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In recent years, the Confederate flag has become as much a news item as a Civil War relic. Intense public debates have erupted over Confederate flags flying atop state capitols, being incorporated into state flags, waving from dormitory windows, or adorning the T-shirts and jeans of public school children. To some, this piece of cloth is a symbol of white supremacy and enduring racial injustice; to others, it represents a rich Southern heritage and an essential link to a glorious past. Polarizing Americans, these flag wars reveal the profound--and still unhealed--schisms that have plagued the country since the Civil War. The Confederate Battle Flag is the first comprehensive history of this contested symbol. Transcending conventional partisanship, John Coski reveals the flag's origins as one of many banners unfurled on the battlefields of the Civil War. He shows how it emerged as the preeminent representation of the Confederacy and was transformed into a cultural icon from Reconstruction on, becoming an aggressively racist symbol only after World War II and during the Civil Rights movement. We gain unique insight into the fine line between the flag's use as a historical emblem and as an invocation of the Confederate nation and all it stood for. Pursuing the flag's conflicting meanings, Coski suggests how this provocative artifact, which has been viewed with pride, fear, anger, nostalgia, and disgust, might ultimately provide Americans with the common ground of a shared and complex history.
Civil War Flags of Tennessee provides information on all known Confederate and Union flags of the state and showcases the Civil War flag collection of the Tennessee State Museum. This volume is organized into three parts. Part 1 includes interpretive essays by scholars such as Greg Biggs, Robert B. Bradley, Howard Michael Madaus, and Fonda Ghiardi Thomsen that address how flags were used in the Civil War, their general history, their makers, and preservation issues, among other themes. Part 2 is a catalogue of Tennessee Confederate flags. Part 3 is a catalogue of Tennessee Union flags. The catalogues present a collection of some 200 identified, extant Civil War flags and another 300 flags that are known through secondary and archival sources, all of which are exhaustively documented. Appendices follow the two catalogue sections and include detailed information on several Confederate and Union flags associated with the states of Mississippi, North Carolina, and Indiana that are also contained in the Tennessee State Museum collection. Complete with nearly 300 color illustrations and meticulous notes on textiles and preservation efforts, this volume is much more than an encyclopedic log of Tennessee-related Civil War flags. Stephen Cox and his team also weave the history behind the flags throughout the catalogues, including the stories of the women who stitched them, the regiments that bore them, and the soldiers and bearers who served under them and carried them. Civil War Flags of Tennessee is an eloquent hybrid between guidebook and chronicle, and the scholar, the Civil War enthusiast, and the general reader will all enjoy what can be found in its pages. Unprecedented in its variety and depth, Cox's work fills an important historiographical void within the greater context of the American Civil War. This text demonstrates the importance of Tennessee state heritage and the value of public history, reminding readers that each generation has the honor and responsibility of learning from and preserving the history that has shaped us all--and in doing so, honoring the lives of the soldiers and civilians who sacrificed and persevered.
As the Confederacy felt itself slipping beneath the Union juggernaut in late 1864, the South launched a desperate counteroffensive to shatter the U.S. economy and force a standoff. Its secret weapon? A state-of-the-art raiding ship whose mission was to prowl the world’s oceans and sink the U.S. merchant fleet. The raider’s name was Shenandoah, and her executive officer was Conway Whittle, a twenty-four-year-old warrior who might have stepped from the pages of Arthurian legend. Whittle would share command with a dark and brooding veteran of the seas, Capt. James Waddell, and together with a crew of strays, misfits, and strangers, they would spend nearly a year sailing two-thirds of the way around the globe, destroying dozens of Union ships and taking more than a thousand prisoners, all while continually dodging the enemy.Then, in August of 1865, a British ship revealed the shocking truth to the men of Shenandoah: The war had been over for months, and they were now being hunted as pirates. What ensued was an incredible 15,000-mile journey to the one place the crew hoped to find sanctuary, only to discover that their fate would depend on how they answered a single question. Wondrously evocative and filled with drama and poignancy, Last Flag Down is a riveting story of courage, nobility, and rare comradeship forged in the quest to achieve the impossible.
