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This is the first major monograph to be published on the paintings of Patrick Caulfield, whose work has enjoyed widespread popular appeal and critical acclaim over the past four decades. Illustrating over 150 works, this book reproduces almost all the paintings made by Caulfield since 1961.
In the second half of the twentieth century, studies in Chinese painting history have been greatly aided by several major lists of Chinese artists and their works. Published between 1956 and 1980, these lists were limited to Imperial China. The current index covers the period from 1912 to around 1980. It includes the names of approximately 3,500 traditional-style artists along with lists of their works, reproduced in some 264 monographs, books, journals, and catalogs published from the 1920s to around 1980. With a few exceptions, artists working after 1949 outside continental China are excluded. Revised Edition, 1998; first published by the Asian Studies Program, University of Oregon, 1984.
For students of Chinese art and culture this anthology has proven invaluable since its initial publication in 1985. It collects important Chinese writings about painting, from the earliest examples through the fourteenth century, allowing readers to see how the art of this rich era was seen and understood in the artists’ own times. Some of the texts in this treasury fall into the broad category of aesthetic theory; some describe specific techniques; some discuss the work of individual artists. The texts are presented in accurate and readable translations, and prefaced with artistic and historical background information to the formative periods of Chinese theory and criticism. A glossary of terms and an appendix containing brief biographies of 270 artists and critics add to the usefulness of this volume.
This extraordinary on-the-page class in brush painting explores both the technical and spiritual aspects of China’s ancient art, helping students to paint with confidence, skill, and understanding. Lavishly packed with breathtaking illustrations and detailed instructional photos, it discusses materials, styles, and themes, as well as special topics such as the influence of calligraphy on painting, the importance of arranging the workspace properly, and the use of a seal to "sign” the finished work. Each chapter is like a perfectly formed monograph rich in information on inks, papers, art utensils, holding the brush correctly, making exquisite-looking strokes and pictograms, applying color, and mastering the techniques for representing vegetation, animals, the human figure, portraits, and evocative landscapes. Well-constructed practice exercises complete this enlightening course.
This book studies 18th-century Yangchow paintings as artistic products shaped by collective social and cultural experiences, and by constant exchanges between the artists and their audience.
Consists of an abridged translation by the compiler of Ch'i Pai-shih's autobiography published in 1962 under title: Pai-shi lao jen tzu chuan; articles and anecdotes by various writers about Ch'i; and poems and other inscriptions on paintings by Ch'i, some (p. [121]-150) translated by the compiler.
Now in paperback This outstanding and original book, presented here with a new preface, examines the history of material culture in early modern China. Craig Clunas analyzes “superfluous things”—the paintings, calligraphy, bronzes, ceramics, carved jade, and other objects owned by the elites of Ming China—and describes contemporary attitudes to them. He informs his discussions with reference to both socio-cultural theory and current debates on eighteenth-century England concerning luxury, conspicuous consumption, and the growth of the consumer society.
An art history professor and author or editor of 30 books on art and culture maps the life of Japanese-American sculptor and designer Isamu Noguchi (1904-1988) and his spiritual journey, both in the events of his life and in the milestones of his art--the sculptures, gardens, public spaces, and stage decors that gained force and significance from Noguchi's double heritage. Photographs.