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Presents scholars, students and general readers with the major fiction for adults, much of the best of juvenile fiction, and a selection of the educational and occasional writings of Maria Edgeworth. MARIA EDGEWORTH was born in 1768. Her first novel, Castle Rackrent (1800) was also her first Irish tale. The next such tale was Ennui (1809), after which came The Absentee, which began life as an unstaged play and was then published (in prose) in Tales of Fashionable Life (1812), as were several of her other stories. They were followed in 1817 by the last of her Irish tales, Ormond. Maria Edgeworth died in 1849. Edited with an introduction and notes by Marilyn Butler.
On the eve of his coming of age, a young Lord begins to see the truth of his parents' lives: his mother cannot buy her way into society no matter how hard he tries, and his father is being ruined by her continued attempts. The young Lord then travels to his home in Ireland, encountering adventure on the way, and discovers that the native residents are being exploited in his father's absence.
Exploring the careers of five influential women writers of the Restoration and eighteenth century, Catherine Gallagher reveals the connections between the increasing prestige of female authorship, the economy of credit and debt, and the rise of the novel. The "nobodies" of her title are not ignored, silenced, or anonymous women. Instead, they are literal nobodies: the abstractions of authorial personae, printed books, intellectual property rights, literary reputations, debts and obligations, and fictional characters. These are the exchangeable tokens of modern authorship that lent new cultural power to the increasing number of women writers through the eighteenth century. Women writers, Gallagher discovers, invented and popularized numerous ingenious similarities between their gender and their occupation. The terms "woman," "author," "marketplace," and "fiction" come to define each other reciprocally. Gallagher analyzes the provocative plays of Aphra Behn, the scandalous court chronicles of Delarivier Manley, the properly fictional nobodies of Charlotte Lennox and Frances Burney, and finally Maria Edgeworth's attempts in the late eighteenth century to reform the unruly genre of the novel. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. Exploring the careers of five influential women writers of the Restoration and eighteenth century, Catherine Gallagher reveals the connections between the increasing prestige of female authorship, the economy of credit and debt, and the rise of the novel.
In eighteenth-century Ireland, a privileged class of Anglo-Irish landowners known as the “Protestant Ascendancy” lived on great estates, with the mostly-Catholic Irish as their tenants and servants. Maria Edgeworth was part of this Anglo-Irish aristocracy. Castle Rackrent, her best known novel, satirizes the failures and follies of her Anglo-Irish peers, their mismanagement of their estates, and their abuse of their Irish tenants. The narrator of Castle Rackrent is Thady Quirk, whose family has served on the Rackrent estate for generations. Thady relates the life stories of four successive lords of Castle Rackrent and how their individual character and personality affect the lives and families that depend on them. Castle Rackrent was one of the first historical novels written in English, and Walter Scott later cited it as inspiration for his own Scottish historical novels. Edgeworth included two sets of explanatory notes on aspects of Irish life and culture for her English readers, footnotes in the main text and a “glossary” added in the second edition. These have been merged into a single set of endnotes in this Standard Ebooks edition. This book is part of the Standard Ebooks project, which produces free public domain ebooks.