For forty years, Charles Whilden lived a life noteworthy for failure. Then, in a remarkable chain of events, this aging, epileptic desk clerk from Charleston found himself plunged into the brutal battlefields of the Wilderness (May 57, 1864) and Spotsylvania Court House (May 820, 1864). In an astonishing act of bravery, he wrapped the flag around his body and led a charge that won critical ground for the Confederates, changing the course of one of the war's most significant battles. Gordon C. Rhea combines his deep knowledge of Civil War history with original sources, such as a treasure trove of letters written by Charles Whilden, to tell the story of this unusual life. Growing up in a prominent family that had fallen on hard times, Charles received a good education, and his letters reveal flashes of intelligence. But he failed at the practice of law in his home state and in his endeavors elsewhere, including copper speculation, real estate ventures, and farming. After the attack on Fort Sumter, Charles returned to Charleston to enlist in Confederate service, only to be turned down until the rebellion was on its last legs. Even then he saw only a few weeks of combat. But in that time, he discovered a bravery within himself that nothing in his former existence suggested he had.
A magnificent one volume pictorial and narrative history of the United States with more than five hundred exceptional illustrations, many reproduced here for the first time.
The Petersburg Campaign was the last great campaign fought in the eastern theater of the US Civil War and the last to see U.S Grant take on Robert E Lee. In 1864 General Ulysses S. Grant decided to strangle the life out of the Confederate Army of Northern Virginia by surrounding the city of Petersburg and cutting off General Robert E. Lee's supply lines. The ensuing siege would carry on for nearly ten months, involve 160,000 soldiers, and see a number of pitched battles including the Battle of the Crater, Reams Station, Hatcher's Run, and White Oak Road. After nearly ten months, Grant launched an attack that sent the Confederate army scrambling back to Appomattox Court House where it would soon surrender. Written by an expert on the American Civil War, this book examines the last clash between the armies of U.S. Grant and Robert E. Lee.
This book features the memoir of William H. Gregg. Gregg served as William Clarke Quantrill's de facto adjutant from December of 1861 until the spring of 1864, making him one of the closest people to the guerrilla chief. Whether it was the origins of Quantrill's band, the early warfare along the border, the planning and execution of the raid on Lawrence, Kansas, the Battle of Baxter Springs, or the dissolution of the company in early 1864, Gregg was there as a participant and observer. The book also includes correspondence between Gregg and William E. Connelley, a historian. Connelley, who was born and raised in Kentucky to a family of Unionists, was deeply affected by the war and was a staunch Unionist and Republican. Even as much of the country was focusing on reunification, Connelley refused to forgive the South and felt little if any empathy for his southern peers. Connelley's relationship with Gregg was complicated at best. At worst, it was exploitive. At times their bond appeared reciprocal, but taken as a whole, Connelley seems to have manipulated an old, weak, and naïve Gregg, offering to help Gregg publish his memoir in exchange for Gregg's assistance in feeding Connelley inside information for a biography of Quantrill.
Stephen Atkins Swails is a forgotten American hero. A free Black in the North before the Civil War began, Swails exhibited such exemplary service in the 54th Massachusetts Infantry that he became the first African American commissioned as a combat officer in the United States military. After the war, Swails remained in South Carolina, where he held important positions in the Freedmen’s Bureau, helped draft a progressive state constitution, served in the state senate, and secured legislation benefiting newly liberated Black citizens. Swails remained active in South Carolina politics after Reconstruction until violent Redeemers drove him from the state. After Swails died in 1900, state and local leaders erased him from the historical narrative. Gordon C. Rhea’s biography, one of only a handful for any of the nearly 200,000 African Americans who fought in the Civil War or figured prominently in Reconstruction, restores Swails’s remarkable legacy. Swails’s life story is a saga of an indomitable human being who confronted deep-seated racial prejudice in various institutions but nevertheless reached significant milestones in the fight for racial equality, especially within the military. His is an inspiring story that is especially timely today.