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One of the UK's foremost moral philosophers, Mary Midgley recounts her remarkable story in this elegiac and moving account of friendships found and lost, bitter philosophical battles and of a profound love of teaching. In spite of her many books and public profile, little is known about Mary's life. Part of a famous generation of women philosophers that includes Elizabeth Anscombe, Philippa Foot, Mary Warnock and Iris Murdoch, Midgley tells us in vivid and humorous fashion how they cut a swathe through the arid landscape of 1950s British Philosophy, writing and arguing about the grand themes of character, beauty and the meaning of rudeness. As the mother of three children, her journey during the 1950s and 1960s was one of a woman fighting to combine a professional career with raising a family. In startling contrast to many of the academic stars of her generation, we learn that Midgley nearly became a novelist and started writing philosophy only when in her fifties, suggesting that Minerva’s owl really does fly at dusk. Charting the highs and lows of philosophy and academia in Britain, this publication sheds light on Mary’s close friends, her moral philosophy and her meetings with major philosophers, including Wittgenstein and Isaiah Berlin.
As Hegel famously noted, referring to the Roman goddess Minerva, her owl brought back wisdom only at dusk, when it was too late to shine light on actual politics. Jeffrey Abramson provides a lively and accessible guide for readers discovering the tradition of political thought that dates back to Socrates and Plato, with contemporary examples that illustrate the enduring nature of political dilemmas.
A Walt Whitman Award–winning poet seeks the spiritual within everyday physical objects in this luminous collection. Taking its name from the Roman goddess of wisdom and her companion bird, Owl of Minerva turns astonishingly precise attention to the physical world, scouring it for evidence of the spiritual as the poet travels through such places as Appalachia, New England, Venice, Spain, the Caribbean, and the American Midwest. Along the way, Eric Pankey ponders mortality, religious narratives and iconography, the continued press of childhood on the present, and the simultaneous violence and beauty of the natural world. At the book’s core are three ambitious poems titled “The Complete List of Everything,” which together offer an extended vision of American longing and connection—as well as a window into the sort of compendium of images and moments a sustained devotion to poetry can yield. “The hope was to construct // A coherent totality of meaning from odds / And ends,” Pankey writes, and so much of this book is about the difficult work of constructing meaning from the available material all around us. This book is an extraordinary example of lyric-meditative journaling—a large and profound collection by a brilliant poet writing at the height of his powers. “Pankey remains one of our leading practitioners of the metaphysical poem.” —C. Dale Young, author of Prometeo
The Deconstructive Owl of Minerva: An Examination of Schizophrenia through Philosophy, Psychoanalysis and Postmodernism takes as its project the articulation of the language of schizophrenia as it inscribes itself between the self and â ~other.â (TM) It takes into account Georg W. F. Hegelâ (TM)s account of self-consciousness as a master-slave relation. A reading of Jacques Lacan provides access to the narrative self in terms of the â oemirror stageâ as the recognition of the self as â ~otherâ (TM). By a further reading of postmodern theorists, this book shows that what has been named schizophrenia calls for a deconstructive strategy that operates with the divergence between pharmacological treatment and the understanding of the language of the schizophrenic condition. This difference will emphasize language as plural, plurivalent, polyphonic and polylogical. This book, essentially, seeks to circumvent the label of â oeschizophreniaâ and to provide alternative ways to understand schizophrenic language in order to culturally rearticulate its effects in society. Postmodern and deconstructive modes of access to the languages of desire, dispersal, and plurivalence that are associated with schizophrenic conditions can help to open up spaces of understanding that are rendered impossible through symptomatic treatment models.
This volume begins with a brief overview of the most important features of Ricoeur's philosophical journey accompanied by a number of studies on the subject. The second part of the study is devoted to other issues in Ricoeur's work based upon five critical exchanges with the author over the last 25 years.
From its beginnings, philosophy's language, concepts and imaginative growth have been heavily influenced by poetry and poets. Drawing on the work of a wide range of thinkers throughout the history of Western philosophy, Raymond Barfield explores the pervasiveness of poetry's impact on philosophy and, conversely, how philosophy has sometimes resisted or denied poetry's influence. Although some thinkers, like Giambatista Vico and Nietzsche, praised the wisdom of poets, and saw poetry and philosophy as mutually beneficial pursuits, others resented, diminished or eliminated the importance of poetry in philosophy. Beginning with the famous passage in Plato's Republic in which Socrates exiles the poets from the city, this book traces the history of the ancient quarrel between philosophy and poetry through the works of thinkers in the Western tradition ranging from Plato to the work of the contemporary thinker Mikhail Bakhtin.
Chosen by Randall Mann as a winner of the Jake Adam York Prize, Brian Tierney’s Rise and Float depicts the journey of a poet working—remarkably, miraculously—to make our most profound, private wounds visible on the page. With the “corpse of Frost” under his heel, Tierney reckons with a life that resists poetic rendition. The transgenerational impact of mental illness, a struggle with disordered eating, a father’s death from cancer, the loss of loved ones to addiction and suicide—all of these compound to “month after / month” and “dream / after dream” of struck-through lines. Still, Tierney commands poetry’s cathartic potential through searing images: wallpaper peeling like “wrist skin when a grater slips,” a “laugh as good as a scream,” pears as hard as a tumor. These poems commune with their ghosts not to overcome, but to release. The course of Rise and Float is not straightforward. Where one poem gently confesses to “trying, these days, to believe again / in people,” another concedes that “defeat / sometimes is defeat / without purpose.” Look: the chair is just a chair.” But therein lies the beauty of this collection: in the proximity (and occasional overlap) of these voices, we see something alluringly, openly human. Between a boy “torn open” by dogs and a suicide, “two beautiful teenagers are kissing.” Between screams, something intimate—hope, however difficult it may be.