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"People leave people." In jobs, more than 7 in 10 of people who quit a job leave because of a boss or organization culture. In volunteer groups, the same is true. With social groups, the numbers are undoubtably higher. What if we could reverse that? Creating a Culture of Community is a key to keeping your community together. Having some organized, easy-to-understand system to do just that is important. That's just what THE OHANA WAY is for you: A powerful toolbox to help people connect and stay connected in a positive, powerful way. THE OHANA WAY BOOK is the complete manual on The Ohana Way. You'll find The Ohana Way Five-By-Five with 25 more chapters diving deep into Oasis, Harmony, Assertiveness, Nobility, and Aloha, plus more chapters explaining how to apply Ohana in your group, organization and family. If you want a short introduction, see THE OHANA WAY REPORT. Here's the really, really short version of what Ohana means, right out of a Disney movie: OHANA - "Ohana means family, and family means no one gets left behind... or forgotten." (Lilo and Stich, 2002) Ohana means family. Family is much more than those related by blood or marriage. It does include them, of course. It also includes friends, calabash cousins, and anyone with whom you share enough in common that you might consider them ohana. One aspect of this shows up in a simple term: "Hawaii." When people connected to the islands do nice things for one another, they sometimes call it simply "Hawaii." When someone used to live in Hawaii but they have left behind that kind of natural generosity common in the islands, they sometimes say "They aren't Hawaii anymore." Ohana means family. Family includes those bonded by affection and something in common. It represents an ideal that we illustrate by using ohana as an acronym. Technically, that means we should always have periods between our latters as in O.H.A.N.A., but we often dispense with the periods and just write it OHANA or even just capitalize Ohana. This way we know we're talking about our five-part acronym.OHANA means: O-OasisH-HarmonyA-AssertivenessN-NobilityA-Aloha Each one of these elements has a more complete, deeper expression than this (which we explore in future chapters). As a starting place, this is what we mean: OASIS - Be a Refreshing Refuge. Being an Oasis and helping create an Ohana Oasis means I always make it better by being here. I help create a refuge from the usual, the annoying and the difficult. HARMONY - Embrace Infinite Diversity in Infinite Combinations Aimed at Greatness. Great music is made from melody and harmony. Many instruments, notes, and singers work together to make all sorts of different and amazing music. Harmony means we don't have to be alike to be together. ASSERTIVENESS - Moving Forward on Purpose with Respect for Others. We Live Life on Purpose. We live assertively, learn assertively and love assertively. We practice assertive listening, assertive relationships, assertive parenting, and assertiveness in any and all areas of life. NOBILITY - Be our Highest and Best Selves. The metaphor of the Royal Knight dives deep into our ideals of princeliness and princessliness in their highest and best forms. We pursue knightly chivalry and samurai bushido in service to high ideals.ALOHA - Love in All Its Many Meanings and Manifestations. Love is I want the best for you, I want to be the best for you, and I want you to have transcendent joy. Aloha also includes hello and goodbye in Hawaiian.
You don't have to go on vacation to enjoy the tropical flavours of the Pacific! With The 'Ohana Grill, you can have your own personal luau every night with delicious recipes made for your outdoor grill. Written by two Honolulu-based writers, this book uses their island upbringing to explore the diverse cultures and flavours that make up Hawaiian grilling. 'Ono (delicious) recipes include: Grilled Mahi Mahi; Kalua Pork Quesadillas; Grilled S'mores; And much more! Whether you're new to lighting the grate or an experienced BBQ chef, these accessible recipes will bring the flavours of Hawai'i to your taste buds, regardless of where you live.
In this cumulative rhyme in the style of "The House That Jack Built," a family celebrates Hawaii and its culture while serving poi at a luau.
Now a major motion picture starring George Clooney and directed by Alexander Payne Fortunes have changed for the King family, descendants of Hawaiian royalty and one of the state’s largest landowners. Matthew King’s daughters—Scottie, a feisty ten-year-old, and Alex, a seventeen-year-old recovering drug addict—are out of control, and their charismatic, thrill-seeking mother, Joanie, lies in a coma after a boat-racing accident. She will soon be taken off life support. As Matt gathers his wife’s friends and family to say their final goodbyes, a difficult situation is made worse by the sudden discovery that there’s one person who hasn’t been told: the man with whom Joanie had been having an affair. Forced to examine what they owe not only to the living but to the dead, Matt, Scottie, and Alex take to the road to find Joanie’s lover, on a memorable journey that leads to unforeseen humor, growth, and profound revelations.
