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Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.
"Traditional Oil Painting is that rare sourcebook that comprehensively covers the most advanced techniques and concepts of oil painting"--P. [2] of cover.
The second edition of Why Art Photography? is an updated, expanded introduction to the ideas behind today’s striking photographic images. Lively, accessible discussions of key issues such as ambiguity, objectivity, fiction, authenticity, and photography’s expanding field are supplemented with new material around timely topics such as globalization, selfie culture, and photographers’ use of advanced digital technologies, including CGI and virtual reality. The new edition includes: an expanded introduction extended chapters featuring emerging trends a larger selection of images, including new color images an improved and expanded bibliography This new edition is essential for students looking to enrich their understanding of photography as a complex and multi-faceted art form.
Painting isn't just for artists anymore.Photographers nowadays are interested in turning their digital photosinto paintings in Corel Painter and Adobe Photoshop.And now Painting for Photographers, published by Artistry Books, shows both the art lessons and software steps for transforming photos into works of art.Written and illustrated by Karen Sperling, one of the world's foremost Painter authorities, having penned the first several Painter manuals and three previous Painter books, Painting for Photographers is the first art book for photographers.It starts with a look at the art concepts that photographers need to know to paint their photos and describes the materials needed to create art, in this case, the software program tools and features.Next, Painting for Photographers provides step-by-step instructions and four-color illustrations for creating paintings in Corel Painter and Adobe Photoshop from popular photo subjects, including portraits, landscapes, pets and wildlife, covering various styles of art, including oils, watercolors and pastels. There's also a chapter on creating abstract art, Karen Sperling's specialty, having exhibited abstracts in New York art galleries.Additionally, Painting for Photographers shows how to paint with traditional acrylics and oils on top of the digital artwork after it's printed to canvas and includes a chapter by world-renowned artist and photographer Laurence Gartel about how to market the results.Painting for Photographers appeals to both professional photographers who would like to sell paintings to their clients and to hobbyists who are interested in painting photos of their kids and grandkids.
Lump the dachshund, who lives with a photographer and a larger dog in Italy, travels to the south of France to meet Pablo Picasso, who promptly names him "Lumpito," in a story based on actual events.
From John Berger, the Booker Prize-winning author of G., A Painter of Our Time is at once a gripping intellectual and moral detective story and a book whose aesthetic insights make it a companion piece to Berger's great works of art criticism. The year is 1956. Soviet tanks are rolling into Budapest. In London, an expatriate Hungarian painter named Janos Lavin has disappeared following a triumphant one-man show at a fashionable gallery. Where has he gone? Why has he gone? The only clues may lie in the diary, written in Hungarian, that Lavin has left behind in his studio. With uncanny understanding, John Berger has written oneo f hte most convincing portraits of a painter in modern literature, a revelation of art and exile.
A fascinating biography of a revolutionary American artist ripe for rediscovery as a photographer and champion of other artists Alfred Stieglitz (1864–1946) was an enormously influential artist and nurturer of artists even though his accomplishments are often overshadowed by his role as Georgia O’Keeffe’s husband. This new book from celebrated biographer Phyllis Rose reconsiders Stieglitz as a revolutionary force in the history of American art. Born in New Jersey, Stieglitz at age eighteen went to study in Germany, where his father, a wool merchant and painter, insisted he would get a proper education. After returning to America, he became one of the first American photographers to achieve international fame. By the time he was sixty, he gave up photography and devoted himself to selling and promoting art. His first gallery, 291, was the first American gallery to show works by Picasso, Rodin, Matisse, and other great European modernists. His galleries were not dealerships so much as open universities, where he introduced European modern art to Americans and nurtured an appreciation of American art among American artists.
Master the skills you need to transform everyday scenes into breathtaking works of art Throw your preconceptions about light-painting out the window and prepare for a creative journey that will revolutionize your photography. Light painting is a classic photography technique that involves selectively illuminating sections of a dark subject by moving a light source (like a flashlight) over the subject during the course of a seconds- or minutes-long exposure. This results in uniquely nuanced depictions with a high level of technical artistry. As Eric Curry shows, however, today's hardware and software allow you to produce light-painting images that are anything but traditional! In this book, you'll learn, step by step, how to plan and execute incredible, nuanced images using simple gear, a whole lot of imagination, and today's powerful postproduction software. With these techniques, your imagination is the only limit to what you can create! AUTHOR: Eric Curry earned a BA in photography from the Art Center College of Design in 1980, then moved to Copenhagen, Denmark, where he ran his own advertising photography studio for over ten years. There, he worked with the largest agencies in the country, shooting brands such as Novo, Bang and Olufson, Pfizer, Maersk Line Shipping, LEGO, and Philips Electronics.Upon returning to the U.S. in 1992, Eric gradually transitioned to location industrial photography, because it afforded, as he comments, "a much broader palette of avenues for creativity." After thirty years of shooting as a professional, and an additional five years working on the series "American Pride and Passion," Eric is now sharing the secrets of how some of his most effective shots were made--and how you can make similarly powerful photographs yourself.Currently, Eric creates photographs exclusively on location for select clients and himself, taking full advantage of the depth and possibilities afforded by each and every new challenge. SELLING POINTS: * Learn to choose the best light sources for the shape and texture of the surface you're lighting -- and for the effect you want to create * Devise a detailed plan for lighting each frame and maximize your post-production finishing options * Determine the optimal exposure settings for the scene and light sources you've chosen