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First published in Germany in 1985, Geschichte der deutschen Literaturkritik was quickly recognized as the most original and comprehensive study to date of a proud critical tradition including such giants as Lessing, Goethe, and Heine. Now translated into English, it will serve as a model for a new approach to literary history in America and elsewhere, one emphasizing the connections of criticism with other public discourse. The editor, Peter Uwe Hohendahl, has provided an introduction and a chapter, "Literary Criticism in the Epoch of Liberalism,"translated by Jeffrey S. Librett. Filling in the history of German criticism from the Enlightenment to the present are Klaus L. Berghahn of the University of Wisconsin, "From Classicist to Classical Literary Criticism, 1730-1806," translated by John R. Blazek; Jochen Schulte-Sasse, University of Minnesota, "The Concept of Literary Criticism in Romanticism"; Russell A. Berman, Stanford University, "Literary Criticism from Empire to Dictatorship, 1870-1933,"; translated by Simon Srebrny; and Bernhard Zimmerman, University of T_bingen, "Developments in German Literary Criticism from 1933 to the Present," translated by Franz Blaha.
This is the first book to describe German literary history up to the unification of Germany in 1990. It takes a fresh look at the main authors and movements, and also asks what Germans in a given period were actually reading and writing, what they would have seen at the local theatre or found in the local lending library; it includes, for example, discussions of literature in Latin as well as in German, eighteenth-century letters and popular novels, Nazi literature and radio plays, and modern Swiss and Austrian literature. A new prominence is given to writing by women. Contributors, all leading scholars in their field, have re-examined standard judgements in writing a history for our own times. The book is designed for the general reader as well as the advanced student: titles and quotations are translated, and there is a comprehensive bibliography.
A cultural history of representations of Jesus in nineteenth-century European and American fiction and visual art
Pioneering biblical critic, theorist of democracy, and legendary conflater of God and nature, Jewish philosopher Baruch Spinoza (1632-1677) was excommunicated by the Sephardic Jews of Amsterdam in 1656 for his "horrible heresies" and "monstrous deeds." Yet, over the past three centuries, Spinoza's rupture with traditional Jewish beliefs and practices has elevated him to a prominent place in genealogies of Jewish modernity. The First Modern Jew provides a riveting look at how Spinoza went from being one of Judaism's most notorious outcasts to one of its most celebrated, if still highly controversial, cultural icons, and a powerful and protean symbol of the first modern secular Jew. Ranging from Amsterdam to Palestine and back again to Europe, the book chronicles Spinoza's posthumous odyssey from marginalized heretic to hero, the exemplar of a whole host of Jewish identities, including cosmopolitan, nationalist, reformist, and rejectionist. Daniel Schwartz shows that in fashioning Spinoza into "the first modern Jew," generations of Jewish intellectuals--German liberals, East European maskilim, secular Zionists, and Yiddishists--have projected their own dilemmas of identity onto him, reshaping the Amsterdam thinker in their own image. The many afterlives of Spinoza are a kind of looking glass into the struggles of Jewish writers over where to draw the boundaries of Jewishness and whether a secular Jewish identity is indeed possible. Cumulatively, these afterlives offer a kaleidoscopic view of modern Jewish cultureand a vivid history of an obsession with Spinoza that continues to this day.
Michael Drescher analyzes national mythologies in American and German literature. He focuses on processes of mythological resignification, a literary phenomenon carrying significant implications for questions of identity, democracy, and nationalism in Europe and America. Precise narratological analyses are paired with detailed, transnational readings of Hawthorne's The Scarlet Letter, Gutzkow's Wally, die Zweiflerin, Brown's Clotel, and Heine's Deutschland. Ein Wintermärchen. The study marries literature, mythology, and politics and contributes to the study of American and German literature at large.
Heinrich Heine has been one of the liveliest topics in German literary studies for the past fifteen years. His life was marked by an exceptionally high pitch of constant public controversy and an extraordinary quantity of legend and speculation surround his reputation. This biography, the first in English in over twenty years and the first fully documented one in over a century, makes full use of the newest material in contemporary studies as well as of older scholarship. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.