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The story begins in the spring of 2016. An act of vandalism has been perpetrated on a middle-aged Muslim woman's home in a gated community in Allentown, Pennsylvania. The woman's story is then told in flashback as she confides in her sympathetic neighbor about her days at a state university in New Jersey. There, in the year 2000, she meets an eclectic group of Muslim students. Socially awkward, she has always felt like an outsider, so she is ecstatic about joining the group, believing that the religious and cultural experiences she shares with these friends will finally bring her acceptance. However, she soon realizes that she may be destined to feel like an outsider even among people of her own religion. After the tragic September 11 attacks, through self-examination and service to others, she eventually shrugs off her habit of self-pity and begins to develop self-confidence. But it is a hate-fueled assault on a close Muslim friend that leads her to her true calling-promoting tolerance.
A searing portrait of Muslim life in the West, this “profound and intimate” memoir captures one man’s struggle to forge an American Muslim identity (Washington Post) Haroon Moghul was thrust into the spotlight after 9/11, becoming an undergraduate leader at New York University’s Islamic Center forced into appearances everywhere: on TV, before interfaith audiences, in print. Moghul was becoming a prominent voice for American Muslims even as he struggled with his relationship to Islam. In high school he was barely a believer and entirely convinced he was going to hell. He sometimes drank. He didn’t pray regularly. All he wanted was a girlfriend. But as he discovered, it wasn’t so easy to leave religion behind. To be true to himself, he needed to forge a unique American Muslim identity that reflected his beliefs and personality. How to Be a Muslim reveals a young man coping with the crushing pressure of a world that fears Muslims, struggling with his faith and searching for intellectual forebears, and suffering the onset of bipolar disorder. This is the story of the second-generation immigrant, of what it’s like to lose yourself between cultures and how to pick up the pieces.
Alone among the world's religions, Islam is not just surviving but flourishing. Yet many people know little about Islam and regard its continuing attraction as something of a mystery. In this book, Du Pasquier, an award-winning Swiss journalist, provides a thorough introduction to Muslim belief, history and culture. He deals not only with topical issues, such as 'fundamentalism' and the status of Muslim women, but provides an overview of the Qur'an, the Prophet, Islamic history, and the nature of Muslim art and literature. Unbiased yet passionate, the book offers an 'unveiling' which must be heeded if the present mutual incomprehension between East and West is to be overcome.
The Odd Couple details the ups and downs in the tortuous relations between modern Turkey and Israel. The central actor in the book is Tayyip Erdogan, who came to power in Turkey in 2002-2003, determined to turn the clock back and return his country to its pre-Ataturk glory, when the Ottoman Dynasty reigned supreme and Islam was the dominant ideology holding the Empire together. To understand the aberrant relationship between the Jewish state of Israel and the Islamic state of Turkey, and the preponderant role of Tayyip Erdogan in its deterioration, one must dig into the Ottoman past, the historical attitudes of Turks to Jews, and the shift in Turkish policies that was effected by the transition from the modern Turkish civil governments up to 2002 to the vast changes that the Islamic parties of Erbakan and Erdogan have triggered thereafter. This is the story of how one man can alter relations between two countries.
FINALIST FOR THE 2022 NATIONAL BOOK AWARD FOR FICTION WINNER OF THE 2023 ASPEN WORDS LITERARY PRIZE, AND THE 2023 O. HENRY PRIZE NAMED ONE OF THE NEW YORKER'S BEST BOOKS OF 2022 "An endlessly inventive and moving collection from a thrilling and capacious young talent." —Jess Walter, author of Beautiful Ruins. A luminous new collection of stories from a young writer who “has brought his culture’s rich history, mythology, and lyricism to American letters.” —Sandra Cisneros Pen/Hemingway finalist Jamil Jan Kochai ​breathes life into his contemporary Afghan characters, moving between modern-day Afghanistan and the Afghan diaspora in America. In these arresting stories verging on both comedy and tragedy, often starring young characters whose bravado is matched by their tenderness, Kochai once again captures “a singular, resonant voice, an American teenager raised by Old World Afghan storytellers.”* In “Playing Metal Gear Solid V: The Phantom Pain," a young man's video game experience turns into a surreal exploration on his own father's memories of war and occupation. Set in Kabul, "Return to Sender" follows two married doctors driven by guilt to leave the US and care for their fellow Afghans, even when their own son disappears. A college student in the US in "Hungry Ricky Daddy" starves himself in protest of Israeli violence against Palestine. And in the title story, "The Haunting of Hajji Hotak," we learn the story of a man codenamed Hajji, from the perspective of a government surveillance worker, who becomes entrenched in the immigrant family's life. The Haunting of Hajji Hotak and Other Stories is a moving exploration of characters grappling with the ghosts of war and displacement—and one that speaks to the immediate political landscape we reckon with today. *The New York Times Book Review
This work presents in English translation the largest collection ever assembled of the sayings and stories of Jesus in Arabic Islamic literature. In doing so, it traces a tradition of love and reverence for Jesus that has characterized Islamic thought for more than a thousand years. An invaluable resource for the history of religions, the collection documents how one culture, that of Islam, assimilated the towering religious figure of another, that of Christianity. As such, it is a work of great significance for the understanding of both, and of profound implications for modern-day intersectarian relations and ecumenical dialogue. Tarif Khalidi’s introduction and commentaries place the sayings and stories in their historical context, showing how and why this “gospel” arose and the function it served within Muslim devotion. The Jesus that emerges here is a compelling figure of deep and life-giving spirituality. The sayings and stories, some 300 in number and arranged in chronological order, show us how the image of this Jesus evolved throughout a millennium of Islamic history.
