Download Free The Onedin Line Book in PDF and EPUB Free Download. You can read online The Onedin Line and write the review.

Elgar Davies, Hon. Sec. of Pontlast RFC; scandalised Elmyra Mouth; lawyer Bunny Leyshon; Jehoidah Wetter, public convenience attendant; dream girl Dottie Lemon; Esme and her famous fly-half husband. The characters from Alun Richards's classic short stories are joined by new figures soon to be held in equal affection: T.J., leading figure in the new television company; milkman Jimmy Reeve; Ben Brayley, returning celebrity; Huw Pugh-Jones, who gets the boating bug. From the valleys chip shop to Broadcasting House, and from the rugby club to the yacht club, Alun Richards creates a world marked by his acute observation and exact ear for dialogue. Surefooted in the politics of relationships, adept at his reading of social strata, sympathetic to the weaknesses of his characters, Richards is writing at his best in these memorable stories. "Not a word wasted... just pellucid prose. His people are real, rounded and running over with life, and he has a splendid knack of seeing them at an angle that we would never have struck ourselves." Martyn Goff, The Daily Telegraph "The astonishing blossoms on the familiar. The ordinary gives rise to the fantastical. This is the very stuff of popular literature. Mr Richards has all the storyteller's art, but what secures him his distinctive place is his understanding of how integral a part the narrative sense plays in the arts of life." Roger Garfitt, TLS Alun Richards (1929-2004) was born in Pontypridd. His books include six novels and several collections of short stories - most notably, Home to an Empty House, Dai Country, The Former Miss Merthyr Tydfil and Ennal's Point. He was the editor of The Penguin Book of Welsh Short Stories and The Penguin Book of Sea Stories (volumes 1 and 2). His collected plays are published as Plays for Players and he wrote extensively for radio and television, including early contributions to The Onedin Line. He was awarded an Honorary Fellowship by the University College of Swansea in 1985.
New York Times Bestseller: Sweeping from the 1850s through the early 1920s, this towering family saga examines the price of ambition and power. Joseph Francis Xavier Armagh is twelve years old when he gets his first glimpse of the promised land of America through a dirty porthole in steerage on an Irish immigrant ship. His long voyage, dogged by tragedy, ends not in the great city of New York but in the bigoted, small town of Winfield, Pennsylvania, where his younger brother, Sean, and his infant sister, Regina, are sent to an orphanage. Joseph toils at whatever work will pay a living wage and plans for the day he can take his siblings away from St. Agnes’s Orphanage and make a home for them all. Joseph’s journey will catapult him to the highest echelons of power and grant him entry into the most elite political circles. Even as misfortune continues to follow the Armagh family like an ancient curse, Joseph takes his revenge against the uncaring world that once took everything from him. He orchestrates his eldest son Rory’s political ascent from the offspring of an Irish immigrant to US senator. And Joseph will settle for nothing less than the pinnacle of glory: seeing his boy crowned the first Catholic president of the United States. Spanning seventy years, Captains and the Kings, which was adapted into an eight-part television miniseries, is Taylor Caldwell’s masterpiece about nineteenth- and early twentieth-century America, and the grit, ambition, fortitude, and sheer hubris it takes for an immigrant to survive and thrive in a dynamic new land.
Examining a wide array of ancient writings, Brent Nongbri dispels the commonly held idea that there is such a thing as ancient religion. Nongbri shows how misleading it is to speak as though religion was a concept native to pre-modern cultures.
"When I sailed to Greenland with 1994 Whitbread Round the World Race winner Ross Field, I knew many yachties would want to know how Ross applied 35 years' ocean racing experience to the refit of his 20-year-old, 55ft aluminium sloop; how he managed his boat at sea, especially through North Atlantic storms; follow closely as Ross weather-routed us around dangerous storms and hear some war stories from his yacht racing days. Wild Seas to Greenland has many tips for safer, more comfortable cruising, as well as a glimpse of the wildlife and people we met in an extraordinary Arctic destination."--www.rebeccahayter.co.nz.
The international success of Downton Abbey has led to a revived interest in period dramas, with older programs like The Forsyte Saga being rediscovered by a new generation of fans whose tastes also include grittier fare like Ripper Street. Though often criticized as a form of escapist, conservative nostalgia, these shows can also provide a lens to examine the class and gender politics of both the past and present. In Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey, James Leggott and Julie Anne Taddeo provide a collection of essays that analyze key developments in the history of period dramas from the late 1960s to the present day. Contributors explore such issues as how the genre fulfills and disrupts notions of “quality television,” the process of adaptation, the relationship between UK and U.S. television, and the connection between the period drama and wider developments in TV and popular culture. Additional essays examine how fans shape the content and reception of these dramas and how the genre has articulated or generated debates about gender, sexuality, and class. In addition to Downton Abbey and Upstairs, Downstairs, other programs discussed in this collection include Call the Midwife, Danger UXB, Mr. Selfridge, Parade’s End, Piece of Cake, and Poldark. Tracing the lineage of costume drama from landmark productions of the late 1960s and 1970s to some of the most talked-about productions of recent years, Upstairs and Downstairs will be of value to students, teachers, and researchers in the areas of film, television, Victorian studies, literature, gender studies, and British history and culture.
England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe oppose him. The quest for the king’s freedom destroys his advisor, the brilliant Cardinal Wolsey, and leaves a power vacuum and a deadlock. Into this impasse steps Thomas Cromwell. The son of a brutal blacksmith, a political genius, a briber, a bully and a charmer, Cromwell has broken all the rules of a rigid society in his rise to power. Narrowly escaping personal disaster—the loss of his young family and of Wolsey, his beloved patron—he picks his way deftly through a court where “man is wolf to man.” Pitting himself against parliament, the political establishment and the papacy, he is prepared to reshape England to his own and Henry’s desires. In inimitable style, Hilary Mantel presents a picture of a half-made society on the cusp of change, where individuals fight or embrace their fate with passion and courage. Wolf Hall re-creates an era when the personal and political are separated by a hair’s breadth, where success brings unlimited power, but a single failure means death.