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Growing up more than a thousand miles apart and worlds away from each other, Johnny and Adrianne seemed to have all that children could ask for. Born into a Great-Gatsby-like party, old-money wealth and privilege defined Johnny's childhood in Ladue, Missouri—the Beverly Hills of St. Louis. Born addicted to heroin in New York City, Adrianne was placed as an infant with loving, middle-class Jewish foster parents on Long Island. However, the demons of their respective biological mothers would eventually tear their fragile young lives apart as told in this compelling tandem narrative. Eventually, destiny would bring Johnny and Adrianne together, but first they had to endure the painful toll that alcohol, drugs, and a negligent court system would take on them. With parts of Adrianne's story ripped from national news headlines, their journeys take them for the depths of despair and near death to their first serendipitous introduction and the moment each knew they were finally safe. Filled with hope, inspiration, and humor, The Painting and the Piano is an unforgettable story of pain, loss, and the undying human quest for happiness.
A4 trim size - 8.27" x 11.69" (21.006 x 29.693 cm). "The Art of Piano Fingering - Traditional, Advanced, and Innovative" is a new book by virtuoso concert pianist Rami Bar-Niv.The 212-page book was first published in February 2012 and it is the first of its kind and scope in the history of piano playing.The book is intended for anyone who plays the piano, from children to college students, from adult amateur to professional piano teachers and performing pianists. The book teaches how to create your own efficient and injury-free piano fingering, starting with traditional, continuing with advanced, and concluding with innovative fingering.The book offers useful exercises and in addition to fingering issues it also deals with related piano playing techniques, phrasing, and interpretation. The text is illustrated with countless score samples, pictures, and diagrams. Endorsements/Reviews:***"The Art of Piano Fingering by Rami Bar-Niv, fills a tremendous void in the realm of the pianistic world. Published in 2012, it is the first book of its kind in the 303 year history of the piano. Order a copy; you will be immensely grateful you did."Dr. Walden Hughes, Professor of Piano,Northwest Nazarene University.***"Bar-Niv's book is superbly indexed and valuable as a reference source... he also analyzes difficulties, formulates solutions, and even suggests exercises to help us master difficult solutions... Bar-Niv suggests ingenious fingering solutions... Anyone who plays the piano with serious intentions can benefit from reading and studying this book." Lyn Bronson, CA Music Teacher, Summer 2012. ***"This book is truly the first of its kind, and it is perhaps three hundred years overdue. The depth of coverage will surprise even the most accomplished pianists."Jeremy Todd, adult piano student.***"Rami's new book on fingering is a "must have"! I highly recommend it to everyone."Kevin Coan, Moderator of the E-group "Piano-Teachers". ***"I highly second that recommendation.Linda Kennedy, piano teacher." ***"Bar-Niv gives many wonderful fingering tips for students, teachers, and perofrmers.Becky Hughes, MTNA's "American Music Teacher".***"You must not miss this outstanding book on piano fingering. Rami Bar-Niv's comprehensive coverage of the subject belongs in every piano teacher's library. Reward yourself with this gem. We have waited 300 years for this book on piano fingering so read this review and then order it promptly. You will not only be richly rewarded with a resource you will refer to frequently but also take great pleasure in reading its clear, intriguing text. Highly recommended. Though this is the first known book devoted to this essential aspect ofachieving beautiful, artistic, comfortable study and performance, it sets a high standard with its clear, comprehensive coverage of the subject. Do not hesitate to purchase this book for you will use it often to find a storehouse of solutions to keyboard puzzles.The Art of Fingering is an adventure into the resources of the human hand as well as how toteach these explorations inventively and thoroughly from the elementary to the advancedlevels. The piano has been with us for three centuries now, making this first book that isdevoted to fingering a most valuable and much needed resource."Mary Gae George, NCTM,Co-author of Artistry at the Piano.
