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Tamika Sykes, AKA Mik, is hearing impaired and way too smart for her West Bronx high school. She copes by reading lips and selling homework answers, and looks forward to the time each day when she can be alone in her room drawing. She's a tough girl who mostly keeps to herself and can shut anyone out with the click of her hearing aid. But then she meets Fatima, a teenage refugee who sells newspapers, and Jimmi, a homeless vet who is shunned by the rest of the community, and her life takes an unexpected turn.
When a seagull drops a can of orange paint on his neat house, Mr. Plumbean gets an idea that affects his entire neighborhood.
HENRY AND VIOLET FELL IN LOVE IN THE ORANGE HOUSE. AND SO WILL YOU. Henry and Violet first met in the garden of The Orange House on the beautiful island of Mallorca. They promised their lives to each other, poured their love into restoring the house and built the foundations of their marriage within its walls. First it was their private idyll, then a place to escape with their son, Luke - but now it has become a battleground. As the years have passed, cracks have appeared and secrets have built barriers between them. Finally, on the brink of divorce, they have come back to Mallorca to sell up. Will this final summer together be the end - or a new beginning? Twenty years ago, The Orange House brought them together. Now, will it be reason they part? YOUR FAVOURITE AUTHORS ARE FALLING IN LOVE WITH THE ORANGE HOUSE... 'A beautifully written, thought-provoking novel of love lost and gained' MILLY JOHNSON 'Powerful, moving, evocative' PAIGE TOON 'Deeply moving and full of heart' LUCY DIAMOND 'You can feel the warmth coming off the pages ... the most immersive, evocative love story' DAISY BUCHANAN 'A rich family drama, suffused with sunshine and hope. Isabelle Broom is a wonderful storyteller' LUCY CLARKE
An epic account of the House of Orange-Nassau over one hundred and fifty years of European history. Three rulers from the House of Orange-Nassau reigned over the Netherlands from 1813 to 1890: King William I from 1813 to 1840, King William II from 1840 to 1849, and King William III from 1849 to 1890. Theirs is an epic tale of joy and tragedy, progress and catastrophe, disappointment and glory—all set against the backdrop of a Europe plagued by war and revolution. The House of Orange in Revolution and War relates one and a half centuries of House of Orange history in a gripping narrative, leading the reader from the last stadholders of the Dutch Republic to the modern monarchy of the early twentieth century, from the French Revolution and the Napoleonic wars to World War I and the European Revolutions that came after it.
How do gender and power relationships affect the expression of family, House and dynastic identities? The present study explores this question using a case study of the House of Orange-Nassau, whose extensive visual, material and archival sources from both male and female members enable the authors to trace their complex attempts to express, gain and maintain power: in texts, material culture, and spaces, as well as rituals, acts and practices. The book adopts several innovative approaches to the history of the Orange-Nassau family, and to familial and dynastic studies generally. Firstly, the authors analyse in detail a vast body of previously unexplored sources, including correspondence, artwork, architectural, horticultural and textual commissions, ceremonies, practices and individual actions that have, surprisingly, received little attention to date individually, and consider these as the collective practices of a key early modern dynastic family. They investigate new avenues about the meanings and practices of family and dynasty in the early modern period, extending current research that focuses on dominant men to ask how women and subordinate men understood 'family' and 'dynasty', in what respects such notions were shared among members, and how it might have been fractured and fashioned by individual experiences. Adopting a transnational approach to the Nassau family, the authors explore the family's self-presentation across a range of languages, cultures and historiographical traditions, situating their representation of themselves as an influential House within an international context and offering a new vision of power as a gendered concept.
The Bernard Johnson translation of Pekic's prize-winning novel. Originally published by Harcourt in 1978. Annotation copyright by Book News, Inc., Portland, OR