and raunchy, royalty, tropical paradises, Westerns, "taboo" relationships, pirates and warriors, and love triangles--resulting in this definitive compendium of camp. A book for romance lovers everywhere.