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Only one person can give her the freedom she seeks--but is it worth the risk? Maisie Kentworth is being forced to stay on her parents' ranch. After a short-lived relationship with the wrong man, she's worried about inflaming things further between her former beau and her protective family. Left to rue her mistakes, she keeps busy exploring the idle mine at the edge of their property, where she discovers a great treasure. Boone Bragg is also stuck. With his parents on vacation, the management of Bragg Mining falls on him, and one of his advisors wants him as a son-in-law. One wrong move, and Boone will end up either offending an associate or marrying a woman he can't endure. While closing up a spent mine, Boone gets two surprises. One is a spitfire farm girl who's trespassing with a pickax, and the other is the amazing crystal cavern that she's discovered. Suddenly Boone sees a way to overhaul the family business. With part of the cavern on Kentworth land, Boone makes Maisie a proposal that he hopes will solve all of their problems. Instead it throws Joplin into chaos, and it will take all of Maisie's gumption to set things right.
Jesse Bushyhead was a detachment leader during the forced Indian removal on what has become known as the Trail of Tears. In this capacity, he was responsible for the safe conduct of more than 900 emigrants from Tennessee to Indian Territory in eastern Oklahoma. After the journey, Bushyhead was a principal participant in the formation of the new Cherokee government, providing stability in the turbulent and often internecine struggle between factions. And although without legal training, he served the new government as a chief justice of the Cherokee Supreme Court. Yet during these challenges, Bushyhead, also a Baptist minister, assisted missionary Evan Jones in establishing a vibrant Baptist presence among Cherokees. However, some aspects of Bushyhead's life are more complex. As an interpreter and member of the middle class, he was a key figure in bridging the gap between the white world and Cherokees. But the removal issue divided his tribe and family, resulting in the murders of two close family members. Bushyhead himself received several death threats. Finally, his views on slavery provoked negative responses from abolitionists within Baptist ranks and sparked the separation of denominational lines between North and South. Book jacket.
Being a pastor is a complicated calling. Pastors are often pulled in multiple directions and must "become all things to all people" (1 Cor. 9:22). What does the New Testament say (or not say) about the pastoral calling? And what can we learn about it from the apostle Paul? According to popular New Testament scholar Scot McKnight, pastoring must begin first and foremost with spiritual formation, which plays a vital role in the life and ministry of the pastor. As leaders, pastors both create and nurture culture in a church. The biblical vision for that culture is Christoformity, or Christlikeness. Grounding pastoral ministry in the pastoral praxis of the apostle Paul, McKnight shows that nurturing Christoformity was at the heart of the Pauline mission. The pastor's central calling, then, is to mediate Christ in everything. McKnight explores seven dimensions that illustrate this concept--friendship, siblings, generosity, storytelling, witness, subverting the world, and wisdom--as he calls pastors to be conformed to Christ and to nurture a culture of Christoformity in their churches.
Calista York needs one more successful case as a Pinkerton operative to secure her job. When she's assigned to find the kidnapped daughter of a mob boss, she's sent to the rowdy mining town of Joplin, Missouri, despite having extended family in the area. Will their meddling expose her mission and keep Lila Seaton from being recovered? When Matthew Cook decided to be a missionary, he never expected to be sent only a short train ride away. While fighting against corruption of all sorts, Matthew hears of a baby raffle being held to raise funds for a children's home. He'll do what he can to stop it, but he also wants to stop the reckless Miss York, whose bad judgment consistently seems to be putting her in harm's way. Calista doesn't need the handsome pastor interfering with her investigation, and she can't let her disguise slip. Her job and the life of a young lady depend on keeping Matthew in the dark.
Presented here are two volumes of apocryphal writings reflecting the life and time of the Old and New Testaments. Stories told by contemporary fiction writers of historical Bible times in fascinating and beautiful style.