Hawaiian cultural activity book, based on the 14 lessons of Aloha passed down and taught to Lahela Chandler Correa born and raised in Hawaii . Examples are Aloha is Kindness, Aloha is Kuleana (responsibility) etc. Each lesson has an explanation, activities and colorful illustrations. Included are activities such as design your own surfboard, color your shaka, make a lei and many more engaging projects. Also featured are Hawaiian words throughout the book to learn ??lelo Hawaii (Hawaiian language). The books focus is on Aloha, but the values are universal and the book stresses the importance and acceptance of all cultures and people. This book is best for ages 5-7 and a great conversation for parents/grandparents/teachers to share with young children. Help us spread Aloha throughout the world today.
What other mischief can these three little Nalo get into? Malia, Kaleo and Mano escape the island heat and head toward the mountain. What they soon discover is a new island treat!
Ohana, the Hawaiian word for family, whether by blood or by circumstance, is the tale of Dyson Nicks, a graduate student from Montana. Just weeks removed from losing his parents in a tragic car accident, Dyson Nicks decides to take himself as far away from home as he can for the holiday season. What was supposed to be a retreat to Oahu soon turns ugly. Within minutes of arriving, he is initiated into the unseen side of Hawaii. Theft, violence, and territorialism mark the flip side of paradise, the side most people refuse to believe exists. Through time, will, and pure dumb luck, Dyson serves to carve out his own niche within the island community. With the aid of Mahana, a local girl hiding from a past just as scarred as his own, he begins to find his way forward again. Through the kindness and generosity of strangers, he discovers the true meaning of ohana and how it comes to define Hawaiian life.
The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they show how in sites as varied as South Africa, Canada, Egypt, the United States, and the Canary Islands, improvisation provides the means for its participants to address the past and imagine the future. In addition to essays, the volume features a poem by saxophonist Matana Roberts, an interview with pianist Vijay Iyer about his work with U.S. veterans of color, and drawings by artist Randy DuBurke that chart Nina Simone's politicization. Throughout, the contributors illustrate how improvisation functions as a model for political, cultural, and ethical dialogue and action that can foster the creation of alternate modes of being and knowing in the world. Contributors. Randy DuBurke, Rana El Kadi, Kevin Fellezs, Daniel Fischlin, Kate Galloway, Reem Abdul Hadi, Vijay Iyer, Mark Lomanno, Moshe Morad, Eric Porter, Sara Ramshaw, Matana Roberts, Darci Sprengel, Paul Stapleton, Odeh Turjman, Stephanie Vos
"Antiracism Inc. considers new ways of struggling toward racial justice in a world that constantly steals and misuses radical ideas and practices. The critical essays, interviews, and poetry collected here focus on people and methods that do not seek inclusion in the hierarchical order of gendered racial capitalism. Rather, they focus on aggrieved peoples who have always had to negotiate state violence and cultural erasure, but who also work to build the worlds they envision. These collectivities seek to transform social structures and establish a new social warrant guided by what W.E.B. Du Bois called 'abolition democracy, ' a way of being and thinking that privileges people, mutual interdependence, and ecological harmony over individualist self-aggrandizement and profits. Further, these aggrieved collectivities reshape social relations away from the violence and alienation inherent to gendered racial capitalism, and towards the well-being of the commons."--Provided by publisher
Openly gay Honolulu homicide detective Kimo Kanapa’aka and his partner, Ray Donne, are on duty at a rally in downtown Honolulu organized by Kingdom of Hawai’i, one of many competing groups which seek reparations from the US for the loss of land and independence. An elderly woman is shot dead there, only a few feet from where Kimo’s mother and nephews are taking part in the demonstration, and Kimo and Ray take the case. At the same time, Kimo’s dealing with domestic difficulties, having just moved in with his partner, fire investigator Mike Riccardi. Since both are alpha males, the transition to shared living space isn’t easy, especially because Mike’s parents live next door. As Kimo and Mike struggle to adapt to living together, they begin to forge their own ohana—a Hawaiian term which means family, as well as community. The theme of ohana resonates through both Kimo’s personal life and his investigation of the murder as Kimo and Ray follow clues through a labyrinth of competing groups, uncovering a trail of gambling, money laundering, and mental illness. The title refers both to the blood spilled in three murders, as well as the blood ties that link native Hawaiians to each other. People come together in many ways here—through native heritage and family ties as well as love and fellowship. “Plakcy’s storytelling is tight, flawlessly executed, eminently interesting and inspiring.” George Seaton, Out in Print. “Neil S. Plakcy’s Mahu series is one of my favorites.” Melanie M, reviewer at Joyfully Jay. “To the mystery genre, Kimo Kanapa' aka is a refreshing tropical breeze.” Janie Franz, MyShelf Books in the Mahu series have reached the finalist stage for the Lambda Literary Awards as well as winning mystery fan awards and acclaim from mainstream publications such as Kirkus Reviews and Library Journal.