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The poor farmer and his wife find a way to retrieve their youngest daughter from the ogre she married.
This monumental work traces the development and growth of the worship of Zeus as the god of lightning and thunder.
Detailing the mythology behind the Greek god Zeus, this volume also includes information about the Statue of Zeus at Olympia, one of the Seven Wonders of the Ancient World.?Sculpted in 432 BC by Greek artist Phidias, the Statue of Zeus at Olympia is one of the most recognized Ancient Wonders. Nearly 40 feet (12 meters) tall, the statue occupied half of the width of the temple where it sat. Ancient Greek geographer Strabo once noted in the first century BC that "if Zeus were to stand up, he would unroof the temple."?Made of ivory and gold-plated bronze, the statue sat in an intricate throne of cedar inlaid with ivory, gold, ebony and precious gems. In Zeus??right hand, he held a small statue of the goddess of victory, Nike. In his left hand, there was a scepter with an eagle perched on top.?It is believed that the Roman Emperor Caligula was the cause of the statue?s destruction. According to Roman historian Suetonius, Caligula gave orders that statues of gods that were especially famous, including that of Zeus at Olympia, were to be brought from Greece in order to have their heads removed and a marble head of Caligula put in their place. According to legend, just as workers were moving stones to disassemble the Statue of Zeus, there was a loud moment of laughter, followed by the collapsing of scaffolding and the structure, killing some workers and leaving others to flee for their lives.?Until recently, historians and archaeologists debated the time period in which the statue was built. The recent discovery of Phidias??workshop in the 1950s confirms that the temple was completed around the third quarter of the fifth century BC. Today, archaeologists continue to study the techniques Phidias used to construct the temple and the statue, and admirers of Ancient Greece admire the statue?s place on the Ancient Wonders list.
Originally published in 1955, this book discusses Romantic principles and their interpretation in literary practice, supported by the documentation (with translations) of numerous quotations from the writings of the romantic authors themselves. The emphasis lies on the evolution of Romantic ideas and practices in Germany, in the establishment and formulation of romantic theory by its first exponents.
This is volume 2 of a two-volume set that collects 300 of the most entertaining and important folk and fairy tales of Giuseppe Pitré, a nineteenth century Sicilian folklorist whose significance ranks alongside the Brothers Grimm. In stark contrast to the more literary ambitions of the Grimms' tales, Pitré’s possess a charming, earthy quality that reflect the customs, beliefs, and superstitions of the common people more clearly than any other European folklore collection of the 19th century. Edited, translated, and with a critical introduction by world-renowned folk and fairy tale experts Jack Zipes and Joseph Russo, this is the first collection of Pitré’s tales available in English. Carmelo Letterer's illustrations throughout the volume are as lively and vivid as the stories themselves, illuminating the remarkable imagination captured in the tales.
First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.
This monumental book, first published in 1992, represents a major contribution to Sephardic and Hispanic studies as well as to comparative folklore scholarship in a worldwide perspective. After many years of fieldwork and extensive archival investigations in Spain, Israel and the United States, the author has brought together and analysed a massive body of primary sources. This is the first collection of Sephardic narratives offered to the English-speaking reader, and constitutes an important addition to the understanding of Sephardic cultural tradition.
Fairy tales are supposed to be magical, surprising, and exhilarating, an enchanting counterpoint to everyday life that nonetheless helps us understand and deal with the anxieties of that life. Today, however, fairy tales are far from marvelous—in the hands of Hollywood, they have been stripped of their power, offering little but formulaic narratives and tame surprises. If we want to rediscover the power of fairy tales—as Armando Maggi thinks we should—we need to discover a new mythic lens, a new way of approaching and understanding, and thus re-creating, the transformative potential of these stories. In Preserving the Spell, Maggi argues that the first step is to understand the history of the various traditions of oral and written narrative that together created the fairy tales we know today. He begins his exploration with the ur-text of European fairy tales, Giambattista Basile’s The Tale of Tales, then traces its path through later Italian, French, English, and German traditions, with particular emphasis on the Grimm Brothers’ adaptations of the tales, which are included in the first-ever English translation in an appendix. Carrying his story into the twentieth century, Maggi mounts a powerful argument for freeing fairy tales from their bland contemporary forms, and reinvigorating our belief that we still can find new, powerfully transformative ways of telling these stories.