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“The idea is inspired and the treatment piercingly beautiful . . . Two formidable artists have shown respect for the integrity of each other’s work here and the result is magnificent.” —Independent “Bob Dylan’s back catalogue is used to glorious effect in Conor McPherson’s astonishing cross-section of hope and stoic suffering . . . It is the constant dialogue between the drama and the songs that makes this show exceptional.” —Guardian “Beguiling and soulful and quietly, exquisitely, heartbreaking. A very special piece of theatre.” —Evening Standard “A populous, otherworldly play that combines the hard grit of the Great Depression with something numinous and mysterious.” —Telegraph Duluth, Minnesota. 1934. A community living on a knife-edge. Lost and lonely people huddle together in the local guesthouse. The owner, Nick, owes more money than he can ever repay, his wife Elizabeth is losing her mind, and their daughter Marianne is carrying a child no one will account for. So when a preacher selling bibles and a boxer looking for a comeback turn up in the middle of the night, things spiral beyond the point of no return . . . In Girl from the North Country, Conor McPherson beautifully weaves the iconic songbook of Bob Dylan into a show full of hope, heartbreak and soul. It premiered at the Old Vic, London, in July 2017, in a production directed by the author. Conor McPherson is an award-winning Irish playwright. His best-known works include The Weir (Royal Court; winner of the 1999 Olivier Award for Best New Play), Dublin Carol (Atlantic Theater Company) and The Seafarer (National Theatre). Bob Dylan, born in Duluth, Minnesota, in 1941, is one of the most important songwriters of our time. Dylan was awarded the Nobel Prize for Literature in 2016. He released his thirty-ninth studio album, Triplicate, in April 2017, and continues to tour worldwide.
The visions begin when Sorren is only 13. Too numb to be frightened, Sorren eventually learns that this gift to travel places in her mind is called Far-travelling, and she is marked as a member of the White Clan of Arun. But this honor of being a witch frightens Sorren and she does not want to come within the Tanjo and serve. So instead, Sorren is determined to keep this gift a secret for as long as she can, whatever the cost may be.
Whether hearing wood frogs peep, choosing the finest skipping stone, observing squirrels gathering nuts, or inhaling crisp, cold air, a hike through Grandma's woods engages all the senses.
This quirky, narrative scrapbook gives readers a witty, honest look at what it means to be a teenager. Using mini-graphic novels, photos, sketches, and captions, The Isobel Journal offers a unique glimpse into the creative life of eighteen-year-old Isobel, just a girl from where nothing really happens.
For several decades a brutal army of rebels has been raiding villages in northern Uganda, kidnapping children and turning them into soldiers or wives of commanders. More than 30,000 children have been abducted over the last twenty years and forced to commit unspeakable crimes. Grace Akallo was one of these. Her story, which is the story of many Ugandan children, recounts her terrifying experience. This unforgettable book--with historical background and insights from Faith McDonnell, one of the clearest voices in the church today calling for freedom and justice--will inspire readers around the world to take notice, pray, and work to end this tragedy.
When a dark stranger, beautiful and haunting, approaches the flame-haired girl on a solitary stretch of beach, she senses that her life at the Healer's Academy is about to change. As his hands reach for her forehead, gliding across it with intimacy and purpose, suddenly, she remembers who he is, and who he has been. Yet, still, Bronwen wonders why she was chosen, and fears what the mysterious man's presence in her life will mean. Before he turns to leave, she asks why he has come and why it has been her he sought. His reply silences her. "Rexaria," he whispers, low and gruff, yet louder than the tumbling sea and the screaming gulls flying overhead. Somehow, Bronwen understands. Kingmaker.
The bestselling author of Twenty Years Later delivers a chilling thriller where nothing is at it seems and each reveal is more shocking than the last…right up to the jaw-dropping final twist. “A gripping thriller that will blow readers away." –Mary Kubica, New York Times bestselling author on Don’t Believe It “A superb storyteller.” —Robert Dugoni, New York Times bestselling author Two abducted girls—one who returns, one who doesn’t. The night they go missing, high school seniors Nicole Cutty and Megan McDonald are at a beach party in their small town of Emerson Bay, North Carolina. Police launch a massive search, but hope is almost lost—until Megan escapes from a bunker deep in the woods. . . . A year later, the bestselling account of her ordeal has made Megan a celebrity. It’s a triumphant story, except for one inconvenient detail: Nicole is still missing. Nicole’s older sister, Livia, a fellow in forensic pathology, expects that one day soon Nicole’s body will be found and her sister’s fate determined. Instead, the first clue comes from another body—that of a young man connected to Nicole’s past. Livia reaches out to Megan to learn more about that fateful night. Other girls have disappeared, and she’s increasingly sure the cases are connected. Megan knows more than she revealed in her book. Flashes of memory are pointing to something more monstrous than she described. And the deeper she and Livia dig, the more they realize that sometimes true terror lies in finding exactly what you’ve been looking for . . . “A fast-moving page-turner. . . . Donlea skillfully maximizes suspense by juggling narrators and time all the way to the shocking final twists.” —Publishers Weekly “Well worth the read.” —Booklist “Donlea’s sophomore effort is solid. He keeps the reader guessing and second-guessing until the end, thanks to an expertly crafted abundance of potential suspects.” —Library Journal
From the Gibson Girl to the flapper, from the vamp to the New Woman, Carolyn Kitch traces mass media images of women to their historical roots on magazine covers, unveiling the origins of gender stereotypes in early-twentieth-century American culture. Kitch examines the years from 1895 to 1930 as a time when the first wave of feminism intersected with the rise of new technologies and media for the reproduction and dissemination of visual images. Access to suffrage, higher education, the professions, and contraception broadened women's opportunities, but the images found on magazine covers emphasized the role of women as consumers: suffrage was reduced to spending, sexuality to sexiness, and a collective women's movement to individual choices of personal style. In the 1920s, Kitch argues, the political prominence of the New Woman dissipated, but her visual image pervaded print media. With seventy-five photographs of cover art by the era's most popular illustrators, The Girl on the Magazine Cover shows how these images created a visual vocabulary for understanding femininity and masculinity, as well as class status. Through this iconic process, magazines helped set cultural norms for women, for men, and for what it meant to be an American, Kitch contends.
In 1906, sixteen-year-old Mattie, determined to attend college and be a writer against the wishes of her father and fiance, takes a job at a summer inn where she discovers the truth about the death of a guest. Based on a true story.
Travel North Black Girl is a story about a young woman's journey from growing up in the inner city of Kansas City to arriving in a remote native village in Alaska during the early eighties. The cultural impact of a foreign place and being a newlywed in an interracial marriage challenges her and who she will become. This book looks at the fears of growing into oneself and the triumphs of finding your own power. It addresses the complexity of race, gender, trauma, and child abuse and the powerful healing that the wilds of Alaska provide.