Evangelical churches sing hymns written between 1870 and 1920 so often that many children learn them by rote before they are able to read religious texts. A cherished part of communal Christian life and an important and effective way to teach doctrine today, these hymns served an additional social purpose in the late nineteenth and early twentieth centuries: they gave evangelical women a voice in their churches. When the sacred music business expanded after the Civil War, writing hymn texts gave publishing opportunities to women who were forbidden to preach, teach, or pray aloud in mixed groups. Authorized by oral expression, gospel hymns allowed women to articulate alternative spiritual models within churches that highly valued orality.These feminized hymns are the focus of "I Sing for I Cannot Be Silent." Drawing upon her own experience as a Baptist, June Hadden Hobbs argues that the evangelical tradition is an oral tradition—it is not anti-intellectual but antiprint. Evangelicals rely on memory and spontaneous oral improvisation; hymns serve to aid memory and permit interaction between oral and written language. By comparing male and female hymnists' use of rhetorical forms, Hobbs shows how women utilized the only oral communication allowed to them in public worship. Gospel hymns permitted women to use a complex system of images already associated with women and domesticity. This feminized hymnody challenged the androcentric value system of evangelical Christianity by making visible the contrasting masculine and feminine versions of Christianity. When these hymns were sung in church, women's voices and opinions moved out of the private sphere and into public religion. The hymns are so powerful that they are suppressed by some contemporary fundamentalists today.In "I Sing for I Cannot Be Silent" June Hadden Hobbs employs an interdisciplinary mix of feminist literary analysis, social history, rhetoric and composition theory, hymnology, autobiography, and theology to examine hymns central to worship in most evangelical churches today.
Jennings's Newest Historical Romance Is a Delight! Molly Lovelace dreams of being a society leader in 1878 Lockhart, Texas, but being smitten with handsome wrangler Bailey Garner doesn't seem the quickest route. If only he would settle down so he could support a family. Bailey imagines doing great things for God, but his biggest issue is Molly. As long as he thought they'd be married, he excused their stolen kisses, but when she keeps refusing, he vows to earn her love. In town, he tries his hand at several different trades, but everywhere he turns he runs into the mysterious stranger Edward Pierrepont. No surprise that Molly's always making calf eyes at the wealthy adventurer. One large fight and some crossed wires later, Molly is prepared to swear off Bailey forever, especially since Pierrepont seems to be hinting at marriage--only he's also about to leave Lockhart. As pressure from Molly's parents grows she is forced into a hasty decision. Had she weighed all her options and will she find love in the balance?
THIS VOLUME EXAMINES THE LIFE, WORKS, AND INFLUENCE OF C.S. LEWIS (1898-1963). THIS IS NO MERE ACADEMIC EXERCISE. FOR YEARS LEWIS HAS BEEN HELD IN HIGH ESTEEM IN THE COLLEGE AND SEMINARY CLASSROOMS. NOW HOWEVER, HE IS COMING INTO THE HEARTS OF ANOTHER GENERATION OF UNSUSPECTING PEOPLE WORLDWIDE BY VIRTUE OF THE NEW MOVIE THE LION, THE WITCH, AND THE WARDROBE, AND ITS SCHEDULED SEQUELS. WHILE MOST EVAN GELICALS ARE OVERJOYED AT LEWIS' GROWING POPULARITY, SOME ARE CONCERNED REGARDING WHAT LEWIS REALLY BELIEVED AND TAUGHT - ISSUES THAT HAVE NOT BEEN ADEQUATELY ADDRESSED. AS A PRACTICAL MATTER, WE SHOULD ALWAYS EXAMINE WHAT AN AUTHOR STOOD FOR PRIOR TO ENDORSING HIS WORKS AND HELPING TO EXPAND HIS INFLUENCE. HENCE, THIS BOOK, WHICH IS AN EFFORT TO INVESTIGATE THE INDIVIDUAL WHO HAS NOW BECOME SOMEWHAT OF AN ICON AMONG AMERICAN EVANGELICALS, AS WELL AS OTHERS. BECUASE THE BIBLE COMMANDS US TO, PROVE ALL THINGS; HOLD FAST THAT WHICH IS GOOD. ABSTAIN FROM ALL APPEARANCE OF EVIL, WE BELIEVE THAT WE HAVE SCRIPTURAL WARRANT FOR SUCH AN INVESTIGATION.