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A happy workforce, it is said, is a productive workforce. Mmmm. Try telling that to an army of belligerent goblins. Or the Big Bad Wolf. Or a professional dragons layer. Who is looking after their well-being? Who gives a damn about their intolerable working conditions, lack of adequate health insurance, and terrible coffee in the canteen? Thankfully, with access to an astonishingly diverse workforce and limitless natural resources, maximizing revenue and improving operating profit has never really been an issue for the one they call "the Wizard." Until now. Because now a perfectly good business model -- based on sound fiscal planning, entrepreneurial flair, and only one or two of the infinite parallel worlds that make up our universe -- is about to be disrupted by a young man not entirely aware of what's going on. There's also a slight risk that the fabric of reality will be torn to shreds. You really do have to be awfully careful with these things.
THE PORTABLE DOOR is the first novel set in the magical offices of J. W. Wells. Now a majorly fantastical movie starring Sam Neill, Christoph Waltz, and Miranda Otto. “Tom Holt may be the most imaginative satirist to land on our shores since Douglas Adams.” — Christopher Moore, New York Times bestselling author Starting a new job is always stressful (especially when you don't want one), but when Paul Carpenter arrives at the office of J. W. Wells he has no idea what trouble lies in store. He is about to discover that the apparently respectable establishment now paying his salary is a front for a deeply sinister organization. It seems that half the time his bosses are away with the fairies. But they're not, of course. They're away with the goblins. The J.W. Wells & Co. Series: The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Other titles from Tom Holt: Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug The Management Style of the Supreme Beings An Orc on the Wild Side Holt Writing as K. J. Parker: Sixteen Ways to Defend a Walled City How To Rule An Empire and Get Away With It A Practical Guide to Conquering the World
A novel set in the magical offices of The Portable Door, now a majorly fantastical film starring Christoph Waltz, Sam Neill, and Miranda Otto. “Tom Holt may be the most imaginative satirist to land on our shores since Douglas Adams.” — Christopher Moore, New York Times bestselling author J.W. Wells seemed to be a respectable establishment, but the company now paying Paul Carpenter's salary is, in fact, a deeply sinister organization with a mighty peculiar management team. Paul thought he was getting the hang of it – particularly when he fell head over heels for his strangely alluring colleague, Sophie – but death is never far away when you work at J.W. Wells. Our love-struck hero is about to discover that custard is definitely in the eye of the beholder. And that it really stings. The J.W. Wells & Co. Series: The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Other titles from Tom Holt: Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug The Management Style of the Supreme Beings An Orc on the Wild Side Holt Writing as K. J. Parker: Sixteen Ways to Defend a Walled City How To Rule An Empire and Get Away With It A Practical Guide to Conquering the World
The doughnut is a thing of beauty. A circle of fried doughy perfection. A source of comfort in trying times, perhaps. For Theo Bernstein, however, it is far, far more. Things have been going pretty badly for Theo Bernstein. An unfortunate accident at work has lost him his job (and his work involved a Very Very Large Hadron Collider, so he's unlikely to get it back). His wife has left him. And he doesn't have any money. Before Theo has time to fully appreciate the pointlessness of his own miserable existence, news arrives that his good friend Professor Pieter van Goyen, renowned physicist and Nobel laureate, has died. By leaving the apparently worthless contents of his safety deposit to Theo, however, the professor has set him on a quest of epic proportions. A journey that will rewrite the laws of physics. A battle to save humanity itself. This is the tale of a man who had nothing and gave it all up to find his destiny -- and a doughnut.
