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Julie Klassen Is the Gold Standard for Inspirational Regency Fiction Sophie Dupont, daughter of a portrait painter, assists her father in his studio, keeping her own artwork out of sight. She often walks the cliffside path along the north Devon coast, popular with artists and poets. It's where she met the handsome Wesley Overtree, the first man to tell her she's beautiful. Captain Stephen Overtree is accustomed to taking on his brother's neglected duties. Home on leave, he's sent to find Wesley. Knowing his brother rented a cottage from a fellow painter, he travels to Devonshire and meets Miss Dupont, the painter's daughter. He's startled to recognize her from a miniature portrait he carries with him--one of Wesley's discarded works. But his happiness plummets when he realizes Wesley has left her with child and sailed away to Italy in search of a new muse. Wanting to do something worthwhile with his life, Stephen proposes to Sophie. He does not offer love, or even a future together, but he can save her from scandal. If he dies in battle, as he believes he will, she'll be a respectable widow with the protection of his family. Desperate for a way to escape her predicament, Sophie agrees to marry a stranger and travel to his family's estate. But at Overtree Hall, her problems are just beginning. Will she regret marrying Captain Overtree when a repentant Wesley returns? Or will she find herself torn between the father of her child and her growing affection for the husband she barely knows?
A “beautifully written” (Hilary Mantel) story of love, madness, sisterly devotion, and control, about the two beloved daughters of renowned 1700s English painter Thomas Gainsborough, who struggle to live up to the perfect image the world so admired in their portraits. Peggy and Molly Gainsborough—the daughters of one of England’s most famous portrait artists of the 1700s and the frequent subject of his work—are best friends. They spy on their father as he paints, rankle their mother as she manages the household, and run barefoot through the muddy fields that surround their home. But there is another reason they are inseparable: from a young age, Molly periodically experiences bouts of mental confusion, even forgetting who she is, and Peggy instinctively knows she must help cover up her sister’s condition. When the family moves to Bath, it’s not so easy to hide Molly’s slip-ups. There, the sisters are thrown into the whirlwind of polite society, where the codes of behavior are crystal clear. Molly dreams of a normal life but slides deeper and more publicly into her delusions. By now, Peggy knows the shadow of an asylum looms for women like Molly, and she goes to greater lengths to protect her sister’s secret. But when Peggy unexpectedly falls in love with her father’s friend, the charming composer Johann Fischer, the sisters’ precarious situation is thrown catastrophically off course. Her burgeoning love for Johann sparks the bitterest of betrayals, forcing Peggy to question all she has done for Molly, and whether any one person can truly change the fate of another. A tense and tender examination of the blurred lines between protection and control, The Painter’s Daughters is a searing portrait of the real girls behind the canvas. Emily Howes’s debut is a stunning exploration of devotion, control, and individuality; it is a love song to sisterhood, to the many hues of life, and to being looked at but never really seen.
Peggy and Molly Gainsborough--the daughters of one of England's most famous portrait artists of the 1700s and the frequent subject of his work--are best friends. They spy on their father as he paints, rankle their mother as she manages the household, and run barefoot through the muddy fields that surround their home. But there is another reason they are inseparable: from a young age, Molly periodically experiences bouts of mental confusion, even forgetting who she is, and Peggy instinctively knows she must help cover up her sister's condition. When the family moves to Bath, it's not so easy to hide Molly's slip-ups. There, the sisters are thrown into the whirlwind of polite society, where the codes of behavior are crystal clear. Molly dreams of a normal life but slides deeper and more publicly into her delusions. By now, Peggy knows the shadow of an asylum looms for women like Molly, and she goes to greater lengths to protect her sister's secret. But when Peggy unexpectedly falls in love with her father's friend, the charming composer Johann Fischer, the sisters' precarious situation is thrown catastrophically off course. Her burgeoning love for Johann sparks the bitterest of betrayals, forcing Peggy to question all she has done for Molly, and whether any one person can truly change the fate of another.
