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Young women aren’t safe in Oshawa with a sadistic serial killer on the loose. Detective Sergeant Hannah Phillips is fierce and dogged as she tirelessly works to find out who is behind the abductions and murders of young women around the Ontario city. After one of the missing women is found alive, Hannah and her Durham Regional Police Service special task force, hope to finally solve the mystery and put a stop to The Pallbearer once and for all. At the centre of the police investigation into The Pallbearer is Matt Davidson, the son of a wealthy and renowned plastic surgeon. Matt continues to find himself on the wrong side of the law, being charged for criminal offenses multiple times in the past three years. He claims he is innocent and being framed but nobody—not even his father—believes him. When Matt’s charges are upgraded to murder, he finds an unlikely ally in Bobby Ross, a tenacious investigative reporter with a Toronto newspaper. Meanwhile, Kelly Griggs awakens alone in a cold, dark room, held captive and tormented by The Pallbearer. She scrambles to find an escape before her captor exerts his twisted desires. Slowly, dark secrets from the past are revealed, and the present becomes clearer. Can Hannah solve the mystery and save Kelly before it’s too late? Who is The Pallbearer?
Lynch, West Virginia, is a husk of a town: houses collapsing, deserted coal mines, the money gone. The residents who have not abandoned their homes find themselves living in poverty with little-to-no job opportunities, fighting for scraps and survival under the rule of Ferris Gilbert—the patriarch of a local family who governs the town with manipulative cruelty. When Jason Felts, a dwarf and aspiring social worker who lives above the town funeral home, is assigned to counsel one of the Gilbert brothers incarcerated inside a youth correctional facility for possession charges, Ferris Gilbert sees a rare opportunity. He seeks out Jason and insists under threat of violence that he smuggle an ominous package into the jail. Torn between his desire to save the young Gilbert brother from a life of crime and concern for his own safety, Jason must make a life-altering decision. At the same time, Gilbert has his hooks in Terry Blankenship, a strung-out young man desperate to carve out a secret life for himself and his boyfriend. If Terry cannot pay his debts to the Gilberts, he has one choice: kill the local sheriff or face the consequences. Sheriff Thompson is found dead soon after. Now both implicated in serious crimes, Jason and Terry must outrun the law and escape the threat of Ferris Gilbert but there may be nowhere to run . . . The Pallbearer is an unflinching debut for fans of Frank Bill and Sarah Waters that lays bare the lives of the outsiders of society’s outskirts.
When Tom Thompson finds himself as a pallbearer at the funeral of a classmate he never knew, his life begins to spin out of control. He finds himself drawn to the deceased's mysterious and attractive mother whilst romancing the girl of his dreams as he collides with the issue of growing up.
The Collected Works of H. L. Mencken, coalesced under the meticulous eye of George Jean Nathan, represents a seminal anthology in American literary criticism and social commentary. The collection spans a wide array of themes, from biting satirical critiques of American culture and politics to keen observations on the human condition, all articulated through Menckens famously acerbic wit and Nathans discerning editorial oversight. The diversity in literary stylesranging from essays and prefaces to reviewsserves not only as a testament to Mencken's versatility but also underscores the enduring relevance of his insights into early 20th-century American society. The editors and contributors, Mencken himself and Nathan, stand as colossal figures in American literature and journalism, each bringing a unique but harmoniously aligned perspective to the anthology. Their backgrounds, deeply rooted in the rich soil of the American cultural and literary landscape of the early twentieth century, illuminate the historical and cultural underpinnings of the period. This collection, therefore, acts not only as a repository of Menckens critical legacy but also as a reflection of the broader literary movements and cultural shifts of the era. This anthology is recommended for readers who seek to immerse themselves in the depth and diversity of early 20th-century American thought. Through The Collected Works of H. L. Mencken, one gains unparalleled access to a spectrum of intellectual discourse, encapsulating the spirit of an era defined by its bold criticisms and equally compelling visions for the future. It is an essential read for those who wish to explore the multifaceted insights and the dynamic interplay between Menckens incisive prose and Nathans editorial acumen.
