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Resource added for the Landscape Horticulture Technician program 100014.
Resource added for the Landscape Horticulture Technician program 100014.
Using full-color photography and expertly crafted prose, Wildflowers of the Blue Ridge and Great Smoky Mountains turns a day hike or drive through our nation's most beautiful and rugged expanse of forested mountains into an object lesson in the stunning beauty of nature.
The literal interpretations of the common names of wildflowers introduce kids to the basics of plant identification. Ages 6-10
Not only for use in the Mammoth Cave area, this guide is widely useful in a large area, including much of the states of Arkansas, Illinois, Indiana, Missouri, Ohio, Tennessee, and West Virginia. An in-depth field guide to 400 wildflowers found along the trails and roads within the park. Each wildflower is represented by a brilliant full-color photograph and accompanied by identifying characteristic text that specifies the colors, floral and leaf forms, flowering time, native or introduced status, as well as the plant's folklore and history, its past herbal or medicinal use, and myriad other facts and myths. For those enthusiasts eager to search for new discoveries, the appendix provide tables showing the observed flowering period, a flower hunting planning guide, and an index of flowers by trail. A lasting and memorable introduction to the park's wildflowers—nearly all of which extend throughout Kentucky and neighboring states—Wildflowers of Mammoth Cave National Park is an indispensable tool for the amateur enthusiast and the professional botanist alike.
A must for flower and art lovers, Born in the Spring is a unique collection of line drawings and magnificent watercolors of spring wildflowers with over 90 illustrations, 46 in full color. The text accompanying each plate enables the reader to easily locate the flower in its natural setting.
In 1925 Harold Ross hired Katharine Sergeant Angell as a manuscript reader for The New Yorker. Within months she became the magazine’s first fiction editor, discovering and championing the work of Vladimir Nabokov, John Updike, James Thurber, Marianne Moore, and her husband-to-be, E. B. White, among others. After years of cultivating fiction, White set her sights on a new genre: garden writing. On March 1, 1958, The New Yorker ran a column entitled “Onward and Upward in the Garden,” a critical review of garden catalogs, in which White extolled the writings of “seedmen and nurserymen,” those unsung authors who produced her “favorite reading matter.” Thirteen more columns followed, exploring the history and literature of gardens, flower arranging, herbalists, and developments in gardening. Two years after her death in 1977, E. B. White collected and published the series, with a fond introduction. The result is this sharp-eyed appreciation of the green world of growing things, of the aesthetic pleasures of gardens and garden writing, and of the dreams that gardens inspire.