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This Tiny Folio™ volume is based on the well-known frontier artwork by Karl Bodmer, George Catlin, and McKenney and Hall. Based on the renowned frontier artwork of George Catlin’s North American Indian Portfolio, McKenney and Hall’s History of the Indian Tribes of North America, and Prince Maximilian’s Travels in the Interior of North America between 1832 and 1834, these historic collections of prints and paintings were the first to preserve images of Native Americans before their culture was affected by the white man. Fulfilling one of the Library of Congress’s central missions—to document the printed, visual, and written history of this country—the images in this volume constitute part of the archive of the American memory. Native Americans found the world’s eyes upon them in the nineteenth century. Artists like George Catlin, Charles Bird King, and Karl Bodmer trekked to the West to paint images for those unable to make the journey and created some of the most important sociological, historical, and ethnological studies of American Indians. George Catlin, for example, was allowed to observe many of the ceremonies and games in the Indian villages which enabled him to provide a remarkably detailed picture of the tribe’s religious and social life. He wrote, “The history and customs of such a people, preserved by pictorial illustration, are themes worthy of the lifetime of one man.” This extraordinary miniature folio will appeal to anyone with an interest in American art, art history, or Native American history.
A miniature folio based on the well-known frontier paintings features hundreds of full-color illustrations.
The U.S. Library of Congress presents an online exhibit of the published photogravure images from the volumes of "The North American Indian" by American photographer Edward Sheriff Curtis (1868-1952). Curtis portrayed the traditional customs and lifestyles of eighty Indian tribes.
This Is A New Release Of The Original 1844 Edition.
"Curtis spent the best part of his life-nearly thirty years-documenting what he considered to be the traditional way of life for Indians living in the trans-Mississippi West. He took more than 40,000 photographs, collected more than 350 traditional Indian tales, and made more than 10,000 sound recordings of Indian speeches and music His magnum opus was The North American Indian." (Pritzker, Edward S. Curtis, 6).
Early 1900's photography of North American Indians.
Native Americans State by State details the history of the tribes associated with every state of the Union and the provinces of Canada, from past to present. Each state entry contains its own maps and timeline. The 2010 census identified 5.2 million people in the United States as American Indian or Alaskan Natives—less than 2% of the overall population of nearly 309 million. In Canada, the percentage is 4%—1.1 million of a total population of around 34 million. Most of these people live on reservations or in areas set aside for them in the nineteenth century. The numbers are very different from those in the sixteenth century, when European colonists brought disease and a rapacious desire for land and wealth with them from the Old World. While estimates vary considerably, it seems safe to estimate the native population as being at least 10 million. Ravaged by smallpox, chicken pox, measles, and what effectively amounted to genocide, this number had fallen to 600,000 in 1800 and 250,000 in the 1890s. Those who were left often had been moved many miles away from their original tribal lands. Native Americans State by State is a superb reference work that covers the history of the tribes, from earliest times till today, examining the early pre-Columbian civilizations, the movements of the tribes after the arrival of European colonists and their expansion westwards, and the reanimation of Indian culture and political power in recent years. It covers the area from the Canadian Arctic to the Rio Grande—and the wide range of cultural differences and diverse lifestyles that exist. Illustrated with regional maps and a dazzling portfolio of paintings, photographs, and artwork, it provides a dramatic introduction not only to the history of the 400 main tribes, but to the huge range of American Indian material culture.
Start a journey through the early American frontier with 'Personal Memoirs of a Residence of Thirty Years with the Indian Tribes on the American Frontiers'. Henry Rowe Schoolcraft, a pioneer settler in Michigan, shares his firsthand experiences as a chief Indian agent responsible for tribal relations in the region. From the upper reaches of the Mississippi Valley to the remote corners of Missouri and Indiana, Schoolcraft's diary illuminates the complex interactions between early Americans and Native tribes. Delve into the cultural exchanges, challenges, and rapid settlement that shaped the Great Lakes region, while encountering the introduction of steamships and the influx of missionaries, settlers, and curious travelers. This intriguing memoir offers a unique perspective on a transformative era in American history.
Edward Curtis was charismatic, handsome, a passionate mountaineer, and a famous photographer, the Annie Leibovitz of his time. He moved in rarefied circles, a friend to presidents, vaudevill stars, leading thinkers. And he was thirty-two years old in 1900 when he gave it all up to pursue his Great Idea: to capture on film the continent's original inhabitants before the old ways disappeared.