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February 1806: Vice-Admiral Sir Richard Bolitho carries the news of Trafalgar to southern Africa, where he is to aid British ground forces in any way he can to retake Cape Town from the Dutch. Impatient to be home, Bolitho decides yet again that the boldest measures are best, and proves to the army that brave men do not die in vain.
Not Only War: A Story of Two Great Conflicts is the only World War I novel written by an African American veteran. In the book, Montgomery Jason, an idealistic African American college student, enlists to fight for freedom and democracy. When he falls in love with a French woman, he learns that freedom and democracy do not apply to black soldiers. Victor Daly wrote Not Only War in the midst of a major shift in America's racial dynamics. Hundreds of thousands of African Americans moved from the South to the North to work in wartime industries, and thousands more joined the American Expeditionary Force. Daly was among a small group of African Americans who trained as officers. He saw combat in France and was decorated for his service there. After the war, when racial violence in America escalated, Daly and many other returning soldiers fought for civil rights. During the Harlem Renaissance, African Americans used literature to make the case for equality. In Not Only War, Daly portrays the effects of the color line on black soldiers in the segregated military. The two great conflicts in the book are the physical combat of war and the psychological combat of racism. In addition to the original content of Not Only War, this paperback reprint includes three short stories and a previously published interview, as well as an introduction by David A. Davis.
"The touching tale of two men, a southerner and a negro, one hating the other, only to die in each other's arms, race and creed forgotten in the grimness and reality of war. The author, Victor R. Daly, has written a moving story, depicting with vigor and understanding the war that he has known, that all the world has known in some way; and the conflict that is, in his opinion, greater than war - the conflict of discord between races, that is not so well known by all"--dust jacket
Ambition will fuel him. Competition will drive him. But power has its price. It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He's been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined - every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute . . . and must weigh his need to follow the rules against his desire to survive no matter what it takes.
From Grammy-winning musical icon and legendary bassist Victor L. Wooten comes an inspiring parable of music, life, and the difference between playing all the right notes…and feeling them. The Music Lesson is the story of a struggling young musician who wanted music to be his life, and who wanted his life to be great. Then, from nowhere it seemed, a teacher arrived. Part musical genius, part philosopher, part eccentric wise man, the teacher would guide the young musician on a spiritual journey, and teach him that the gifts we get from music mirror those from life, and every movement, phrase, and chord has its own meaning...All you have to do is find the song inside. “The best book on music (and its connection to the mystic laws of life) that I've ever read. I learned so much on every level.”—Multiple Grammy Award–winning saxophonist Michael Brecker
Grammy Award winner Victor Wooten's inspiring parable of the importance of music and the threats that it faces in today's world. We may not realize it as we listen to the soundtrack of our lives through tiny earbuds, but music and all that it encompasses is disappearing all around us. In this fable-like story three musicians from around the world are mysteriously summoned to Nashville, the Music City, to join together with Victor to do battle against the "Phasers," whose blinking "music-cancelling" headphones silence and destroy all musical sound. Only by coming together, connecting, and making the joyful sounds of immediate, "live" music can the world be restored to the power and spirit of music. A VINTAGE ORIGINAL
Our Code Transcends Us and Becomes Us Stanford computer science professor Richard Nelson is on a mission to save humanity from itself. To do so, he must first save his wife Virginia. In this quest, Richard and his neuroscientist friend Pari seek the code to immortality. Leveraging artificial intelligence and virtual reality, they build a new world they call Cendovia, and an organization so secret most do not know they are even in it. A dramatic first day of college for Richard's top students, Victor, Marisa, and Connor, sets them on a collision course with this secret organization. For Victor, things start off bad and keep getting worse. He struggles to change his fortune, struggling most of all to uncover the mystery his professor hides. Marisa and Connor team up to help Victor as these three friends strive to become the superheroes Richard has called on programmers to be. While unlocking the capability to transcend into digital form, Richard and Pari grapple with the moral questions such transcendence awakens. At the risk of losing his grip on reality, Richard reshapes his world to retain the memory of his love as he journeys into an after life of his own creation. Though a looming danger approaches, he remains willing to die for his cause and most of all for Virginia. But how many deaths must he endure?
"Hungry? Check the Green Book. Tired? Check the Green Book. Sick? Check the Green Book." In the late 1930s when segregation was legal and Black Americans couldn't visit every establishment or travel everywhere they wanted to safely, a New Yorker named Victor Hugo Green decided to do something about it. Green wrote and published a guide that listed places where his fellow Black Americans could be safe in New York City. The guide sold like hot cakes! Soon customers started asking Green to make a guide to help them travel and vacation safely across the nation too. With the help of his mail carrier co-workers and the African American business community, Green's guide allowed millions of African Americans to travel safely and enjoy traveling across the nation. In the first picture book about the creation and distribution of The Green Book, author Keila Dawson and illustrator Alleanna Harris tell the story of the man behind it and how this travel guide opened the road for a safer, more equitable America.
"A mysterious pandemic causes a quarter of the world to permanently lose the ability to sleep--without any apparent health implications. The outbreak creates a new class of people who are both feared and ostracized, most of whom optimize their extra hours to earn more money"--
Gustaf Aulen's classic work, 'Christus Victor', has long been a standard text on the atonement. Aulen applies history of ideas' methodology to historical theology in tracing the development of three views of the atonement. Aulen asserts that in traditional histories of the doctrine of the atonement only two views have usually been presented, the objective/Anselmian and the subjective/Aberlardian views. According to Aulen, however, there is another type of atonement doctrine in which Christ overcomes the hostile powers that hold humanity in subjection, at the same time that God in Christ reconciles the world to Himself. This view he calls the "classic" idea of the atonement. Because of its predominance in the New Testament, in patristic writings, and in the theology of Luther, Aulen holds that the classic type may be called the distinctively Christian idea of the atonement.