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In the exciting, fast-paced Western adventure sequel to Escape from Hell's Corner, crazed killer Amos Clarke (aka Amos Watson) will stop at nothing to avenge the death of his father. Amos Watson's admiration for his father and almost worship of the blacksnake-whip were all that remained from outlaw Watson Clarke's horrific reign of terror inflicted on the people of southwest Texas during Amos' formative years. During his youth, Amos developed a seething rage and designed an insidious plan to avenge his father's death. His hatred of those responsible for killing his father included three Darnel brothers, two county sheriffs, a Mexican Army captain and the leading citizens of Turtle Creek. Amos avoided work and spent his youthful years committing crimes- mostly petty thievery─ he felt capable of doing without having to pay the penalty. Amos learned all his killer father's sly and cunning tricks and acquired his hedonic desire for feelings of satisfaction and pleasure while abusing women, especially young girls. He always brought home to his mother the money and other valuables he robbed. Set in the picturesque Texas mountains, Return to Hell's Corner combines danger, romance, bravery, and good old-fashioned western justice to provide an exhilarating ride through the lawless wasteland of the Old West.
"'Judge' Howard Potter, one of the most respected and influential citizens of a suburban town outside of Philadelphia, lies dead after a long and wearying illness. He is survived by the five people who knew him best and whose lives were deeply influenced by him. . . .Through the thoughts and reminiscences of these five very different people Mr. Morris tells his story. . . . [His] writing is occasionally obscure but always absorbing. He does not, like so many writers, hover omnisciently over his characters. He prefers to project himself into their innermost and very human thoughts and emotions, leaving the reader to draw his own conclusions. . . . Mr. Morris writes with wit, taste, and refreshing originality."--William Murray, Saturday Review. "Mr. Morris is a master of the exact phrase, the homely illuminating detail, and it is no accident that he is an excellent photographer. . . . His writing is simple, but his method is as complete as his subject matter, so he uses the multiple flashback, the melting of past into present."--E.M. Scott, New York Herald-Tribune Book Review. "A thoroughly satisfying novel"--Commonweal. "A most rewarding book"--Kirkus. "His finest novel to date"--San Francisco Chronicle. "With this novel he has clearly, and for the first time, ascended into literature"--New York Times Book Review. One of the most distinguished American authors, Wright Morris (1910-1988) wrote thirty-three books including The Field of Vision, which won the National Book Award.
In this angry, eloquent outcry against the oppression of homosexuals, the author of the classic City of Night gives "an explosive non-fiction account, with commentaries, of three days and nights in the sexual underground" of Los Angeles in the 1970s--the "battlefield" of the sexual outlaw. Using the language and techniqus of the film, Rechy deftly intercuts the despairing, joyful, and defiant confessions of a male hustler with the "chorus" of his own subversive reflections on sexual identity and sexual politics, and with stark documentary reports our society directs against homosexuals--"the only minority against whose existence there are laws."
A federal prosecutor in Mississippi for over thirty years, John Hailman routinely worked with federal agents, lawyers, judges, and criminals of every type imaginable. Encouraged by the acclaim for his earlier book, From Midnight to Guntown, he has opened even more of the astonishing cases within the over thirty-five boxes full of trial stories he carried into retirement. Hailman gathers colorful exploits of eccentric modern criminals from William Faulkner's Mississippi, where savvy victims often outwit their criminal perpetrators. Characters range from rich but incompetent drug lords and nationwide gun-runners to bumbling Dixie Mafia kidnappers. The book ends with “Fancy Frauds” in which ingenious con men (and women) offer hilarious but surprisingly sophisticated “special deals” on tax-free gold mines in Mexico and bargain (but bogus) Viagra. Chapters include “Guns, Bombs, and Moonshine Whiskey,” “Drug Kingpins Have Troubles Too,” “Crime Victims Fight Back,” “Mere Theft,” and “Fancy Frauds.” Written to entertain and enlighten, these stories will delight any fan of the true crime genre and anyone who enjoys good writing and the skill of a master storyteller.
The Ranch on the Beaver continues the hide-and-hoof Horatio Alger story of Wells Brothers: The Young Cattle Kings (also available as a Bison Book). By 1887 the teenage boys, Joel and Dell, have weathered several seasons as ranchers in northwest Kansas. With help from drovers on the nearby Western Trail, they have built up a herd. Looking beyond Beaver Creek, the boys acquire grazing rights in Colorado and Texas. As others fail, they persevere, learning all aspects of a rapidly changing operation—from maturing beef to managing, shipping, and selling it. Drawing on firsthand knowledge, the author of Log of a Cowboy offers a realistic and spirited story mixing hard work and fun.