In Museum Masterpieces, Book 1, composer Catherine Rollin has created musical expressions of some of the great works of art found in museums throughout the world. The paintings that inspired these pieces are beautifully displayed on a four-page color insert at the center of the book, along with historical notes about each painting. Titles: *American Gothic (Grant Wood) *Black Square and Red Square (Kazimir Malevich) *Carmencita (William Merritt Chase) *A Dash for the Timber (Frederic Remington) *L'étoile (The Star) (Edgar Degas) *Le fifre (The Fife Player) (Édouard Manet) *Mona Lisa (Leonardo da Vinci) *The Nut Gatherers (William-Adolphe Bouguereau) *Reeds and Cranes (Suzuki Kiitsu) *Senecio (Paul Klee)
In Museum Masterpieces, Book 4, composer Catherine Rollin has created musical expressions of some of the great works of art found in museums throughout the world. The paintings that inspired these pieces are beautifully displayed on a four-page color insert at the center of the book, along with historical notes about each painting. Titles: *At the Front (George Cochran Lambdin) *Dancers (Theo van Doesburg) *Dancers, Pink and Green (Edgar Degas) *Improvisation (Childe Hassam) *The Kiss (Gustav Klimt) *States of Mind: The Farewells (Umberto Boccioni) *Summer (Thomas Dewing) *Watson and the Shark (John Singleton Copley)
In Museum Masterpieces, Book 2, composer Catherine Rollin has created musical expressions of some of the great works of art found in museums throughout the world. The paintings that inspired these pieces are beautifully displayed on a four-page color insert at the center of the book, along with historical notes about each painting. Titles: *Car and Hunting Fox (Umberto Boccioni) *La charmeuse de serpents (The Snake Charmer) (Henri Rousseau) *Cirque (Circus) (Georges Seurat) *The Girl with a Pearl Earring (Johannes Vermeer) *Jeunes filles au piano (Young Girls at the Piano) (Pierre-Auguste Renoir) *Noah's Ark: Genesis (Charles McGee) *Nocturne in Black and Gold---The Falling Rocket (James Abbott McNeill Whistler) *Primavera (Sandro Botticelli) *Sunrise on the Matterhorn (Albert Bierstadt) *Washington Crossing the Delaware (Emanuel Gottlieb Leutze)
Berman addresses virtually every aspect of musical artistry and pedagogy. Ranging from such practical matters as sound, touch, and pedaling to the psychology of performing and teaching, this volume provides a master class for the performer, instructor, and student alike.
This best-selling tale of exploration and belonging, which won the Waterstones Childrens Book Prize 2016, Illustrated Book Category, is now available in board book.
One of the most revered composers of the twentieth century, Claude Debussy (1862–1918) achieved the unheard of: he reinvented the language of music without alienating the majority of music lovers. Debussy drove French music into entirely new regions of beauty and excitement at a time when old traditions threatened to stifle it. Yet despite his profound influence on French culture, Debussy’s own life was complicated and often troubled by struggles over money, women, and ill health. Here, Stephen Walsh, acclaimed author of Stravinsky, chronicles both the composer himself and the unique moment in European history that bore him. Walsh’s engagingly original approach is to enrich a lively biography with analyses of Debussy’s music: from his first daring breaks with the rules as a Conservatoire student to his achievements as the greatest French composer of his time.
"This invaluable work will contribute much to the battle against our number one disease."—from the Foreword by George McGovern, former senator and author of Terry: My Daughter's Life-and-Death Struggle with Alcoholism Alcoholism is a disease. It's time we started treating it like one. Science has offered undisputed proof that alcoholism is a disease rather than a weakness of character, yet millions of alcoholics continue to suffer due to inappropriate treatment. Now the co-author of the modern classic Under the Influence has teamed up with prominent alcoholism experts to provide new answers to this national epidemic. Based on the latest scientific research, Beyond the Influence clearly explains the neurological nature of the disease and reveals why some people drink addictively and others do not. It also spells out what needs to be done to treat alcoholism, including: Steps to take for an intervention How to find the right treatment program Which psychological approaches work best Why spirituality is essential to recovery New insights into relapse prevention What you should know about diet, exercise, and nontraditional treatments such as acupuncture Provocative and eye-opening, compelling and compassionate, Beyond the Influence is not only a message of hope for alcoholics--it is a blueprint for saving lives. Beyond the Influence explains that alcoholism is a disease of the body, not a weakness of character. Drawing on the latest scientific studies, the authors present new research on the central role of genetics and neurotransmitters in addiction. Continuing where the prior book left off, it also includes: Steps for diagnosis and intervention, plus ways to prevent relapses Various treatment models, including inpatient and out-patient programs and a review of new drug treatments The most effective types of psychological counseling The critical role of nutrition Non-traditional healing methods for recovery The importance of a spiritual component to recovery The authors also critique our nation's alcoholism policies, including education and prevention programs, efforts to curtail college bingeing and underage drinking, and the advertising and marketing strategies of the alcohol industry.
An enchanting new story from Akiko Miyakoshi. It’s Momo's first piano recital. As she nervously waits to play, she tells herself, “I’ll be okay … I’ll be okay …” Then she hears a voice nearby saying, “I’ll be okay … I’ll be okay …” It’s a mouseling, also nervous about her first performance! Momo follows her backstage, where she’s amazed to discover a miniature mouse theater. Momo accompanies her new friend on piano, and the mouse audience is so appreciative. Except, suddenly, she discovers — it’s not a mouse audience at all! Sometimes a bit of magic can make all the difference!