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Examines the role of musical figures within 'late modernism', presenting a new understanding of the politics and aesthetics of lateness.
In their often frank writing, the characters and interaction of the two men is highlighted and in their informal and often gossipy way, they illuminate the musical life and many personalities of the time."--Jacket.
The turn of the 20th century was a time of great change in Britain. The empire saw its global influence waning and its traditional social structures challenged. There was a growing weariness of industrialism and a desire to rediscover tradition and the roots of English heritage. A new interest in English folk song and dance inspired art music, which many believed was seeing a renaissance after a period of stagnation since the 18th century. This book focuses on the lives of seven composers--Ralph Vaughan Williams, Gustav Holst, Ernest Moeran, George Butterworth, Philip Heseltine (Peter Warlock), Gerald Finzi and Percy Grainger--whose work was influenced by folk songs and early music. Each chapter provides an historical background and tells the fascinating story of a musical life.
"Each chapter begins with a discussion of its composer's song-output and of the poets and poetry he sets, and goes on to give an account of the influences on him and the hallmarks of his style; the songs are then discussed in detail, focusing on the major works. The text is illustrated with musical examples and there is a comprehensive bibliography and index"--Jacket.
Peter Warlock is one of the several pseudonyms adopted by the critic, researcher, editor and composer, Phillip Heseltine (1894-1930). Previous studies of Warlock have almost all been exclusively biographical, using the pseudonyms as evidence of a split personality and applying this and the other controversial aspects of his life-style to an evaluation of his music.