A diverse new anthology that traces the meaning and magic of the sorcerer's apprentice tale throughout history "The Sorcerer's Apprentice" might conjure up images of Mickey Mouse from the Disney film Fantasia, or of Harry Potter. As this anthology reveals, however, "sorcerer's apprentice" tales—in which a young person rebels against, or complies with, an authority who holds the keys to magical powers—have been told through the centuries, in many languages and cultures, from classical times to today. This unique and beautifully illustrated book brings together more than fifty sorcerer's apprentice stories by a plethora of writers, including Ovid, Sir Walter Scott, and the Brothers Grimm. From Goethe's "The Pupil in Magic" to A. K. Ramanujan's "The Guru and His Disciple," this expansive collection presents variations of a classic passed down through countries and eras. Readers enter worlds where household objects are brought to life and shape-shifting occurs from human to animal and back again. We meet two types of apprentice: "The Humiliated Apprentice," a foolish bumbler who wields magic ineffectively and promotes obedience to authority; and "The Rebellious Apprentice" who, through ambition and transformative skills, promotes empowerment and self-awareness. In an extensive introduction, esteemed fairy-tale scholar Jack Zipes discusses the significance and meaning of the apprentice stories, the contradictions in popular retellings, and the importance of magic as a tool of resistance against figures who abuse their authority. Twenty specially commissioned black-and-white illustrations by noted artist Natalie Frank bring the stories to visual life. The Sorcerer's Apprentice enlightens and entertains readers with enduring, spellbinding tales of sorcery that have been with us through the ages.
Maurice has just killed a dragon with a bread knife. And had his destiny foretold. . . and had his true love spirited away. That's precisely the sort of stuff that'd bring out the latent heroism in anyone. Unfortunately, Maurice is pretty sure he hasn't got any latent heroism. Meanwhile, a man wakes up in a jar in a different kind of pickle (figuratively speaking). He can't get out, of course, but neither can he remember his name, or what gravity is, or what those things on the ends of his legs are called. . . and every time he starts working it all out, someone makes him forget again. Forget everything. Only one thing might help him. The answer to the most baffling question of all. . . When is a door not a door?
Deep within the Wood, a young woman lies dead. Not a mark on her body. No trace of her murderer. Only her chipped glass slippers hint at her identity. The Woodcutter, keeper of the peace between the Twelve Kingdoms of Man and the Realm of the Faerie, must find the maiden s killer before others share her fate. Guided by the wind and aided by three charmed axes won from the River God, the Woodcutter begins his hunt, searching for clues in the whispering dominions of the enchanted unknown. But quickly he finds that one murdered maiden is not the only nefarious mystery afoot: one of Odin s hellhounds has escaped, a pixie dust drug trade runs rampant, and more young girls go missing. Looming in the shadows is a malevolent, power-hungry queen, and she will stop at nothing to destroy the Twelve Kingdoms and annihilate the Royal Fae unless the Woodcutter can outmaneuver her and save the gentle souls of the Wood."
K. J. Parker's new novel is the remarkable tale of the siege of a walled city, and the even more remarkable man who had to defend it. A siege is approaching, and the city has little time to prepare. The people have no food and no weapons, and the enemy has sworn to slaughter them all. To save the city will take a miracle, but what it has is Orhan. A colonel of engineers, Orhan has far more experience with bridge-building than battles, is a cheat and a liar, and has a serious problem with authority. He is, in other words, perfect for the job. Sixteen Ways To Defend a Walled City is the story of Orhan, son of Siyyah Doctus Felix Praeclarissimus, and his history of the Great Siege, written down so that the deeds and sufferings of great men may never be forgotten.
When the Supreme Being and his son decide that being supreme isn't for them any more, it's inevitable that things get a bit of a shake-up. It soon becomes apparent that our new owners, the Venturi brothers, have a very different perspective on all sorts of things. Take Good and Evil, for example. For them, it's an outdated concept that never worked particularly well in the first place. Unfortunately, the sudden disappearance of right and wrong, while welcomed by some, raises certain concerns amongst those still attached to the previous team's management style. In particular, there's one of the old gods who didn't move out with the others. A reclusive chap, he lives somewhere up north, and only a handful even believe in him. But he's watching. And he really does need to know if you've been naughty or nice.
Snatched by a dragon at the end of book one, Edmund and Elspeth awake to find themselves soaring over the frozen wastes of the Snowlands, hundreds of miles from home. Escaping the dragon's clutches, they are discovered in the soft snow by Fritha. a charcoal burner's daughter. Edmund wants her help to arrange a passage home, but Elspeth has other ideas. The sword is speaking to her, filling her thoughts more and more. It's destiny is nearby, the purpose for which is was hewn, and where the sword goes, Elspeth must follow, increasingly under it's spell. Edmund and Fritha refuse to let Elspeth travel alone, and so they set out together on a perlilous route to Eigg Loki, the mountain which is drawing Elspeth and the sword, and to the dark secrets which lie at its heart.