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In 1931, Sir William Craigie gave the Alexander Lectures in English at the University of Toronto entitled The Northern Element in English Literature with a focus on proving the existence of a Northern literary culture, comparing English literature with Northern literature, especially that of the Scottish and Scandinavians. The book is divided into four lectures.
More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Free, romantic, and individualistic, Britain’s self-image in the eighteenth century constructs itself in opposition to the dominant power of a southern European aesthetics. Offering a fresh understanding of how the British intelligentsia created a ‘Northern’ aesthetics to challenge the European yoke, this book explores the roots of British Romanticism and a newly created past. Literature, the arts, architecture, and gardening all contributed to the creation of this national, ‘enlightened’, Northern cultural environment, with its emphasis on a home-grown legal tradition, on a heroic Celtic past, and on the imagined democracy of King Arthur and his Roundtable of Knights as a prophetic precursor of Constitutional Monarchy. Set against the European Grand Tour, the British turned to the Domestic, Picturesque Anti-Grand-Tour, and alongside a classical literary heritage championed British authors and British empiricism, against continental religion that sanctioned an authoritarian politics that the Gothic Novel mocks. However, if empiricism and common law were vital to this emerging tradition, so too was the other driving force of Britain’s medieval inheritance, the fantasy world of mythic heroes and a celebration of what would come to be known as the ‘fairy way of writing’.
English as spoken in the north of England has a rich social and cultural history; however it has often been neglected by historical linguists, whose research has focused largely on the development of 'Standard English'. In this groundbreaking, alternative account of the history of English, Northern English takes centre stage for the first time. Emphasising its richness and variety, the book places northern speech and culture in the context of identity, iconography, mental maps, boundaries and marginalisation. It reassesses the role of Northern English in the development of Modern Standard English, draws some pioneering conclusions about the future of Northern English, and considers the origins of the many images and stereotypes surrounding northerners and their speech. Numerous maps, and a useful index of northern English words and pronunciations, are included. Innovative and original, Northern English will be welcomed by all those interested in the history and regional diversity of English.
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.