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This book teaches the student step by step how to play the harp. Each of the 12 lessons includes instructions, exercises, and folk and classical pieces using the new skills and techniques taught in the lesson. --from publisher description.
Harp
A sweeping social and environmental history, The Riviera, Exposed illuminates the profound changes to the physical space that we know as the quintessential European tourist destination. Stephen L. Harp uncovers the behind-the-scenes impact of tourism following World War II, both on the environment and on the people living and working on the Riviera, particularly North African laborers, who not only did much of the literal rebuilding of the Riviera but also suffered in that process. Outside of Paris, the Riviera has been the most visited region in France, depending almost exclusively on tourism as its economic lifeline. Until recently, we knew a great deal about the tourists but much less about the social and environmental impacts of their activities or about the life stories of the North African workers upon whom the Riviera's prosperity rests. The technologies embedded in roads, airports, hotels, water lines, sewers, beaches, and marinas all required human intervention—and travelers were encouraged to disregard this intervention. Harp's sharp analysis explores the impacts of massive construction and public works projects, revealing the invisible infrastructure of tourism, its environmental effects, and the immigrants who built the Riviera. The Riviera, Exposed unearths a gritty history, one of human labor and ecological degradation that forms the true foundation of the glamorous Riviera of tourist mythology.
A musical instrument that has played a vital role in Latin American music cultures--the harp--is the subject of this new work, the first study of its kind to be published in English. John Schechter presents a history of the harp in Spain, traces its introduction into colonial Latin America, and describes its modern roles in the diverse cultural centers of Mexico, Paraguay-Argentina-chile, Venezuela, and Peru. He then turns his focus to his own field research in the Quichua culture of northern highland Ecuador, an area that has receive considerably less scholarly attention than many of its Latin American neighbors. The reader will meet a community of harp maistrus on the slopes of Mt. Cotacachi and become familiar with their culture, their particular instrument and its tuning, and their performance practices. Numerous photographs, musical transcriptions, and diagrams illustrate and enliven the text. The Indispensable Harp is unique for its integration of aspects of music and cultural history, organology, and performance practice, treating in considerable depth both broadly established music-ethnographical practices. It speaks to the conclusion that the vital role of the harp in Latin American music history has now been properly acknowledged and documented.
'Baghdad Bulletin takes us where mainstream news accounts do not go. Disrupting the easy cliches that dominate US journalism, Enders blows away the media fog of war.' Norman Soloman
This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition. David Waren Stel is an associate professor of music and southern culture at the University of Mississippi. Richard H. Hulan is an independent scholar of American folk hymnody.
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For her ninth book of Celtic harp music, Suzanne Guldimann has researched and arranged 18 historic pieces of music drawn from and inspired by Jane Austen's personal collection of music. As a bonus, the not-quite-period English country dance popularized by the 1995 A&E version of Pride and Prejudice is included. The collection features classical pieces by Mozart, Handel and Gluck; and a haunting and romantic selection of the French, Italian, Scottish and Irish traditional airs that were tremendously popular during the late 18th/early 19th century, including several with lyrics by Robert Burns, and two pieces reported to have been among Jane Austen's personal favorites.All of the pieces in the collection are arranged to fit on a small harp with just three octaves, but can also be played on larger harps or on any melody instrument. Each arrangement includes fingering, chord symbols, lyrics when available and historic notes.
A collection of 34 English and Scottish ballads arranged for harp. The ballads date from the fifteenth through the nineteenth centuries, and range from the well known to the rare and unusual. They can be played on a lap harp with a range of just two and a half octaves, or on larger harps. They can also be played on flute, violin, guitar, or any melody instrument. The book includes lyrics, historical notes, and illustrations. The pieces are in the key of C, or in sharp keys. All of the pieces include fingerings and chord symbols.