A paperback edition of the book described by the New York Times Book Review as 'thoroughly absorbing'. Henry James minced no words in crediting John Singer Sargent with a 'knock-down insolence of talent.' Among the painter's many renowned works, few deserve the phrase as much as The Daughters of Edward Darley Boit, which stands alongside Madame X and Lady Agnew of Lochnaw as one of Sargent's greatest images. The painting, depicting four young sisters in the family apartment (first exhibited at the Paris Salon of 1883, it predated by just one year the scandal of Madame X), both explores and defies convention, crossing the boundaries between portrait and genre scene, formal composition and casual snapshot. At its unveiling, one prominent critic rushed to praise Sargent's stunning originality, while another dismissed the canvas as 'four corners and a void.' Using numerous unpublished archival documents, Erica E. Hirshler explores this iconic canvas from a variety of angles, discussing its innovative significance as a work of art, the people involved in its making and what became of them, its importance to Sargent's career, its place in the tradition of artistic patronage, and its changing meanings and lasting popularity. Sargent's Daughters is an evocative, multifaceted book that will transform the way you look at Sargent's work, simultaneously illuminating a much beloved painting and reaffirming its mystery
People of all ages are fascinated by Mona Lisa’s beguiling smile, Van Gogh’s hypnotic night sky, and Frida Kahlo’s depiction of herself with a monkey. These paintings and ten others are featured in the book in large reproductions with accompanying details. The readable text offers biographical information about each artist and important facts about the painting’s technical and historical aspects. Games, quizzes, and coloring exercises provide additional opportunities for young readers to interact with the artworks, while a timeline throughout the book allows for easy historical orientation. Readers will return again and again to these works, which provide continued opportunities for contemplation and discovery.
"In the 17th century, when insects were called "beasts of the devil", and women were virtually excluded from the field of science, a young German woman named Maria Sibylla Merian (1647-1717) dedicated her life to the study and depiction of the metamorphosis of insects. Merian's extraordinary accomplishments in art and science and those of her most important pupils - her daughters Johanna Helena and Dorothea Maria - will be on view in Maria Sibylla Merian & Daughters: Women of Art and Science at the J. Paul Getty Museum, the Getty Center, June 10 - August 31, 2008, the first major exhibition of Merian's work in America. The exhibition will explore various aspects of Merian's career, including her hand-colored publications on flowers and insects, her successful business venture in Amsterdam as a specimen-supplier for the collectors and naturalists, and her extraordinary journey to Suriname and the scientific discoveries that resulted. Specimens of actual insects, including the large Blue Morpho butterfly, will be included in the exhibition alongside Merian's renderings - providing a rare opportunity for scholars, nature lovers, and families to experience European and exotic insects first hand." --Publisher.
On a hot day, Katie and her grandmother visit the art museum, where Katie climbs into the paintings of pointillist artists Seurat, Pisarro, and Signac. Includes information about pointillism.
"Through the oils of [West Fraser's] mature style ... he has achieved a level of spontaneity in the plein air tradition that captures the essence of the lowcountry." So concludes the essay by Angela D. Mack that leads everyone from connoisseurs to those who simply enjoy the artistic images of the South Carolina lowcountry into a visual feast to stir the senses. The first book of its kind dedicated to the work of this plein air impressionist, Charleston in My Time: The Paintings of West Fraser celebrates the passion and independence West Fraser exhibits in his work, his amazing eye for natural light and landscapes, and his love of Charleston and the lowcountry.
New York Public Library’s “100 Best Children's Books of the Past 100 Years” Jane Addams Honor Book Maine Library Association Lupine Honor Book ALA Amelia Bloomer Project Award Book Bank Street Best Children's Books List (Starred) Association of Children's Booksellers Best Book The moving and critically acclaimed story of a young, artistic Bangladeshi girl who bravely defies tradition in order to support her family through hard times Naima is a talented painter of traditional alpana patterns, which Bangladeshi women and girls paint on their houses for special celebrations. But Naima is not satisfied just painting alpana. She wants to help earn money for her family, like her best friend, Saleem, does for his family. When Naima's rash effort to help puts her family deeper in debt, she draws on her resourceful nature and her talents to bravely save the day. Includes a glossary of Bangla words and an author's note about a changing Bangladesh and microfinance.