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Since 1972, Ogri has been entertaining motorcycle enthusiasts on both sides of the Atlantic. Created in the U.K. by Paul Sample, and inspired by his own motorcycle mishaps and lack of social graces, the title character experiences, in unexpurgated graphic glory, the trials, tribulations, frustrations and joys of owning and riding a motorcycle (i.e. black ice, diesel spillage, manhole covers, police, politicians, etc.), while exposing the prejudices and posturing he observes in the sea of life swirling about him. But most of all, Ogri exemplifies the obsessive passion between a rider and his or her machine.
Building on the success of The Ogri Collection and The Ogri Collection No. 2, here is a third volume showing 60 all-new, all-color cartoon strips featuring biker Ogri and his friends. A new landscape format, which allows the strips to be reproduced at a much larger size than before, will particularly appeal to fans who enjoy the background gags in Paul Sample's highly detailed drawings, as well as the main story. These strips - first published in Bike magazine and the Daily Telegraph - bring Haynes's popular collection of Ogri material right up to date.
The second collection in book form of the Ogri comic strips loved by motorcyclists around the world. Includes all-new material created just for the book.
The concurrent engineering (CE) approach to product design and development has two major steps: establishing the product realization process, or taxonomy, and applying this methodology to design and develop the total product system. This first volume of the two volume set articulates CE philosophy by illustrating the differences between the best methodologies and what is currently being practiced. Examines the Japanese transformation from rigid, culture-driven companies to world leaders in quality; offers an understanding of the eight primary components of concurrency and simultaneity; describes modeling the concurrent engineering environment and its five essential components; covers the development of a cooperative work-group environment spanned by four concurrent teams.
This book, by one of Italy's most important and original contemporary philosophers, represents a broad, general, and ambitious undertaking--nothing less than an attempt to rethink the nature of poetic language and to rearticulate relationships among theology, poetry, and philosophy in a tradition of literature initiated by Dante. The author presents "literature" as a set of formal or linguistic genres that discuss or develop theological issues at a certain distance from the discourse of theology. This distance begins to appear in Virgil and Ovid, but it becomes decisive in Dante and in his decision to write in the vernacular. His vernacular Italian reaches back through classical allusion to the Latin that was in his day the language of theology, but it does so with a difference. It is no accident that in the Commedia Virgil is Dante's guide. The book opens with a discussion of just how Dante's poem is a "comedy," and it concludes with a discussion of the "ends of poetry" in a variety of senses: enjambment at the ends of lines, the concluding lines of poems, and the end of poetry as a mode of writing this sort of literature. Of course, to have poetry "end" does not mean that people stop writing it, but that literature passes into a period in which it is concerned with its own ending, with its own bounds and limits, historical and otherwise. Though most of the essays make specific reference to various authors of the Italian literary tradition (including Dante, Polifilo, Pascoli, Delfini, and Caproni), they transcend the confines of Italian literature and engage several other literary and philosophical authors (Plato, Aristotle, the Stoics, Boethius, the Provençal poets, Mallarmé, and Hölderlin, among others).
When originally published in Beijing in 1974, the Chinese publisher said: "This is a book of easy-to-read reportage in depth from a pioneer people?s commune in China. "The story of Chillying?s struggle and growth over fifteen years is typical of the people?s communes as a whole. It should help readers to understand better the character, make-up, functions and advantages of these new-type socialist collectives, and of the life, work and outlook of the 600 million rural people, about four-fifths of China?s population, who are organized in them. "China?s agriculture, which feeds the world?s most populous country, is the basis of her economy. The authors give a close-up view of how the spirit of self-reliance and hard struggle, which promotes her entire advance, shows itself in the communes. "The story is told in historic sequence, both on a commune-wide scale and in terms of separate villages and spheres of work -- agriculture, industries, trade, education, people?s militia, the youth, women, culture and recreation, medicine and health. "Building socialism is a struggle against class enemies, erroneous lines and ideas, and nature. Waging it, people transform both the world and themselves. We learn through living episodes and portraits how the Communist Party of China leads her peasants forward in conformity with Chairman Mao Tsetung?s revolutionary line, and how socialist ideas take ever deeper root in countless hearts and minds."