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Recounts the events surrounding the murders of nine Buddhist temple members near Phoenix, Arizona, and the arrest of four men known as "The Tucson Four" who were coerced into confessing and held despite there being no physical evidence to connect them tothe crime, and discusses how the suspects were treated by the media, even after the real killers were discovered.
Details the true story of seven monks kidnapped from a Trappist monastery in war-torn Algeria to be used as negotiation tools to free imprisoned terrorists and whose severed heads were found in a tree two months later.
The paradigmatic Buddhist is the monk. It is well known that ideally Buddhist monks are expected to meditate and study -- to engage in religious practice. The institutional structure which makes this concentration on spiritual cultivation possible is the monastery. But as a bureaucratic institution, the monastery requires administrators to organize and manage its functions, to prepare quiet spots for meditation, to arrange audiences for sermons, or simply to make sure food, rooms, and bedding are provided. The valuations placed on such organizational roles were, however, a subject of considerable controversy among Indian Buddhist writers, with some considering them significantly less praiseworthy than meditative concentration or teaching and study, while others more highly appreciated their importance. Managing Monks, as the first major study of the administrative offices of Indian Buddhist monasticism and of those who hold them, explores literary sources, inscriptions and other materials in Sanskrit, Pali, Tibetan, and Chinese in order to explore this tension and paint a picture of the internal workings of the Buddhist monastic institution in India, highlighting the ambivalent and sometimes contradictory attitudes toward administrators revealed in various sources.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
It is summer in 1890, in Robertsbridge, a small village in East Sussex. Dr Watson, on holiday without Holmes, finds the village peaceful and sleepy, but the truth is different. He soon discovers that the villagers are afraid, the atmosphere is threatening. Why do three mysterious white monks haunt the ruined abbey? What does the gipsy seek? Where is a missing ten-year-old boy? Watson calls for Holmes, but why is Holmes fearful of endangering lives? We read in this exciting story how Holmes' patient deduction and Watson's courage come together, to solve a many-sided mystery just before it turns into disaster.
This fascinating account of daily life in Westminster Abbey, one of medieval England's most important monastic communities is also a broad exploration of some major themes in the social history of the Middle Ages, by one of its most distinguished historians. - ;This is an authoritative account of daily life in Westminster Abbey, one of medieval England's greatest monastic communities. It is also a wide-ranging exploration of some major themes in the social history of the Middle Ages and early sixteenth century, by one of its most distinguished historians. Barbara Harvey exploits the exceptionally rich archives of the Benedictine foundation of Westminster to the full, offering numerous vivid insights into the lives of the Westminster monks, their dependants, and their benefactors. She examines the charitable practices of the monks, their food and drink, their illnesses and their deaths, the number and conditions of employment of their servants, and their controversial practice of granting corrodies (pensions made up in large measure of benefits in kind). All these topics Miss Harvey considers in the context both of religious institutions in general, and of the secular world. Full of colour and interest, Living and Dying in England is an original and highly readable contribution to medieval history, and that of the early sixteenth century. - ;By one of the greatest authorities on the subject -
Bartholomew hasn’t had a lot of life experience. As a novice monk aboard the spaceship monastery Prominence, he spends his days in worship and creating exquisite sun-fired pottery. These trips to the sun are the only life Bart has known. Then, while training to be a pilot with Gary, the ship’s hard-drinking captain, Bart hears tales of life beyond the bulkheads. Life is quiet until, one fateful trip, Bart is plunged into more trouble than he’s ever known. Two rescued castaways turn out to be interstellar thieves. A cleaning of the ship’s bilge leads to a shocking encounter with a giant eel. And then, disaster: when the Prominence reaches the closest point in its orbit around the sun, the engines fail. With only hours before the ship incinerates, Gary devises a plan, but it will save just a few of the ship’s 70 occupants. As temperatures and emotions soar, Bart heads into space, risking everything to save them all. MONKS IN SPACE is filled with zero-gravity action, memorable characters and mounting anxiety as the end of hope draws near. Readers will thrill to this electrifying adventure.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The period ca. 645-770 marked an extraordinary era in the development of East Asian Buddhism and Buddhist art. Increased contacts between China and regions to both its west and east facilitated exchanges and the circulation of ideas, practices and art forms, giving rise to a synthetic art style uniform in both iconography and formal characteristics. The formulation of this new Buddhist art style occurred in China in the latter part of the seventh century, and from there it became widely disseminated and copied throughout East Asia, and to some extent in Central Asia, in the eighth century. This book argues that notions of Buddhist kingship and theory of the Buddhist state formed the underpinnings of Buddhist states experimented in China and Japan from the late seventh to the mid-eighth century, providing the religio-political ideals that were given visual expression in this International Buddhist Art Style. The volume also argues that Buddhist pilgrim-monks were among the key agents in the transmission of these ideals, the visual language of state Buddhism was spread, circulated, adopted and transformed in faraway lands, it transcended cultural and geographical boundaries and became cosmopolitan.