“Paul Tremblay delivers another mind-bending horror novel . . . The Pallbearers Club is a welcome casket of chills to shoulder.” – Washington Post “Uncertainty is Tremblay’s stock-in-trade. Over the last decade, he has grown from hot new thing to horror icon without compromising on his uniquely inexplicable nightmares.” – Esquire “[A] deliciously confusing thriller.” – Weekend Edition (NPR) A cleverly voiced psychological thriller from the nationally bestselling author of The Cabin at the End of the World and Survivor Song. What if the coolest girl you’ve ever met decided to be your friend? Art Barbara was so not cool. He was a seventeen-year-old high school loner in the late 1980s who listened to hair metal, had to wear a monstrous back-brace at night for his scoliosis, and started an extracurricular club for volunteer pallbearers at poorly attended funerals. But his new friend thought the Pallbearers Club was cool. And she brought along her Polaroid camera to take pictures of the corpses. Okay, that part was a little weird. So was her obsessive knowledge of a notorious bit of New England folklore that involved digging up the dead. And there were other strange things – terrifying things – that happened when she was around, usually at night. But she was his friend, so it was okay, right? Decades later, Art tries to make sense of it all by writing The Pallbearers Club: A Memoir. But somehow this friend got her hands on the manuscript and, well, she has some issues with it. And now she’s making cuts. Seamlessly blurring the lines between fiction and memory, the supernatural and the mundane, The Pallbearers Club is an immersive, suspenseful portrait of an unusual and disconcerting relationship.
Edited and annotated by H.L.M., this is a selection from his out-of-print writings. They come mostly from books—the six installments of the Prejudices series, A Book of Burlesques, In Defense of Women, Notes on Democracy, Making a President, A Book of Calumny, Treatise on Right and Wrong—but there are also magazine and newspaper pieces that never got between covers (from the American Mercury, the Smart Set, and the Baltimore Evening Sun) and some notes that were never previously published at all. Readers will find edification and amusement in his estimates of a variety of Americans—Woodrow Wilson, Aimee Semple McPherson, Roosevelt I and Roosevelt II, James Gibbons Huneker, Rudolph Valentino, Calvin Coolidge, Ring Lardner, Theodore Dreiser, and Walt Whitman. Those musically inclined will enjoy his pieces on Beethoven, Schubert, and Wagner, and there is material for a hundred controversies in his selections on Joseph Conrad, Thorstein Veblen, Nietzsche, and Madame Blavatsky.
Offers readers a comprehensive reference to the world of film, including more than ten thousand DVD titles, along with information on performers, ratings, running times, plots, and helpful features.
Throughout his career as a literary critic, H. L. Mencken was intent on elevating the bold, the daring, and the innovative over the hackneyed, the trite, and the superficial, and his drama criticism exhibits this tendency to the fullest. Though known primarily as a newspaperman and commentator, Mencken also wrote several one-act plays, as well as a full-length work. In The Collected Drama of H. L. Mencken: Plays and Criticism, S. T. Joshi has assembled for the first time Mencken’s dramatic works, comprising six one-act plays and the lengthy three-act play Heliogabalus. These plays, which have never been reprinted since their original appearances in newspapers or in Mencken’s early volume A Book of Burlesques (1916), exhibit Mencken’s penchant for satire and ridicule. Several of the plays, such as In the Vestry Room and The Wedding: A Stage Direction, display Mencken’s oft-expressed cynicism about the institution of marriage. Another related play is Asepsis, a satire on exaggerated concerns about sexual health in young married couples. Other plays take aim at the cultural deficiencies of the common people, such as Death: A Philosophical Discussion, which relays the hackneyed reactions of a group of mourners over the death of a friend. Mencken’s most significant play by far is Heliogabalus, a play he co-wrote with his frequent collaborator, George Jean Nathan, in which Mencken expresses his scorn of the Christian religion. The second half of this book features a selection of Mencken’s early writings (1905–17) on drama, most of which have never been reprinted. Various essays on Shakespeare, Shaw, Synge, Strindberg, Ibsen, and others exhibit Mencken’s keenness as a literary critic and his understanding of the aesthetic possibilities of the drama. With an introduction by the editor who provides an overview of Mencken’s work as a dramatist and drama critic, this collection will be of interest to amateur and even professional drama companies, theatre historians, and of course, anyone interested in the writings of Mencken.
From Hollywood B-movies to Hollywood classics, A Night at the Movies invents what "might have happened" in these Saturday afternoon matinees. Mad scientists, vampires, cowboys, dance-men, Chaplin, and Bogart, all flit across Robert Coover's riotously funny screen, doing things and uttering lines that are as shocking to them as they are funny to the reader. As Coover's Program announces, you will get Coming Attractions, The Weekly Serial, Adventure, Comedy, Romance, and more, but turned upside-down and inside-out.