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Little Owl and Little Wolf have so many questions for their parents. “Why can’t we move our eyes?” “When will I no longer be a pup?” But owls don’t ask “Why?” They ask “Whooo?” And wolves don’t ask “When?” They ask “Hoooow?” Mom and Dad say it’s silly to even consider asking those sorts of questions. Feeling teased and misunderstood, Little Owl and Little Wolf decide to run away from home for good. After straying too far from the path, the pair discovers that they’re lost in the forest and begin to wonder if they’ve made the right decision by leaving the pack. Little Owl and Little Wolf realize that the only way to make it back to their families is to not be afraid to ask the right questions, their own way. This heartwarming tale of friendship from author Michelle Garcia Andersen and artist Ayesha Rubio will remind young readers that by staying true to yourself and embracing what makes you unique, good things come to you.
"Henry, the Owl Who Says, Why?" was written by father/daughter team, Jeff Tully and his six-year-old 'Question Machine," Wrigley. This bedtime book combines cheeky humor, hip hop style rhyme schemes, and learning about animals - wrapped up in a heartwarming story. Henry is the only owl who says, "Why?" In fact, he says it so much that it gets him into a little bit of trouble. In the end though, it gets him out of trouble too. Henry is the embodiment of every child 3-7 years old who never stops asking questions. In the process, Henry learns about all the wildlife around him. If your little one loves, "Wild Kratts" and other animal discovery shows they'll love hearing Henry learn "Why" all the forest creatures do what they do. Take your child on a trip through the forest that asks questions like, "Why do porcupines have quills and why do hummingbirds hum?" Eventually, Henry even finds out the hard way why the fox is described as "sly." Don't worry, he out-foxes the fox in the nick of time. This was written to be a bedtime story, it has laughs and some thrills and a few characters for Dad to practice his acting. It's a journey that has humor and goes out on a heartwarming note. Little eyelids will be drooping by the end - until the next night when your little "Question Machine" will be asking to read it all over again.
Chronicles the author's rescue of an abandoned barn owlet, from her efforts to resuscitate and raise the young owl through their nineteen years together, during which the author made key discoveries about owl behavior.
When the Seldith clan's Owl Wrangler mysteriously disappears, his son Hisbil, a teenage forest elf no taller than a mushroom, must take on this perilous duty or face exile from the clan. Desperately trying to clear his father's name, Hisbil gets help from his pesky little sister, who's almost learned to heal with a touch; a pretty and clairvoyant classmate, who knows what's on Hisbil's mind before he does; and a mysterious exiled clansman, whose motives are far from pure. Armed with little more than a wand and a spell he's never used, Hisbil and his Seldith cohorts endure a harrowing odyssey of danger, deception, and battle until Hisbil finally discovers the real truth about his calling, his father and the Seldith clan. The Owl Wrangler is the first book in the trilogy followed by Guardians of the Sacred Seven and Quest for The Truth. It's a delightful story loved by young and old that weaves a compelling story about our times and a society that worships The Truth.
In 1321, the English town of Ulewic teeters between survival and destruction, faith and doubt, God and demons. Against this intense backdrop, a group of women have formed a beguinage, a self-sustaining community of women. Led by the strong-willed Servant Martha, these women are committed to a code of celibacy and prayer, hard work and charity that is unsanctioned by the all-powerful church. Still, the villagers have come to rely on this remarkable group of women for their very lives. And seeking shelter among them now is the youngest daughter of Ulewic’s lord, a man who holds power over them all. But when a series of natural calamities strikes, the beguinage’s enemies make their move, stirring the superstitious villagers with dark rumors of unspeakable depravities and unleashing upon the defiant all-female community the full force of their vengeance in the terrifying form of the Owl Killers. Men cloaked in masks and secrecy, ruling with violence and intimidation—the Owl Killers draw battle lines. In this village ravaged by flood and disease, the women of the beguinage must draw upon their deepest strength if they are to overcome the raging storm of long-held secrets and shattering lies.
Crossing the Owl’s Bridge uses the wisdom of worldwide folk tales to demonstrate how to share, ritualize, and transform grief. Each chapter describes psychological tasks as communicated through folk tales, offers stories about others, and provides guidelines for application. The premise is that although we do have to say goodbye to our material relationship, we are also being presented with a chance to say hello to a different type of relationship. Crossing the Owl’s Bridge illustrates creative outcomes to mourning that allow one to recognize, contain, release, and yet stay in relationship and keep loving. Kim Bateman, Ph.D., has facilitated grief workshops and taught courses in Death and Dying for over 20 years. Her research interests include bereavement, organizational psychology, and humor, and she has presented over 60 projects in the behavioral sciences at regional and national psychology conferences. Dr. Bateman has delivered many notable keynote addresses, including: “There’s a Fox Under My Bed and Pixie Dust in My Hair,” at the Developmental Psychology Conference, “The Psychology of Humor” at the Women’s Wellness Conference, and “College Culture Through the Song Lyrics of Bob Marley,” at the Community College League of California convention. She recently presented a TEDx talk called “Singing Over Bones.” Dr. Bateman serves as the executive dean of the Tahoe-Truckee Campus of Sierra College.