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Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. But not everyone at Chicago's 1933 exposition had abandoned notions of progress that entailed social justice and equality, recognition of ethnicity and gender, and personal freedom and expression. The fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of other exceptional individuals, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. Cheryl R. Ganz offers the stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression. This engaging history also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other it
“A true gem . . . period images of the Windy City and a glimpse back at a moment that not only shaped the city of Chicago but the world around us today. ” —Week99er Between 1933 and 1934, over forty-eight million visitors attended “A Century of Progress Exposition,” the world’s fair located in Chicago, Illinois. Conceived of during the Roaring Twenties and born during the Great Depression, this was a sprawling event celebrating Chicago’s one-hundredth anniversary with industrial and scientific displays, lascivious entertainment, and a touch of unadulterated bad taste. Century of Progress is a collection of rare photographs from the world’s fair that have been carefully chosen from the Chicago Tribune’s voluminous archives. Featuring an informative introduction by Tribune reporter and historian Ron Grossman, this book documents one of the most expansive displays of technological advancement and cultural diversity that took place in the twentieth century. The lakefront exposition, on the present site of McCormick Place and Northerly Island, opened on May 27, 1933, and was reopened in 1934 at the urging of President Franklin D. Roosevelt who hoped it would stimulate the Depression-era economy. This book is an engrossing and fascinating look at the numerous sides of the “A Century of Progress Exposition”: the whimsical attractions, the architectural and scientific achievements, the palpable spirit of fun, and the occasionally unsavory exhibits of differing cultures. At a time when the entire U.S. population numbered just over 125 million people, the Chicago world’s fair left an indelible mark on the collective consciousness of American culture, and Century of Progress captures that feeling as only a photograph can.