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This collection of 14 critical essays examines short comedic tales from the 13th and 14th centuries, commonly known as the medieval French fabliaux. Each essay focuses on a different aspect of common fabliaux humor, as illustrated by a scholarly analysis of one or several original texts. Topics covered include the frequent use of bacon as humorous symbolism (in Barat et Haimet, Aloul, and Le Sacristain II), the use of comedic rhyme (in Le Prestre comporte and Le Prestre et le chevalier), and the common "virgin miracle" tale (in La Nonete). Throughout the work, contributors attempt to provide a serious analysis of the fabliaux without losing sight of the tales' original comedic content and appeal.
Winner • Modern Language Association’s Scaglione Prize for Translation Bawdier than The Canterbury Tales, The Fabliaux is the first major English translation of the most scandalous and irreverent poetry in Western literature. Composed between the twelfth and fourteenth centuries, these virtually unknown erotic and satiric poems lie at the root of the Western comic tradition. Passed down by the anticlerical middle classes of medieval France, The Fabliaux depicts priapic priests, randy wives, and their cuckolded husbands in tales that are shocking even by today’s standards. Chaucer and Boccaccio borrowed heavily from these riotous tales, which were the wit of the common man rebelling against the aristocracy and Church in matters of food, money, and sex. Containing 69 poems with a parallel Old French text, The Fabliaux comes to life in a way that has never been done in nearly eight hundred years.
This book offers a close analysis of the Old French fabliaux, that medieval corpus of short comic tales in narrative verse celebrated (sometimes notorious) for their irreverence and sexual content. It picks out certain key images - such as gambling, illness, and damnation - which develop into themes and motifs running through all the texts, and which add layers of ironic patterning to the essential subject-matter and narrative of each fabliau. These elements, in many respects the 'small print' of the joke, furnish the comic text with many rhythms and echoes, all contributing to the ludic, adversarial nature of the text. They are extremely flexible, serving as a rhetoric of depiction that extends from broad comic motif to the lightest triggering of a mocking smile. This volume will be of interest to all students of medieval culture, Old French literature, and the development of the short or comic narrative.
This collection explores how Old French fabliaux disrupt literal and figurative bodies. Essays cover theoretical issues including fragmentation and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that arise from this literary body's unsettling capacity.
The Old French fabliaux may be notorious for their bawdy content, but few aspects of these medieval comic narratives are as astonishing as their depiction of the parish priest, whose fiscal and sexual transgressions are on occasion so enormous that lay protagonists are driven to inflict graphic punishments ranging from public exposure and communal beating to castration and murder. In this study, Burrows draws on social psychological research into the cognitive and socio-motivational components of stereotyping to explore the forces underlying the creation and development of the fabliau priest. Through an assessment of the constituent elements of the figure against a background of a range of literary and historical sources, Burrows demonstrates that the literary figure is the product of the specific socio-historical context of contemporaneous changes in relationships between Church and laity in which anticlerical stereotyping, in a manner comparable to other instances of outgroup derogation, can be attributed to a quest for positive social identity and ingroup solidarity on the part of an inscribed lay audience.
This is an interesting book that provides a sane analysis of the relation between form and meaning in the fabliaux. It will henceforth be standard reading for those dealing with what nevertheless remains one of the most problematic genres of Old French Literature for the modern scholar.Keith Busby, "Speculum A Journal of Medieval Studies," Jan. 1990
Wide-ranging study of gender and the underlying ideologies of Old French and Occitan literature.
Concise accounts of editions and studies of the Old French fabliaux. The Old French fabliaux form a corpus of over 120 short comic verse narratives from the late twelfth to the early fourteenth centuries which has been the subject of very active work over the last thirty years, building on continuous though less intensive interest over the previous century. There are many editions, a society and a journal devoted to fabliaux study but, until now, no bibliographical survey. The author of this analytical bibliography takes a wide view of the definition of the genre in French but does not include work primarily on Chaucerian fabliaux or those in other languages. Around 1,000 entries offer precise, well judged and well written accounts of workspublished in this area of study. ANNE COBBY is Librarian of the Faculty of Modern & Medieval Languages at the University of Cambridge.
An introduction to the history of French literature, covering from 842 to 1990.