Multi-award-winning picture book, adorned with the powerful illustrations by renowned Egyptian artist Heba Amin, offers a unique exploration into the lives of 13 influential Muslim women who have left a lasting impact on history. This is not a mere collection of biographies, but a tapestry of narratives that celebrate the resilience, courage, and determination of these women. Each woman's story is a testament to her unique strength and contribution: Khadija bint Khuwaylid (Arabia), the first wife of the Prophet (pbuh), a beacon of strength and faith. Aisha bint Abi Bakr (Arabia), the insightful wife of the Prophet (pbuh), whose wisdom continues to enlighten. Al-Khansa (Arabia), an Arabian poetess whose verses echo with profundity and sentiment. Rabi a al-Adawiyya (Iraq), a venerated woman saint, embodying spiritual devotion. Arwa bint Ahmed al-Sulayhiyya (Yemen), the sovereign Queen of Yemen, a symbol of regal leadership. Sultan Razia (India), the Warrior Queen of Delhi, personifying courage and valor. Nana Asmau (Nigeria), a scholar and poetess, a beacon of intellect and creativity. Tjut Njak Dien (Indonesia), a guerrilla leader, exemplifying resistance and resilience. Halide Edib Adivar (Turkey), a Turkish novelist and activist, a voice for change and reform. Umm Kulthum (Egypt), an iconic musical artist and singer, the melody of a nation. Sabiha Gökçen (Turkey), a pioneering military pilot, soaring high against the odds. Chaibia Tallal (Morocco), a gifted painter, painting the world in her unique hues. Shirin Ebadi (Iran), a Nobel Peace Prize laureate, a champion for human rights. Each chapter of this book, is an invitation to journey through time and across cultures, to discover the remarkable lives of these women and their enduring influence on the world. This is more than a book; it's a celebration of the contributions of Muslim women throughout history. WINNER: * Middle East Book Award (Middle East Outreach Council) * Moonbeam Children's Books Peacemaker Award * USA Book News "Best Book" * Skipping Stones Honor Award
Updated with a new introduction, this fifteenth anniversary edition of A Return to Modesty reignites Wendy Shalit’s controversial claim that we have lost our respect for an essential virtue: modesty. When A Return to Modesty was first published in 1999, its argument launched a worldwide discussion about the possibility of innocence and romantic idealism. Wendy Shalit was the first to systematically critique the "hook-up" scene and outline the harms of making sexuality so public. Today, with social media increasingly blurring the line between public and private life, and with child exploitation on the rise, the concept of modesty is more relevant than ever. Updated with a new preface that addresses the unique problems facing society now, A Return to Modesty shows why "the lost virtue" of modesty is not a hang-up that we should set out to cure, but rather a wonderful instinct to be celebrated. A Return to Modesty is a deeply personal account as well as a fascinating intellectual exploration into everything from seventeenth-century manners to the 1948 tune "Baby, It’s Cold Outside." Beholden neither to social conservatives nor to feminists, Shalit reminds us that modesty is not prudery, but a natural instinct—and one that may be able to save us from ourselves.
Today's tensions between the 'Islamic' East and 'Christian' West run high. Here Paul-Gordon Chandler presents fresh thinking in the area of Christian-Muslim relations, showing how Christ_whom Islam reveres as a Prophet and Christianity worships as the divine Messiah_can close the gap between the two religions. Historically, Christians have taken a confrontational or missionary approach toward Islam, leading many Muslims to identify Christianity with the cultural prejudices and hegemonic ambitions of Westerners. On the individual level, Christ-followers within Islam have traditionally been encouraged by Christians to break away from their Muslim communities. Chandler boldly explores how these two major religions_which share much common heritage_can not only co-exist, but also enrich each other. He illustrates his perspective with examples from the life of Syrian novelist Mazhar Mallouhi, widely read in the Middle East. Mallouhi, a self-identified 'Sufi Muslim follower of Christ,' seeks to bridge the chasm of misunderstanding between Muslims and Christians through his novels.
“Superb... A tour de force.” —Ebrahim Moosa “Provocative... Aydin ranges over the centuries to show the relative novelty of the idea of a Muslim world and the relentless efforts to exploit that idea for political ends.” —Washington Post When President Obama visited Cairo to address Muslims worldwide, he followed in the footsteps of countless politicians who have taken the existence of a unified global Muslim community for granted. But as Cemil Aydin explains in this provocative history, it is a misconception to think that the world’s 1.5 billion Muslims constitute a single entity. How did this belief arise, and why is it so widespread? The Idea of the Muslim World considers its origins and reveals the consequences of its enduring allure. “Much of today’s media commentary traces current trouble in the Middle East back to the emergence of ‘artificial’ nation states after the fall of the Ottoman Empire... According to this narrative...today’s unrest is simply a belated product of that mistake. The Idea of the Muslim World is a bracing rebuke to such simplistic conclusions.” —Times Literary Supplement “It is here that Aydin’s book proves so valuable: by revealing how the racial, civilizational, and political biases that emerged in the nineteenth century shape contemporary visions of the Muslim world.” —Foreign Affairs