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An Elephant in the Garden is Simon Reade’s new adaptation of Michael Morpurgo’s best-selling children’s novel. 1945. Dresden, Germany. Lizzie, her mother – and an elephant from the zoo, flee the Allied fire-bombing in the end-game of the Second World War. Escaping the Allies’ advance from the West – and also the advancing Russian armies from the East – this extraordinary trio of refugees meet: a downed RAF officer, cowering in a barn; a homeless school choir on the run and their Countess saviour, harbouring them from the Nazis; and the mechanised American cavalry, appearing over the horizon. It is Lizzie’s story – but Marlene, the elephant, is the heroine. Plodding, obdurate, opportunistic, loadbearing, indestructible, cheering – Marlene embodies the stubbornness of the human will and how it will do everything to survive.
"Hobson's Choice" by Harold Brighouse. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
For voice and piano; includes chord symbols.
Newsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world. These are places where the banter can be barbed and the truth is always telling. Barber Shop Chronicles, which was partly inspired by verbatim recordings, is a heart-warming, hilarious and insightful play that leaps from a barber shop in Peckham to Johannesburg, Harare, Kampala, Lagos and Accra over the course of a single day. It was first produced by the National Theatre, Fuel and Leeds Playhouse in 2017 and is here publishedas a Methuen Drama Student Edition with commentary and notes by Oladipo Agboluaje.
This vintage book contains a detailed treatise on the subject of open-air auditoriums, exploring their design, construction, and use throughout history. An interesting and comprehensive look at the evolution of theater design, "Outdoor Theaters" is highly recommended for those with an interest in the stage, and would make for a wonderful addition to any collection. Contents include: "The Shakespearean Traditions", "Modern Drama", "The Rural Drama", "The Greek Drama", "Masques", "Informal Programs", "Formal Speaking", "Problems of Design", "Size", "Enclosure", "Orientation", "Locations", "Seats", "The Stage", "The Foyer", "The Proscenium", "Furnishings", etcetera. Frank Albert Waugh (1869 - 1943), was an American landscape architect whose career focused upon recreational uses of national forests, the production of a highly natural style of landscape design, and the implementation of ecological principles. Many antiquarian texts such as this are becoming increasingly rare and expensive, and it is with this in mind that we are republishing this volume now, in an affordable, modern, high-quality edition. It comes complete with a specially commissioned new biography of the author.
A comprehensive guide for planning, designing, and constructing outdoor theatres including amphitheatres, roofed and open air facilities, site specific considerations, and one-of-a-kind designs. Includes numerous photographic examples from around the world. This third edition includes a new author's note on the basic business models of outdoor theatres.
Twenty-four hours in the life of a Philadelphia belle, during which she discards an about-to-be second husband to remarry her first mate.
After sold-out performances at the National Theatre prompted a transfer to the West End, Judi Dench came to Broadway to star in this heady and original drama of love and death. In 1979 Esme Allen is a well-known British actress caught in a changing West End climate that is trying for performers. A visit from her young daughter with a new boyfriend sets in motion a series of events which only find their shape sixteen years later. -- Publisher's website.
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.