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After an accidental nuclear war, Vivian Gray joins a comically inept goup of fellow twentysomething survivors. She and her new friends embark on a cross-country road trip seeking sanctuary from the menagerie of deadly atomic mutants unleased by the contaminated atmosphere.
Tack and Richardson show you how to start with a batch of plain cupcakes, and turn them into fun creations such as robots, farm- or zoo-animals, and even a cookie village! --Adapted from back cover.
In 1791, a group of elite Bostonian men established the first historical society in the nation. Within sixty years, the number of local history organizations had increased exponentially, with states and territories from Maine to Louisiana and Georgia to Minnesota boasting collections of their own. With in-depth research and an expansive scope, Rescued from Oblivion offers a vital account of the formation of historical culture and consciousness in the early United States, re-centering in the record groups long marginalized from the national memory. As Alea Henle demonstrates, these societies laid the groundwork for professional practices that are still embraced today: collection policies, distinctions between preservation of textual and nontextual artifacts, publication programs, historical rituals and commemorations, reconciliation of scholarly and popular approaches, and more. At the same time, officers of these early societies faced challenges to their historical authority from communities interested in preserving a broader range of materials and documenting more inclusive histories, including fellow members, popular historians, white women, and peoples of color.
The book offers a fundamental view on the problem of forgetting in sociology in general and within sociology of knowledge. Furthermore it focuses - as a case study - on the field of modern science. With recourse to the term 'oblivionism', originally introduced with ironic-critical intent by the german romance scholar Harald Weinrich, it analyzes the fundamental and multifaceted problem of the loss of knowledge in the field of science. A declarative-reflective, an incorporated-practical and an objectified-technical memory motif is at the centre. These form the basis for the development of the three forms of forgetting that are also central to modern science: forgetfulness, wanting to forget and, ultimately, making one forget.
This acclaimed twenty-first–century Russian novel is “a Dantean descent” into the abandoned Soviet gulags, written “with a clear poetic sensibility” (The Wall Street Journal). In Sergei Lebedev’s debut novel, an unnamed young man travels to the vast wastelands of the Far North to uncover the truth about a mysterious neighbor who once saved his life, and whom he knows only as Grandfather II. What he finds among the forgotten mines and decrepit barracks of former gulags is a world relegated to oblivion, where it is easier to ignore both the victims and the executioners than to come to terms with a terrible past. This disturbing tale evokes the great and ruined beauty of a land where man and machine work in tandem with nature to destroy millions of lives during the Soviet century. Emerging from today’s Russia, where the ills of the past are being forcefully erased from public memory, this masterful novel is an epic literary act of bearing witness, attempting to rescue history from the brink of oblivion. A Wall Street Journal Top 10 Novel of the Year “Not since Alexander Solzhenitsyn has Russia had a writer as obsessed as Sergei Lebedev with that country’s history or the traces it has left on the collective consciousness . . . The best of Russia’s younger generation of writers.” ―The New York Review of Books
Unlike the Holocaust, Rwanda, Cambodia, or Armenia, scant attention has been paid to the human tragedies analyzed in this book. From German Southwest Africa (now Namibia), Burundi, and eastern Congo to Tasmania, Tibet, and Kurdistan, from the mass killings of the Roms by the Nazis to the extermination of the Assyrians in Ottoman Turkey, the mind reels when confronted with the inhuman acts that have been consigned to oblivion. Forgotten Genocides: Oblivion, Denial, and Memory gathers eight essays about genocidal conflicts that are unremembered and, as a consequence, understudied. The contributors, scholars in political science, anthropology, history, and other fields, seek to restore these mass killings to the place they deserve in the public consciousness. Remembrance of long forgotten crimes is not the volume's only purpose—equally significant are the rich quarry of empirical data offered in each chapter, the theoretical insights provided, and the comparative perspectives suggested for the analysis of genocidal phenomena. While each genocide is unique in its circumstances and motives, the essays in this volume explain that deliberate concealment and manipulation of the facts by the perpetrators are more often the rule than the exception, and that memory often tends to distort the past and blame the victims while exonerating the killers. Although the cases discussed here are but a sample of a litany going back to biblical times, Forgotten Genocides offers an important examination of the diversity of contexts out of which repeatedly emerge the same hideous realities.
Born in Chicago in 1918, the prodigiously gifted and erudite Isaac Rosenfeld was anointed a genius upon the publication of his luminescent novel, Passage from Home and was expected to surpass even his closest friend and rival, Saul Bellow. Yet when felled by a heart attack at the age of thirty-eight, Rosenfeld had published relatively little, his life reduced to a metaphor for literary failure. In this deeply contemplative book, Steven J. Zipperstein seeks to reclaim Rosenfeld's legacy by opening up his work. Zipperstein examines for the first time the small mountain of unfinished manuscripts the writer left behind, as well as his fiercely candid journals and letters. In the process, Zipperstein unearths a turbulent life that was obsessively grounded in a profound commitment to the ideals of the writing life. Rosenfelds Lives is a fascinating exploration of literary genius and aspiration and the paradoxical power of literature to elevate and to enslave. It illuminates the cultural and political tensions of post-war America, Jewish intellectual life of the era, andmost poignantlythe struggle at the heart of any writers life.
Splitting through the clear waters beside the rainbow hotel, Daniel Benchimol finds a waterproof mango-yellow camera and uncovers the photographed reveries of a famous Mozambican artist, Moira. In this exquisite new novel, Agualusa's reader loses all sense of reality. In The Society of Reluctant Dreamers, Daniel dreams of Julio Cortázar in the form of an ancient giant cedar, his friend Hossi transforming into a dark crow, and most often of the Cotton-Candy-Hair-Woman, Moira, staring right back at him. After emails back-and-forth, Moira and Daniel meet, and Daniel becomes involved in a mysterious project with a Brazilian neuroscientist, who's creating a machine to photograph people's dreams. Set against the dense web of Angola's political history, Daniel crosses the hazy border between dream and reality, sleepwalking towards a twisted and entirely strange present.
The final, thrilling conclusion to #1 NEW YORK TIMES bestselling author Anthony Horowitz's masterful series! Matt. Pedro. Scott. Jamie. Scar. Five Gatekeepers have finally found one another. And only the five of them can fight the evil force that is on the rise, threatening the destruction of the world. In the penultimate volume of The Gatekeepers series, a massive storm arose that signalled the beginning of the end. Now the five Gatekeepers must battle the evil power the storm has unleashed -- and strive to stop the world from ending.
'The most important study on this subject in years, perhaps ever' Phillip Knightley, SUNDAY TIMES A history of drug-taking, telling the story across five centuries of addicts and users: monarchs, prime ministers, great writers and composers, wounded soldiers, overworked physicians, oppressed housewives, exhausted labourers, high-powered businessmen, playboys, sex workers, pop stars, seedy losers, stressed adolescents, defiant schoolchildren, the victims of the ghetto, and happy young people on a spree. It is also the history of one bad idea, prohibition. 'You'll find almost everything you ever wanted to know about drugs in this work, except how to get hold of them' Simon Garfield, FINANCIAL TIMES 'Everyone with any influence on government policy should read this book and wake up before it is too late' Phillip Knightley, SUNDAY TIMES