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The central premise of this book is that biblical Hebrew narrative, in terms of its structure, tends to operate under similar mechanical constraints to those of a stage-play; wherein 'space' is central, characters are fluid, and 'objects' within the narrative tend to take on a deep internal significance. The smaller episodic narrative units within the Hebrew aesthetic tend to grant primacy to space, both ideologically and at the mechanical level of the text itself. However 'space', as a determinate structural category, has been all but overlooked in the field of biblical studies to date; reflecting perhaps our own inability, as modern readers, to see beyond the dominant 'cinematic' aesthetic of our times. The book is divided into two major sections, each beginning with a more theoretical approach to the function of narrative space, and ending with a practical application of the previous discussion; using "Genesis 28.10-22" (the Bethel narrative) and the book of "Ruth" respectively, as test cases.
The central premise of this book is that biblical Hebrew narrative, in terms of its structure, tends to operate under similar mechanical constraints to those of a stage-play; wherein 'space' is central, characters are fluid, and 'objects' within the narrative tend to take on a deep internal significance. The smaller episodic narrative units within the Hebrew aesthetic tend to grant primacy to space, both ideologically and at the mechanical level of the text itself. However 'space', as a determinate structural category, has been all but overlooked in the field of biblical studies to date; reflecting perhaps our own inability, as modern readers, to see beyond the dominant 'cinematic' aesthetic of our times. The book is divided into two major sections, each beginning with a more theoretical approach to the function of narrative space, and ending with a practical application of the previous discussion; using "Genesis 28.10-22" (the Bethel narrative) and the book of "Ruth" respectively, as test cases.
This book offers a comprehensive treatment of the city image in the Hebrew Bible, with specific attention to stylistics. By engaging with spatial theory (Lefebvre 1974, Soja 1996), the author develops a new framework to analyse the concept of ‘city’, arguing that a set of conceptual images defines the Biblical Hebrew city, each of them constructed using the same linguistic toolkit. Contrary to previous studies, the book shows that biblical cities are not necessarily evil or female. In addition, there is no substantial difference between the metaphorical images used for Jerusalem and those used for other cities. This book will be of interest to students and scholars of stylistics, urban studies, critical-spatial theory and biblical studies (especially Biblical Hebrew).
Metaphorical Landscapes and the Theology of the Book of Job demonstrates how spatial metaphors play a crucial role in the theology of the book of Job. Themes as pivotal as trauma, ill-being, retribution, and divine character are conceptualized in terms of space; its imagery is thus dependent on spatial configurations, such as boundaries, distance, direction, containment, and contact. Not only are spatial metaphors ubiquitous in the book of Job—possibly the most frequent conceptual metaphors in the book—they are essential to its theological reasoning. Job’s spatial metaphors form a metaphorical landscape in which God’s character and his creation are challenged in unprecedented ways. In the theophany, God reacts to that landscape. This book introduces a pragmatic synthesis of both conceptual metaphor theory and spatial semantics and it demonstrates their exegetical and hermeneutic potential.
Formerly known by its subtitle “Internationale Zeitschriftenschau für Bibelwissenschaft und Grenzgebiete”, the International Review of Biblical Studies has served the scholarly community ever since its inception in the early 1950’s. Each annual volume includes approximately 2,000 abstracts and summaries of articles and books that deal with the Bible and related literature, including the Dead Sea Scrolls, Pseudepigrapha, Non-canonical gospels, and ancient Near Eastern writings. The abstracts – which may be in English, German, or French - are arranged thematically under headings such as e.g. “Genesis”, “Matthew”, “Greek language”, “text and textual criticism”, “exegetical methods and approaches”, “biblical theology”, “social and religious institutions”, “biblical personalities”, “history of Israel and early Judaism”, and so on. The articles and books that are abstracted and reviewed are collected annually by an international team of collaborators from over 300 of the most important periodicals and book series in the fields covered.
Was the New Testament written in the early first century CE or at a much later date? Sturdy's work was conceived as a reply to John Robinson's Reading the New Testament, which dated the New Testament material very early. Sturdy argued that the Pauline letters are in places interpolated, Colossians, Ephesians and the Pastorals are pseudonymous, and that Luke and Acts are not by the same author. He believed that Matthew was the last Synoptic Gospel to be written, with John assigned to the period 140 CE. Redrawing the Boundaries offers a radical approach to New Testament Studies that stands in a long tradition of scholarship represented by the Tuebingen School in Germany.
'Symposia' illuminates the central issues and concerns of biblical studies by presenting a series of stories. The model for the stories is the ancient Greek idea of the symposium, a 'sitting down together for the purpose of drinking'. In Plato's writings, the symposium becomes a genre of writing with Socrates at its centre, a character who perpetually questions in order to develop the pursuit of knowledge. Some of the most influential figures in the history of biblical studies - Julius Wellhausen, Hermann Gunkel, Martin Noth, Brevard Childs, Norman Gottwald, Phyllis Trible, and the Bible and Culture Collective - become the central characters in these stories. Each aims to voice their central arguments, to highlight and confront the key challenges they see and, of course, to dispute the positions of others.
How were narratives composed in the ancient Near East? What patterns and principles, constraints and considerations guided the shaping of cuneiform stories? The study of narrative structures has emerged as a promising approach to the textual heritage of the cuneiform world. Engaging with practically any ancient text—whether literary, historical, or religious—requires some understanding of the narrative forms that shaped their content. This volume gives researchers the tools to better understand those form, illustrating each approach to narrative analysis with a case study from the cultures of the ancient Near East: Sumerian, Babylonian, Assyrian, and Hittite.
These fourteen selected essays were originally read at the LXXSA international conference: Construction, Coherence and Connotation in Septuagint, Apocryphal and Cognate Literature (28-30 August 2015), hosted by the North-West University, Potchefstroom, South Africa. Here, the intention was to apply new critical theory and approaches to the fields of Old Testament Scripture as well as associated Apocryphal and Cognate literature, with a specific focus on the interrelated recurring theme of the Wisdom of the deity and its decryption and reception at various times in history. In this regard, it was felt that this theme and associated source texts had been largely overlooked in recent scholarship. Here the aim was to attract recent research by both leading national as well as international scholars which not only shed new light on Old Testament Apocrypha and so-called Pseudepigraphical literature but which also critically reviewed certain biblical wisdom texts which are foundational for both the Christian as well as Jewish communities. As a consequence, many of the essays deal with the apocryphal Wisdom of Sirach. However, important contributions may also be found apropos Micah, Daniel, Baruch, 2 Maccabees, Tobit, Susanna, Judith, and the works of Josephus Flavius.
Contemporary Gospel studies have recently taken increasing interest in the Jewish context of Jesus and the gospels. Judaism, Jewish Identities and the Gospel Tradition offers an overview of the ways in which Judaism is used in the canonical gospels and how this relates to the idea of a 'Jewish Jesus'. The essays bring together a range of influential scholars to analyse the role of Judaism in gospel studies. The book explores constructions of gender, the impact of the historical Jesus, and the significant steps toward Christian distinctiveness made in the gospel of John. The essays cover a range of biblical texts: from the Lord's Prayer to Mark's Christology and the Gerasene Demoniac to themes of poverty in Luke