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Close the country club and mix the martinis. Larry Wilde has climbed to the top of the ladder of laughs. From preppies to preplings, Harvard to the Hamptons, readers will pop their button-downs over his wackiest collection of racy wit yet.
The war had been going on for nearly a year and the Sirian Empire had a huge advantage in personnel and equipment. Earth needed an edge. Which was where James Mowry came in. If a small insect buzzing around in a car could so distract the driver as to cause that vehicle to crash, think what havoc one properly trained operative could wreak on an unuspecting enemy. Intensively trained, his appearance surgically altered, James Mowry is landed on Jaimec, the ninety-fourth planet of the Sirian Empire. His mission is simple: sap morale, cause mayhem, tie up resources, wage a one-man war on a planet of eighty million. In short, be a wasp. First published in 1957, WASP is generally regarded as Eric Frank Russell's best novel, a witty and exciting account of a covert war in the heart of enemy territory.
An examination of WASP culture through the lives of some of its most prominent figures. Envied and lampooned, misunderstood and yet distinctly American, WASPs are as much a culture, socioeconomic and ethnic designation, and state of mind. Charming, witty, and vigorously researced, WASPS traces the rise and fall of this distinctly American phenomenon through the lives of prominent icons from Henry Adams and Theodore Roosevelt to George Santayana and John Jay Chapman. Throughout this dynamic story, Beran chronicles the efforts of WASPs to better the world around them as well as the struggles of these WASPs to break free from their restrictive culture. The death of George H. W. Bush brought about reflections on the end of patrician WASP culture, where privilege reigned, but so did a genuine desire to use that privilege for public service. In the time of Trump—who is the antithesis of true WASP culture—people look at the John Kerry, Bobby Kennedy, and Philip and Kay Grahams of the world with wistfulness. And even though we are a more diverse and pluralistic nation now than ever before, there is something about WASP culture that remains enduringly aspirational and fascinating. Beginning at the turn of the 20th century, Beran’s saga dramatizes the evolving American aristocracy that forever changed a nation—and what we can still glean from WASP culture as we enter a new era.
Our fear and fascination with wasps set them apart from other insects. Despite their iconic form and distinctive colors, they are surrounded by myth and misunderstanding. Often portrayed in cartoon-like stereotypes bordering on sad parody, wasps have an unwelcome and undeserved reputation for aggressiveness bordering on vindictive spite. This mistrust is deep-seated in a human history that has awarded commercial and spiritual value to other insects, such as bees, but has failed to recognize any worth in wasps. Leading entomologist Richard Jones redresses the balance in this enlightening and entertaining guide to the natural and cultural history of these powerful arthropod carnivores. Jones delves into their complex nesting and colony behavior, their fascinating caste system, and their major role at the center of many food webs. Drawing on up-to-date scientific concepts and featuring many striking color illustrations, Jones pushes past the sting, showing exactly why wasps are worthy of greater understanding and appreciation.
The polarizing literary debut by Scottish author Ian Banks, The Wasp Factory is the bizarre, imaginative, disturbing, and darkly comic look into the mind of a child psychopath. Meet Frank Cauldhame. Just sixteen, and unconventional to say the least: Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim. That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again. It was just a stage I was going through.
Poetry. Women's Studies. "Claudia Cortese has given to Lucy what Anne Carson has given to Geryon: a life as desperate and fraught as our own, which is to say, a human rendition of the poetic potential. Here, memory is a potent point of inner excavation, where the threshold of danger and love are often one beam, a beam in which Cortese navigates with harrowingly deft eyes and ears, where Lucy, like so many of us citizens of earth and flesh, 'shines like a gun.' WASP QUEEN possesses something permanent and searing at its core: the will to live, even thrive, despite the shackles of childhood, despite even oneself. I finished this book only to read it all over again, finding and losing myself, gladly, at every turn." --Ocean Vuong