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Many poets, playwrights, and novelists have grappled with the concept of time. Even more scholars have analyzed how novelists have used time for structuring, organizing, plotting and philosophizing. This collection of essays about the use of time in the novel is unique not only because the writers cover a wide range of concepts of time, but also because they locate certain novels within a specific time culture. The chapters analyze novels (and one film) with definite time cultures, providing hints as to the future of the use of time in the novel. Emily Bald’s chapter begins the collection in the nineteenth century with Life in the Iron Mills showing both inner time – the perceptual time which fluctuates with the vicissitudes of affective experience – and external time, which has become known as clock time. This ties in well with Rachel Kaufmann’s chapter exploring felt time in contemporary women’s literature. Marco Caracciolo’s chapter adds “cosmic time” to Ricoeur’s monumental and mortal time with the case studies of Virginia Woolf’s The Waves, and Terrence Malick’s film The Tree of Life. Two chapters explore the effects of World War Two: AJ Burgin presents the disorienting technique of Martin Amis’ Time’s Arrow that shows time going backwards – even in dialogue. Raymond Burt presents two novels of Michael Köhlmeier, a contemporary Austrian writer, spanning the decades since the end of World War Two, with his chapter drawing the link between time and morality. The final chapter on Calvino’s If on a winter’s night a traveler shows the multiplicity of time that the previous chapters have demonstrated so clearly. Terms such as affect, truth, haunting, memory, reality, identity, morality and mortality all resonate within these chapters as characters within the novels and their specific culture areas grapple with time, recall the past, and attempt to live in the present. Many of the writers in this collection point towards possible new methods of dealing with time; reading methods; engaging with the novel writers of the future in new and interesting relationships. Here, Time has not been wasted.
This volume investigates interdisciplinary intersections between law and the humanities from the Renaissance to the present day. It allows for fruitful encounters between different disciplines: from literature to science, from the visual arts to the post-human, from the postmodern novel’s experimentation to most recent approaches towards the legal interpretation of literary texts. This productive dialogue fosters original perspectives in the interpretation of and reflection upon identity, justice, power and human rights and values, thus underlining the role of literature in the articulation of relevant cultural issues pertaining to specific periods.
Join Christian, a young boy, who is about to embark on the greatest adventure of his life. After being kidnapped by pirates he is imprisoned on a mysterious and unusual ship named the Vengeance Spirit. He soon discovers that the reason for his capture is that he is the key player in an ongoing war between two ancient kingdoms. With his gifts of prophecy and magical items Christian and his friends will fight for their lives to restore an ancient civilization and set right what went horribly wrong at the beginning of mankind's history ages ago. Facing prehistoric sea monsters, mythical beasts, and a tyrannical pirate captain are just the beginning of the many adventures Christian and his group of ragtag allies will endure. Follow them in this first quest and witness... The Rise of the Oracle
"Many poets, playwrights, and novelists have grappled with the concept of time. Even more scholars have analyzed how novelists have used time for structuring, organizing, plotting and philosophizing. This collection of essays about the use of time in the novel is unique not only because the writers cover a wide range of concepts of time, but also because they locate certain novels within a specific time culture. The chapters analyze novels (and one film) with definite time cultures, providing hints as to the future of the use of time in the novel. Emily Bald's chapter begins the collection in the nineteenth century with Life in the Iron Mills showing both inner time - the perceptual time which fluctuates with the vicissitudes of affective experience - and external time, which has become known as clock time. This ties in well with Rachel Kaufmann's chapter exploring felt time in contemporary women's literature. Marco Caracciolo's chapter adds "cosmic time" to Ricoeur's monumental and mortal time with the case studies of Virginia Woolf's The Waves, and Terrence Malick's film The Tree of Life. Two chapters explore the effects of World War Two: AJ Burgin presents the disorienting technique of Martin Amis' Time's Arrow that shows time going backwards - even in dialogue. Raymond Burt presents two novels of Michael K�hlmeier, a contemporary Austrian writer, spanning the decades since the end of World War Two, with his chapter drawing the link between time and morality. The final chapter on Calvino's If on a winter's night a traveler shows the multiplicity of time that the previous chapters have demonstrated so clearly. Terms such as affect, truth, haunting, memory, reality, identity, morality and mortality all resonate within these chapters as characters within the novels and their specific culture areas grapple with time, recall the past, and attempt to live in the present. Many of the writers in this collection point towards possible new methods of dealing with time; reading methods; engaging with the novel writers of the future in new and interesting relationships. Here, Time has not been wasted."
Android 42 heads deep into the unexplored sector 7G to return her new Terranaut friends to their homeworld Terra. There she meets the leader of their government, the Holy Mother who looks exactly like 42, and a sect of Terranauts who view 42 as a messiah. She must navigate acting as an intermediary between the Terranauts and the rest of the known galaxy, try to learn the secrets of the Holy Mother, and avoid becoming a religious leader that brings discord to Terra.
To protect his ward Ciri, Geralt of Rivia sends her to train with the sorceress Yennefer. But all is not well within the Wizard's Guild in the second novel of the Witcher, Andrzej Sapkowski's groundbreaking epic fantasy series that inspired the hit Netflix show and the blockbuster video games. Geralt is a Witcher: guardian of the innocent; protector of those in need; a defender in dark times against some of the most frightening creatures of myth and legend. His task now is to protect Ciri. A child of prophecy, she will have the power to change the world for good or for ill—but only if she lives to use it. Witcher collections The Last Wish Sword of Destiny Witcher novels Blood of Elves The Time of Contempt Baptism of Fire The Tower of Swallows Lady of the Lake Season of Storms Hussite Trilogy The Tower of Fools Warriors of God Translated from original Polish by David French
A revised edition of this intriguing and complex play, updated to cover recent critical thinking and stage history. Troilus and Cressida is a tragedy often labelled a "problem" play because of its apparent blend of genres and its difficult themes. Set in the Trojan Wars it tells a story of doomed love and honour, offering a debased view of human nature in war-time and a stage peopled by generally unsympathetic characters. The revised edition makes an ideal text for study at undergraduate level and above.
Winner of the 2012 Pulitzer Prize * Poet Laureate of the United States * * A New York Times Notable Book of 2011 and New York Times Book Review Editors' Choice * * A New Yorker, Library Journal and Publishers Weekly Best Book of the Year * New poetry by the award-winning poet Tracy K. Smith, whose "lyric brilliance and political impulses never falter" (Publishers Weekly, starred review) You lie there kicking like a baby, waiting for God himself To lift you past the rungs of your crib. What Would your life say if it could talk? —from "No Fly Zone" With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe to accompany the discoveries, failures, and oddities of human existence. In these brilliant new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like "love" and "illness" now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope. With this remarkable third collection, Smith establishes herself among the best poets of her generation.