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The Pain Tree tells stories that speak to all aspects of Jamaican life. Among the characters we hear from are: poor folk making the best of past hardships (“Coal”); rich folk plotting future selfishness (“The Goodness of My Heart”); an old man, familiar with darkness, who discovers in foreign capitalism a force even he cannot control (“Boxed-In”); a young girl, uprooted to a new country, forced to shoulder her mother’s unspoken burdens in addition to her own (“Lollipop”). Bookending these are two powerful stories about the inextricability of home and history: in “The Pain Tree,” the protagonist comes to realize the love she has abandoned, and the pain she has left behind; in “Flying,” the lead character, searching for that which has been missing most of his life, comes home for good. Senior navigates the hills and valleys of narrative with natural ease, interweaving thick strands of emotion and insight yet never losing sight of a story’s ebb and flow. Her Pain Tree is an engaging, thought-provoking read that transports readers fully to another place, where the unfamiliar and exciting clash and commingle with the universal.
First published in Canada in 2015 by Cormorant Books Inc., RToronto, Ontario.
From the author of Dancing Lessons, Finalist for the 2012 Amazon.ca First Novel Award and Finalist for the 2012 Commonwealth Writers Prize, comes an unforgettable collection of short stories. Olive Senior's new collection of stories - The Pain Tree - is wide-ranging in scope, time period, theme, locale and voice. Her characteristic 'gossipy voice' is present in many of the stories, but as well there is reverence, wit and wisdom, along with satire, humour and even farce. The stories range over almost a hundred years, from around the time of the second world war to the present. Like her earlier stories, Jamaica is the setting but the range of characters presented are universally recognisable as people in crisis or on the cusp of transformation. While most of the stories operate within a realist mode, Senior in this collection is also exploiting traditional motifs, so we have collected here revenge stories ('The Goodness of my Heart'), a bargain with the Devil ('Boxed-in'), a Cinderella story ('The Country Cousin'), a magical realist interpretation of African spiritual beliefs ('Flying') and a narrator's belated acceptance of the healing power of traditional beliefs ('The Pain Tree'). 'Coal' and 'Tap' are realist stories set in the war years and depression that followed as folks try to find a new place in the world. Senior's trademark children awakening to self-awareness and to the hypocracy of adults are here too, from the heartbreaking 'Moonlight' and 'Silent' to the girls in 'Lollipop' and 'A Father Like That' who learn to confront loneliness and vulnerability with attitude.
An illustrated collection of original poetry written by and for teenagers.
This "stunning journey through a country that is home to exhilarating natural wonders, and a scarring colonial past . . . makes breathtakingly clear the connection between nature and humanity, and offers a singular portrait of the complexities inherent to our ideas of identity, family, and love" (Refinery29). A chance discovery of letters written by her immigrant grandfather leads Jessica J. Lee to her ancestral homeland, Taiwan. There, she seeks his story while growing closer to the land he knew. Lee hikes mountains home to Formosan flamecrests, birds found nowhere else on earth, and swims in a lake of drowned cedars. She bikes flatlands where spoonbills alight by fish farms, and learns about a tree whose fruit can float in the ocean for years, awaiting landfall. Throughout, Lee unearths surprising parallels between the natural and human stories that have shaped her family and their beloved island. Joyously attentive to the natural world, Lee also turns a critical gaze upon colonialist explorers who mapped the land and named plants, relying on and often effacing the labor and knowledge of local communities. Two Trees Make a Forest is a genre–shattering book encompassing history, travel, nature, and memoir, an extraordinary narrative showing how geographical forces are interlaced with our family stories.
Sunday Times Bestseller‘A paradigm-smashing chronicle of joyous entanglement’ Charles Foster Waterstones Non-Fiction Book of the Month (September) Are trees social beings? How do trees live? Do they feel pain or have awareness of their surroundings?
As The Giving Tree turns fifty, this timeless classic is available for the first time ever in ebook format. This digital edition allows young readers and lifelong fans to continue the legacy and love of a classic that will now reach an even wider audience. "Once there was a tree...and she loved a little boy." So begins a story of unforgettable perception, beautifully written and illustrated by the gifted and versatile Shel Silverstein. This moving parable for all ages offers a touching interpretation of the gift of giving and a serene acceptance of another's capacity to love in return. Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk...and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree gave and gave and gave. This is a tender story, touched with sadness, aglow with consolation. Shel Silverstein's incomparable career as a bestselling children's book author and illustrator began with Lafcadio, the Lion Who Shot Back. He is also the creator of picture books including A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, The Missing Piece, The Missing Piece Meets the Big O, and the perennial favorite The Giving Tree, and of classic poetry collections such as Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, Don't Bump the Glump!, and Runny Babbit. And don't miss the other Shel Silverstein ebooks, Where the Sidewalk Ends and A Light in the Attic!
SOON TO BE A MAJOR MOTION PICTURE STARRING AMY ADAMS • In this blazingly smart and voracious debut novel, an artist turned stay-at-home mom becomes convinced she's turning into a dog. • "A must-read for anyone who can’t get enough of the ever-blurring line between the psychological and supernatural that Yellowjackets exemplifies." —Vulture One day, the mother was a mother, but then one night, she was quite suddenly something else... An ambitious mother puts her art career on hold to stay at home with her newborn son, but the experience does not match her imagination. Two years later, she steps into the bathroom for a break from her toddler's demands, only to discover a dense patch of hair on the back of her neck. In the mirror, her canines suddenly look sharper than she remembers. Her husband, who travels for work five days a week, casually dismisses her fears from faraway hotel rooms. As the mother's symptoms intensify, and her temptation to give in to her new dog impulses peak, she struggles to keep her alter-canine-identity secret. Seeking a cure at the library, she discovers the mysterious academic tome which becomes her bible, A Field Guide to Magical Women: A Mythical Ethnography, and meets a group of mommies involved in a multilevel-marketing scheme who may also be more than what they seem. An outrageously original novel of ideas about art, power, and womanhood wrapped in a satirical fairy tale, Nightbitch will make you want to howl in laughter and recognition. And you should. You should howl as much as you want.
For poet Tiana Clark, trees will never be just trees. They will also and always be a row of gallows from which Black bodies once swung. This is an image that she cannot escape, but one that she has learned to lean into as she delves into personal and public histories, explicating memories and muses around race, elegy, family, and faith by making and breaking forms as well as probing mythology, literary history, her own ancestry, and, yes, even Rihanna. I Can’t Talk About the Trees without the Blood, because Tiana cannot engage with the physical and psychic landscape of the South without seeing the braided trauma of the broken past—she will always see blood on the leaves.
A stunning debut novel set in post-revolutionary Iran that gives voice to the men, women, and children who won a war only to find their livesNand those of their descendantsNimperiled by its aftermath.