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Things couldn't be moving any faster. Grady is now on his own after the riot that ensued due to his rally and other members of the movement are closing in. What is becoming a revolution needs its leader more than ever or all could be lost. Rush fiercely maintains her position running the Mall, which has become the only safe haven in a world imprisoned by all that technology has brought into it. She will fight against anything to protect her people, including the latest and very powerful threat that that could shut it down forever. In the Mall, Grady's younger sister Bridget, once a follower, is improving her combat skills and herself, getting stronger every day. Sophie falls into the depths of self-discovery, coming to terms with who she really is while Louis struggles between truly living life and the one thing that pulls him through every day. Rush and Grady must do whatever it takes to keep the movement under control and the Mall safe. Threats loom around every corner as the world continues to self-destruct, and in trying to hold onto what is left of a dream for a new future they will be faced with trials much harder than any they have faced before.
They think nothing can tear their bond apart, until a long-buried secret threatens to destroy everything. Every year they have met up for a vacation, but their time away is much more than just a bit of fun. Over time, it has become a lifesaver, as each of them struggles with life’s triumphs and tragedies. Sophie, Emily, Amy and Melissa have been best friends since they were girls. They have seen each other through everything—from Sophie’s private fear that she doesn’t actually want to be a mother despite having two kids, to Amy’s perfect-on-the-outside marriage that starts to reveal troubling warning signs, to Melissa’s spiraling alcoholism, to questions that are suddenly bubbling up around the paternity of Emily’s son. But could a lie that spans just as long as their friendship be the thing that tears them apart?
Popati Hiranandani's (1924-2007) autobiograpy unfolds the experiences of her personal life trapped in the geo-political debris of pre- and post-Partition India. She traces the agony and ecstasy of her life, the critical junctures of becoming and unbecoming in the life of a Sindhi woman-the two phases of her pre-Partition and post-Partition life are fused by the inconsolable and unmitigated trauma triggered by the loss of home. Through an exegesis of gender relations in colonial and postcolonial India and scrutiny of personal experiences and memories, Hiranandani offers her understanding of the real obstacles that come in women's ways of wielding autonomy over their lives. Hiranandani's short stories posit a fictional account of multifaceted existence of womanhood. Caught in the web of nostalgia, agony, pain of separation, and reunion-both imaginary and real-Hiranandani's protagonists attempt to veil their tears and recount the stories of the lives that remained untold and unheard for a long time. Translated, and with an Introduction, by Jyoti Panjwani, this work traces the migration of the Sindhi community in pre- and post-Partition India. The detailed analysis of the development of Sindhi literature is accompanied by Panjwani's re-contextualizing of Hiranandani's life and work in present-day India.
Allison Moore is faced with a daunting question: How do you stand up for yourself when it means losing everything? Allison Moore is making it. Barely. The Seattle area architecture firm she started with her best friend is struggling, but at least they’re free from the games played by the corporate world. She’s gotten over her divorce. And while her dad’s recent passing is tough, their relationship had never been easy. Then the bomb drops. Her dad had a secret life and left her mom in massive debt. As Allison scrambles to help her mom find a way out, she’s given a journal, anonymously, during a visit to her favorite coffee shop. As the pressure to rescue her mom mounts, Allison pours her fears and heartache into the journal. But then the unexplainable happens. The words in the journal, her words, begin to disappear. And new ones fill the empty spaces—words that force her to look at everything she knows about herself in a new light. Ignoring those words could cost her everything . . . but so could embracing them. Praise for The Pages of Her Life: “The Pages of Her Life is quintessential James Rubart and showcases why his novels are automatic must-reads. Rubart’s new novel explores courage and self-discovery. The right decisions are almost always hard, and Rubart’s deft hand with character and theme shine in his new novel.” —Colleen Coble, USA TODAY bestselling author “James L. Rubart’s writing always delivers characters that echo our own lives, living in a world not too removed from our own. The Pages of Her Life is another captivating taste of who we really can be.” —David Rawlings, author of The Baggage Handler “I’m a slow reader, but I couldn’t put down The Pages of Her Life. This intriguing story is brimming with wonderful characters and more than a few surprises, including marvelous cameos by characters from another favorite Rubart novel. Immensely thought-provoking, this novel would make a fabulous book-club read. I can’t recommend it highly enough!” —Deborah Raney, author of A Vow to Cherish and the Chandler Sisters novels
From award-winning poet Saeed Jones, How We Fight for Our Lives—winner of the Kirkus Prize and the Stonewall Book Award—is a “moving, bracingly honest memoir” (The New York Times Book Review) written at the crossroads of sex, race, and power. One of the best books of the year as selected by The New York Times; The Washington Post; NPR; Time; The New Yorker; O, The Oprah Magazine; Harper’s Bazaar; Elle; BuzzFeed; Goodreads; and many more. “People don’t just happen,” writes Saeed Jones. “We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The ‘I’ it seems doesn’t exist until we are able to say, ‘I am no longer yours.’” Haunted and haunting, How We Fight for Our Lives is a stunning coming-of-age memoir about a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves. An award-winning poet, Jones has developed a style that’s as beautiful as it is powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one-of-a-kind memoir and a book that cements Saeed Jones as an essential writer for our time.
Wherever I go, I am asked, "What has happened to us? Have we lost our way?"
"Emily and Austin have a reputation for delivering heartwarming, provoking, and real contemporary YA novels."--BuzzFeed Fitz Holton waits in fear for the day his single mother's early-onset Alzheimer's starts stealing her memory. He's vowed to stay close to home to care for her in the years to come--never mind the ridiculous college tour she's forcing him on to visit schools where he knows he'll never go. Juniper Ramirez is counting down the days until she can leave home, a home crowded with five younger siblings and zero privacy. Against the wishes of her tight-knit family, Juniper plans her own college tour of the East Coast with one goal: get out. When Fitz and Juniper cross paths on their first college tour in Boston, they're at odds from the moment they meet-- while Juniper's dying to start a new life apart from her family, Fitz faces the sacrifices he must make for his. Their relationship sparks a deep connection--in each other's eyes, they glimpse alternate possibilities regarding the first big decision of their adult lives.
Supreme Court Justice Sonia Sotomayor tells her own story for young readers for the very first time! As the first Latina Supreme Court Justice, Sonia Sotomayor has inspired young people around the world to reach for their dreams. But what inspired her? For young Sonia, the answer was books! They were her mirrors, her maps, her friends, and her teachers. They helped her to connect with her family in New York and in Puerto Rico, to deal with her diabetes diagnosis, to cope with her father's death, to uncover the secrets of the world, and to dream of a future for herself in which anything was possible. In Turning Pages, Justice Sotomayor shares that love of books with a new generation of readers, and inspires them to read and puzzle and dream for themselves. Accompanied by Lulu Delacre's vibrant art, this story of the Justice's life shows readers that the world is full of promise and possibility--all they need to do is turn the page. Praise for Turning Pages: * "A sincere and insightful autobiography that also demonstrates the power of the written word. A winning addition to libraries that serve young readers." --School Library Journal, starred review "A personal and appealing book made to inspire." --Booklist "A thoughtful introduction to both the power of reading and an inspiring role model." --Kirkus Reviews "This book would be great as a read-aloud for class discussions of the Supreme Court, or United States government, or of important people in public service. It would also be good for independent reading by students interested in biographies or political figures." --School Library Connection
An in-depth elucidation of "The Lost Princess", a tale by Rebbe Nachman of Breslov.